Showing posts with label Elvis. Show all posts
Showing posts with label Elvis. Show all posts

Sep 12, 2017

Rock n' Roll Ain't Dead, It Just Needs to Evolve

By Robert Dean

On the eve of the release of the new Queens of The Stone Age record, someone in the band mentioned that “guitars were going extinct”. Wait, what? 

Is the symbol of a mindset, culture, a musical movement going to be relegated to the history books? Are we doomed to endless supplies of shitty music made with computers? Existential questions abounded.

When Elvis Presley started drying humping a mic stand with his long, greasy hair, no one had seen something like that in mainstream culture. While yes, Presley’s theatrics were a milquetoast reflection of his black counterparts out on the Chitlin Circuit; Presley was the guy who put ass wiggling at the top of the news hour.

After Elvis, the floodgates opened up. You had The Beatles, The Rolling Stones, Led Zeppelin, The Who, Black Sabbath, Jimi Hendrix, Cream, etc. And those bands begat other generations of rock and rollers, along with subsets of music like punk, heavy metal, hard rock, and whatever Steely Dan played. However, the underpinning idea here was simple: because of that initial wave of bands, guitars and rock and roll was the predominant art form. 

Back in the day, you had few social choices: dig on music or play sports. Everything else was all sub-genre and had nowhere the social pull like strapping on a Les Paul or tossing a tight spiral. But no matter the scene, the music was the great equalizer. Despite different worlds, those jocks were listening to the same stuff as the long hairs. 

Because of the limited choices for popular music the same bands got gigantic. Radio was controlled with an iron fist. Record labels and station managers had mafia-like relationships, and only certain groups got the nod to move to stardom. Bands were so big they were playing venues meant to land aircraft carriers. Dudes in Led Zeppelin were renting whole hotels and banging chicks with fishes. 

Then technology started to evolve. Hip Hop came onto the scene, which challenged rock and roll as an art, not only in style but also in purity. Country music was moving away from a Willie Nelson driven tenor but more poppy and accessible. 

Throughout the 1980’s, bands were adopting machines, keyboards, and synthesizers. MTV appeared and soon, symbolism and identity were as much of the package than just the riffs. 

The medium of the video was a step toward today’s market. The 1990’s was the last pure decade for rock and roll. Maybe the early 2000’s, but this new thing, this new addition to the musical landscape, tainted that: computers. 

So while in the past, rock and roll or whatever one of its descendants had the larger stage, now it’s just a slice of the contemporary pie. We only had the radio. Then MTV opened that up. And then we got access to broadband. And then the computers themselves could make music. Everything had changed.

Every interest of every type has a meetup or a scene. You can be an adult man and into a children’s cartoon about ponies and you have a community you can cling to.  Whereas in the past, you had one of those two choices music or sports as a blanket community – today, you can find a crew into a Finnish flute music. 

But, those articles, they keep saying rock and roll is dead. That kids only listen to hip hop or electronic music. People speak to the rise of the rapper or the huge dj. For every Kendrick Lamar, there’s a bazillion wack rappers who’ll have one hit and fade RE: Chingy or Migos. The rap game might have a few legit superstars, but even their world some thirty years later almost mirrors that of rock and roll with the 2000’s acting as their 1980’s excess. 

The electronic music world stands on the merit of the experience: it’s people on drugs dancing around to predictable beats staring at flashing lights. How is anyone surprised this makes money? People love drugs. We’ve been getting high since the jump. There’s no substance to electronic music. 

In twenty years no one will listen to the Chainsmokers. You can bet kids will definitely want to learn about Kurt Cobain, though. 

Rock and Roll isn’t dead. The music just no longer has the iron grip in a world that’s textured and with so many options. It’s not that there’s a lesser place in society for this music, it’s simply that those arena's are not filled with really anyone except ultra pop mavens. Why? Because those pop acts aren’t dangerous, they’re brands that you can slap a cool outfit on and sell products to. There’s no rock radio anymore. Everything that’s moving across traditional airwaves is so out of touch, and we all know it. 


Because as its own ecosystem it doesn’t need to evolve musically – there’s no point.  But, what the music does need to do is embrace all of the technology and trends of today and realize this how it is. Before a record was released and it was gospel thanks to a handful of channels; today you can stream an album on Facebook with no warning. 

We, as listeners need to accept the fate of all kinds of music: there’s a ton out there and it’s our job to support acts we’re passionate about. The new bands need their shot, but it needs to happen on the backs of the people who are passionate about the art. 


Violent Soho, JD McPherson, Rival Sons, Frank Carter and The Rattlesnakes - these acts and more are all out there writing killer tunes. Just do the homework. We need to look past those days of lore. They’ll never exist again. Socially, no one is gonna get banged with a fish without Instagramming it first. 

Aug 18, 2017

John Rich's Songwriting Tips #82


 Obviously, I've been getting a little jaded lately. I mean, Big Kenny and yours truly, the Rhinestone Redneck Playboy, are still putting it down (Check out our latest hit, "California!"), but things have slowed a bit on the songwriting side. Have you seen my name on the credits for many hit singles lately? Nah. I mean, don't get it twisted. I'm still living the pimp life hard, son. I still light my Cubans with twenties. But you know… things are different in the ville.

My newest advice is going to be the hardest I've ever given, because it goes against everything I stand for. Like me or not, you know I work hard, write hard, drink hard, and f… never mind. I don't settle for mediocrity. But here's what I'm telling you, based on the trends I see on Music Row.

Settle for mediocrity. If you normally write songs with wit, depth, story, and emotion, don't do that. If you can sing like Elvis or Etta James, take it down a hundred notches. If you can come up with melodies that would make Paul McCartney swoon, stop that shit. Nobody wants that anymore. They want substandard monotone songs sung by people who couldn't place top 5 in a high school talent competition.

Find a bunch of inspirational posters online and do the opposite of what they say. F**k 110%. Give 55%. Dance like somebody is watching and ridiculing you. When the going gets tough, whine.

Write lyrics like you're in an eighth grade creative writing class and can't think of any synonyms. Just go to a party and describe what you see in one syllable words. "Me drive truck, me drink beer, me tell girl, come right here." That's a hit!  Well, it's a hit as long as it sounds exactly like the other songs on the radio.

Don't strive for excellence. Don't try to leave a mark. Get it, fit in, shut up. Yeah, I'm mad. What are you looking at?


*not actually written by John Rich

Dec 7, 2016

Blue Christmas: A Farce the Music Sad Christmas Playlist

 
There's nothing like a sad Christmas song to mirror the dull, cold weather outside this time of year. Sure, Christmas is a joyous time of year, but not for everybody… and if you're like me, a little gray feels just right mixed in with the green and gold and red. The Spotify playlist is below.

Elvis Presley – Blue Christmas
Joni Mitchell – River
Hayes Carll – Grateful For Christmas
James Brown – Please Come Home For Christmas
Dolly Parton – Hard Candy Christmas
Marty Stuart – Even Santa Claus Gets The Blues
Tift Merritt – I'll Be Home For Christmas
Johnny Cash – Ringing the Bells for Jim
The O'Jays – Christmas Ain't Christmas, New Years Ain't New Years Without The One You Love
Kelly Willis & Bruce Robison – In The Bleak Midwinter
Sufjan Stevens – Did I Make You Cry On Christmas Day? (Well, You Deserved It!)
Darlene Love – Christmas (Baby Please Come Home)
Bob Schneider – Fairytale of New York
John Denver – Please, Daddy (Don't Get Drunk This Christmas)
Cat Power – Have Yourself A Merry Little Christmas
Willie Nelson – Christmas Blues
John Prine – Christmas In Prison
The Civil Wars – Tracks In the Snow
George Strait – What A Merry Christmas This Could Be
Kacey Musgraves – Present Without A Bow
Marvin Gaye – I Want To Come Home For Christmas
Corb Lund – Just Me and These Ponies (For Christmas This Year)
Jimmy Witherspoon - How I Hate to See Christmas Come Around
Asleep at the Wheel - Christmas in Jail

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