Showing posts with label John Moreland. Show all posts
Showing posts with label John Moreland. Show all posts

May 19, 2017

Album Review: John Moreland - Big Bad Luv

by Matthew Martin

The first thing I noticed about the latest album from John Moreland was the generally positive and upbeat tint to the album.  Where other Moreland albums burn and singe their ways into your soul, this album boogies its way in.  That isn't to say that this particular outing from John Moreland doesn't have those same gut-punch moments.  It does.  The man writes songs that are written, it seems, in the dead of night with not a lot going on- just your thoughts either haunting or taunting you.

The next thing I noticed was just how damn soulful and bluesy Big Bad Luv is.  I know that's always been there with Moreland, but on this album it's much more pronounced.  The album is such a throwback Americana album to me.  It's something that Steve Earle would have put out.  There's a hint of Full Moon Fever-era Tom Petty.  It's an album that will certainly grow as the Summer heat begins to intensify.  The laid-back bluesy songs such as "Love Is Not An Answer" or "Salisaw Blue" are perfect soundtracks to Summer.

So, the album is a damn good album.  It's a growth even if it, in reality, is a step backward for Moreland.  Sure, his last two albums were more somber in tone, but those weren't his first albums.  He's always had bands and this album is more or less a return to those earlier days.  I think that this is an artist who is happy, who is comfortable with the artist he is, and has found a group of musicians that has helped him realize his vision.

Let me get back to the positivity for a moment.  Yeah, there are some crushing lines on the album ("If we don't bleed, it don't feel like a song"), but those feelings of despair are mostly in the past and nearly every song has a moment of clarity for Moreland, acknowledging his love has more than made him happy- she's made him better.  He's a married man now, and that new truth colors his new music.

Yeah, there's a lot to think about in our pasts, but sometimes we get lucky and we have someone come along who makes those past experiences seem worth it.  Those experiences led us to this point.  And, it's not so much dwelling on those past experiences.  It's more acknowledging them.  That's always been Moreland's strength; turning a sharp, unblinking eye on those pasts and the feelings they conjure late at night.  He makes us confront what we may have been disregarding.  That's what makes us love him and his songs.

Every John Moreland album always ends up being one of my favorite albums of the year, and I don't see a way this album won't also be in my favorite albums list.  If not at the top, then damn near it.  If you've never seen the man live, he's going on an extensive tour this Summer and you should do all in your power to get out and see and support him.  The show is unreal.  It's stunning.  While you're there, or before, pick up Big Bad Luv and all the previous albums if you don't already have them.


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Big Bad Luv is available everywhere you consume music, except like, Walmart probably.

May 5, 2017

Interview With NashCrap's Charles Buchanan

Charles Buchanan is a country music blogger from Shreveport, LA. He runs the review and satire site NashCrap, which has been skewering mainstream country tropes since 2015. We recently sat down with him for an interview to find out about his process and his motivations.

FNN (Farce News Network): Charles, it's good to finally meet you. I've enjoyed your work ever since I saw that hilarious "10 Suckiest Kane Brown Tweets" pop up on my timeline last year. Let's start with some basics; just let us know who Charles Buchanan is.

CB: Well, I'm Charles.. I'm 24 and currently living with my parents. I majored in journalism at LA Tech and am looking for a job and freelancing a little. I enjoy alone time and Hot Pockets.

FNN: Gotta love that home cooking, right? I live at home too! Free laundry son!
So, what made you start NashCrap?

CB: I just got so tired of seeing all the girls who turned me down riding around in $50,000 pickup trucks with jacked dudes, listening to Florida-Georgia Line, that I decided to strike a blow for the little guy! I listened to pop country and actually enjoyed it up until all the guys who used to beat me up in high school started liking it. So I started looking around on the internet for stuff like "Luke Bryan sucks." I found sites like Salvation of Country Music and Country Nevada and Photocrap the Music, and my eyes were opened to a whole new way to get back at the people who live better lives than me!

FNN: It feels good, doesn't it? Hey, tell your mom thanks for these Snickerdoodle cookies. They're awesome. Next question: How do you quantify what 'good' music is, when we all know taste is subjective?

CB: It's pretty easy, actually. Whatever is popular is bad, except Chris Stapleton and whoever else the other country blogs say is okay. Whatever doesn't get played on the radio is good, except Kane Brown… he sucks, obviously.

FNN: A recent editorial on WhiskeyBitch stirred up controversy when it said that people who criticize artists like FGL and Sam Hunt probably weren't popular in high school and are passively aggressively getting back at the "cool kids." Thoughts?

CB: They really hit the nail on the head. I remember back in ninth grade, all the kids made fun of me for my premature baldness. I was really overweight too, so I could never catch the baseball players who'd always steal my toupee. I have never been on one single date, ever. My aunt from out of state who looks really young went to prom with me so I'd have a date, but even she wouldn't dance with me. I have a few friends, but I only know them by screen names. So, what were we talking about again?

FNN: I think you covered it. So now that you're a "big star" in the country blogging world, do you ever get to meet the artists when you go out to shows?

CB: Shows? Like musicals? I went with my mom to see Wicked one time, but I didn't get to meet anybody.

FNN: No. You know, concerts… but since the artists we cover are usually on a smaller scale, they're often just called 'shows.'

CB: Cody Jinks liked one of my Tweets one time.

FNN: That's cool. I really meant, have you spoken to any of the singers you like in person?

CB: Justin Wells messaged me on Facebook and asked that I remove a bad review of his album one time.

FNN: A negative review of his album? That doesn't seem like him.

CB: No, it was a poorly written review. He said he was embarrassed for me.

FNN: Moving on. What do you think of the softening of bro-country? It's less in-your-face now, with more pop and EDM influence. Do you think it's a positive or negative for mainstream country, going forward?

CB: I don't know really. I just look for dumb outfits they wear to make fun of them, or find lyrics I can make memes from. I don't really get that deep into the study of the actual music. Honestly, I wish bro-country was still the way it was a few years ago. It was easier to make top ten lists about.

FNN: Understood. What albums are you listening to right now?

CB: I'm really excited about the new John Moreland. I just love his Springsteen-esque sound and his heartfelt lyrics. Also, Chris Stapleton's new album is sure to be excellent, or so I've read.

FNN: Okay. Lastly, who's really getting your goat in the world of pop country?

CB: Chris Lane! Ha, that hair! He looks so stupid. And Kelsea Ballerini! She just sings "boy" a bunch and she's a star. How fair is that? Florida-Georgia Line always gets me upset. You know? I stopped to take a pee there one time.

FNN: Riveting insight, pal. Thanks Charles. Make sure to check out his great work at NashCrap.hulu and tell 'em FNN sent you!

May 4, 2017

John Moreland Performs "Old Wounds"

From his album out tomorrow, Big Bad Luv.


The Simpsons Country Reaction Gifs 2

Pop country fans going to a concert be like

I read somewhere that pop-country haters are jealous losers

Wearing a Luke Bryan t-shirt to school?

Yeah, Florida-Georgia Line has done so much for country music

Flanders Family Band bout to lay down some hardcore folk

How's that new John Moreland album?

Still more country than Sam Hunt

 Hey, you want free tickets to Justin Moore?

Dec 2, 2016

John Moreland, Will Johnson, etc to Play Chris Porter Fundraiser


 Chris was a good guy and a friend of Farce the Music. Please attend this if you're able!
 
---------------------------
ALL-STAR CAST OF AMERICANA ARTISTS TO PLAY FUNDRAISER FOR POSTHUMOUS RELEASE OF CHRIS PORTER'S FINAL ALBUM


"It's Gonna Get Weird Without You" 
A benefit ft. Alejandro Escovedo, Will Johnson, John Moreland, Aaron Lee Tasjan,
The Mastersons, John Calvin Abney, Shonna Tucker & more


Dec. 11, Austin, TX @ C-Boys Heart & Soul
In the wake of the tragic passing of Austin, TX, musician Chris Porter (and his Bluebonnet Rattlesnakes bandmate Mitchell Vandenburg) this October, Porter's friends and musical admirers are now gathering for the worthiest of causes—raising funds to help finish and release his brilliant final album, Don't Go Baby It's Gonna Get Weird Without You. Join them Dec. 11 at C-Boys Heart & Soul in Austin, TX, to celebrate the life of this beloved, unsung hero of the Americana underground. The evening will feature a silent auction and performances from Alejandro Escovedo, Will Johnson (Centro-matic, Monsters of Folk), John Moreland, Aaron Lee Tasjan, Shonna Tucker (Drive-By Truckers), The Mastersons, John Calvin Abney, Sarah Green & Drew Carman.

$30 advance, no hard tickets—will call at the door
Doors @ 7:30pm,  21+


Sep 7, 2016

Exclusive Video Premiere: M. Lockwood Porter - "American Dreams Denied"

M. Lockwood Porter
In the past three years, roots-rocker/folk-singer M. Lockwood Porter has released two albums and toured all over the US, sharing bills with the likes of American Aquarium, Lee Bains III & The Glory Fires, Aaron Lee Tasjan, Water Liars and John Moreland. He has also performed at festivals like Outside Lands, Noise Pop, the Norman Music Festival and CMJ, and has been covered previously by PopMatters, Paste, Daytrotter, Nine Bullets, No Depression and more.

Porter's new record How to Dream Again will be released Sept. 15 via Black Mesa Records. New single and video "American Dreams Denied” is an overdriven anthem brimming with millennial post-recession frustration, while channeling the red, white & blue grandeur of Bruce Springsteen in an unabashedly personal and political tune.

RIYL: Dylan, Conor Oberst, early Wilco, The Hold Steady, Bruce Springsteen
 


Pre-Order Links for How to Dream Again:


His Bandcamp: https://mlockwoodporter.bandcamp.com/album/how-to-dream-again
US Label: http://www.blackmesarecords.com/shop/how-to-dream-again-m-lockwood-porter


More information on M. Lockwood Porter and his music below the video!




And now the premiere of Porter's "American Dreams Denied!"




M. LOCKWOOD PORTER - HOW TO DREAM AGAIN

The Berkeley, California-based singer-songwriter M. Lockwood Porter is part of a promising crop of up-and-coming Americana singer-songwriters. In the past three years, he has released two critically-acclaimed albums and performed all over the US, sharing the stage with acts like American Aquarium, David Wax Museum, Lee Bains III & The Glory Fires, Water Liars, Samantha Crain, David Ramirez, Aaron Lee Tasjan, and John Moreland. He has performed at festivals like Outside Lands, Noise Pop, Norman Music Festival, and CMJ. No Depression called Porter’s 2014 album 27 “a solid album worth your time, attention, and money." In a review of 27, Americana UK said, "Take care with M. Lockwood Porter. He is an important singer-songwriter.”

Porter, who got his start in music playing in punk bands in Tulsa, Oklahoma when he was in high school, is resistant to simple categorization, though. Like Conor Oberst or Jeff Tweedy, his songs are equal parts traditional songcraft and indie rock attitude. “I get called an Americana singer, and I get why. But it’s a narrow label. I still have this punk rock point of view that, whenever I’m around a bunch of people that are doing something similar, makes me want to take a left turn.”

How To Dream Again – tracked live in three days with minimal overdubs – is one of those left turns. While Porter dabbled in lush country-rock and expansive power pop on 27, How To Dream Again sounds tougher and leaves more space. The band – consisting of Porter, Peter Labberton, Bevan Herbekian, and Jeff Hashfield, and John Calvin Abney – sounds tight and heavy, like Tom Petty and The Heartbreakers if they’d cut their teeth at CBGB. The acoustic songs are raw and haunting, recalling Springsteen’s Nebraska.

The heartbreak and existential crises of 27 have been replaced with boldness, wisdom, and a deeper level of self-examination. “I’m in love, in a very healthy, serious relationship, and I’m happier with where I’m at in terms of my music, but with being further along in my personal life come new questions like “How do you maintain what’s good about a relationship? How do you keep it from going stale?” “Burn Away”, “Bright Star”, and “Strong Enough”, all ostensibly love songs, are really about the uncertainty inherent in love – that there is no guarantee that it will last forever.

Porter – who has degrees in English and American History from Yale University and taught English at an inner-city middle school for four years – has also rediscovered an interest in social justice and activism. “I started teaching because I wanted to help make the world a better place. When I quit teaching to do music full-time, I shut off that part of my brain. As an independent musician, you spend so much time thinking about your career that it can be hard to make room for anything else. At one point last year, I realized that I had no idea what was going on in the world anymore. I felt like I had run out of things to talk about, and I needed to refill my brain.”

The result was a year of re-education. Porter read extensively – progressive writers like Noam Chomsky, Naomi Klein, Ta-Nehisi Coates, and Thomas Piketty – and took time to rethink what he wanted to write about. “I strive for 100% honesty in my songwriting, and that means I have to write about what’s on my mind and in my heart even if it scares me. I’ve always been intimidated by the idea of writing songs that might be interpreted as political. But that’s why I knew I had to – because I was afraid to.”

Porter immersed himself in the works of topical songwriters – some obvious influences (Woody Guthrie, Bob Dylan) and others less so (Joe Strummer, Public Enemy’s Chuck D). In the process, he learned about Joe Hill – the protest singer and IWW labor organizer who was executed on highly questionable charges almost exactly 100 years ago. “I went to this Joe Hill tribute at a small café in Oakland on the 100th anniversary of his death in November. I didn’t know very much about him when I went, but I came away really inspired.” So inspired, in fact, that Porter wrote the song “Joe Hill’s Dream” shortly afterwards – at once an examination of Hill’s legacy and a lament for our current dearth of songs addressing collective struggles.

Porter attempts to make up for this lack throughout the album. “American Dreams Denied” and “The Future Ain’t What It Used To Be” are anthems of millennial post-recession frustration. “Sad/Satisfied” and “Dream Again” trace Porter’s evolution from a navel-gazing songwriter into a more thoughtful, outward-looking artist. “Charleston” was inspired by the horrific June 2015 mass shooting at an African-Americanchurch in Charleston, South Carolina.

The album’s centerpiece, though, is “Reach The Top”, a five-and-a-half minute dissertation critiquing the philosophy underpinning theAmerican Dream, tying together its myriad consequences – isolation, materialism, depression, suicide, drug use, destruction of unions, college debt, gentrification, police brutality, media distortion, and American imperialism – using nothing but his voice, a guitar, and a harmonica. This song alone is a strong case that this California-based Okie transplant may be Guthrie’s closest modern heir.

On How To Dream Again, M. Lockwood Porter blends the personal and political in a way that is courageous, moving, and representative of this historical moment. “I can’t have a conversation with anyone my age right now without talking about things like inequality, gentrification, racial injustice, student debt, or climate change. I wanted to make a piece of art that captures this time, where daily life is political.” Yet at its core, this album is a very personal statement from a thoughtful, daring young artist. “The album is called How To Dream Again because it’s about trying to change my priorities – from chasing dreams of individual success to dreaming about creating something bigger than myself, whether that’s being in love or building a better world.”


Dec 30, 2015

Farce the Music's Top 13 Albums of 2015

For the first time, our best albums list is a composite voted on by Trailer and FTM's 4 most frequent contributors (Kelcy Salisbury, Kevin Broughton, Jeremy Harris, and Matthew Martin) along with a tiebreaker vote from Trailer's concert buddy/friend with good taste in music, Chad. We hope this will add validity and weight to the results. It was another great year for music, as you'll see clearly below. 



11. (Tie) Jason Boland and the Stragglers - Squelch
Boland & a slightly reworked Stragglers lineup provide proof that country music can evolve without sacrificing its identity. Not many artists are turning out this kind of work nearly two decades into their career, but the proof is in the pudding as The Stragglers have put out a rollicking rock-tinged album with a subversive, punk rock type aesthetic throughout. If you like smart, socially conscious lyrics with a bite, this is the country album for you. -Kelcy



11. (Tie) William Clark Green - Ringling Road
It may head towards the pop country direction a few times. I don’t care. It may contain a few songs that are catchy but don’t contain much substance. I don’t care. It may be from someone that a lot of you had never heard of. I don’t care. I chose this as my top album because it’s my top album. How can you argue with that logic? I don’t know or care. All I know is this is by far my favorite album of this year and it wasn’t even something that required much thought. -Jeremy



11. (Tie) Father John Misty - I Love You, Honeybear
Indie-pop is a sub-genre I usually avoid due to the twee nature of its typical fare. Father John Misty doesn't do twee. He infuses his catchy pop tunes and lounge rollers with a strong dose of balls. His lyrics are clever, biting, and frequently downright asshole-ish. These songs comfort, provoke, enlighten, and annoy, often at the same time. Our narrator is a jerk, but a jerk that you have to stick around to see what he'll do or say next. This is a record that will gnaw at you and stick with you, each song taking its turn being an earworm or soundtrack to some odd moment. -Trailer



10. Jonathan Tyler - Holy Smokes
It’s astounding when you realize all the things this guy has accomplished by his 30th year. Out of a contract with the suits at Atlantic Records, Tyler combines songwriting chops and a top-flight vocal range to express his newfound independence in impressive fashion. Expect more great things from this prodigy. -Kevin



9. John Moreland - High on Tulsa Heat
It's not an album you may want to listen to over and over because it's so heavy. But, whether you want to or not, you'll be compelled to continue to listen. It's catchy. It's a bummer. But John Moreland sings with the conviction of a man who has no choice but tell you about the pains of life. Moreland's voice is so powerful and strong. If you don't own this album, stop everything you're doing and get this album. Listen to it. Then, listen to it again regardless of your gut feeling. This album will hit you, and hit you hard. By the time you get to "Cherokee" on the last half of the album, you'll realize how special Moreland, and this album, is. -Matthew



8. Ray Wylie Hubbard - The Ruffian's Misfortune
The Wylie Lama has released his best album in years, and we are lucky enough to witness it. "Stone Blind Horses" is as good a lyric as anything released all year, "Bad On Fords" is about as much fun as anything Hubbard has ever put out, the whole vibe is great & the results are fantastic. -Kelcy

This seasoned, wry songwriter really can’t make a bad record. “Chick singer, Badass Rocking” has the kind of driving, tribal feel as a RWH standard, “Snake Farm.” And the record closes with “Stone Blind Horses,” which would make my top 5 list of singles from 2015. -Kevin



7. The Yawpers - American Man
If this were a list of the top rock albums, Nate Cook and his band would be at the summit. The songs confront a range of social/societal issues head on, but what blows you away is how much sound the Yawpers get from two acoustics and a drum kit. Buckle up; this one gets you by the throat. -Kevin

Rock & Roll isn't dead, you just can't see it from the highway or hear it on corporate radio, but there are still some bands keeping it alive. This album is at once sprawling, messy, smart, cynical, homesick & rebellious. It's a good thing. -Kelcy



6. American Aquarium - Wolves
To say the musical arrangements are daring & a departure from past albums is true. Yes, the same basic structure is there, the skeleton is intact enough to keep the loyal fans sated. But BJ Barham & the boys take risks here. The lush "Man I'm Supposed To Be" could be something Chet Atkins produced, but the darkness that lurks in this most honest of love songs somehow makes the song even more powerful. -Kelcy



5. Whitey Morgan - Sonic Ranch
How does an album with a bunch of covers make a year end list? By making you forget they’re cover songs. Whitey hits a home-run with this one and his vocals should’ve made this album more talked about than it already was in 2015. -Jeremy

As strong a "real country album" as you'll hear in 2015. It's refreshing to hear such unfiltered honky-tonk music in this day and age of contrived edge and softened edges. Morgan and the 78s' version of modern outlaw country is a comparable sound to what Sturgill Simpson is doing, but with a blue collar approach and a more pronounced low-end. This album may not drive Morgan to acceptance/hype in the same circles as Jason Isbell and Sturgill, but it's a big statement album that will bring in new fans and make old ones very happy. -Trailer



4. Chris Stapleton - Traveller
Chris Stapleton has been around the scene for a long time and I think many folks have had 
a feeling that one day he'd get the recognition due him. I'm glad that day has come, and this 
album is completely worthy of all the praise it has garnered. Stapleton's voice is as strong as 
ever and the songs are perfect showcases for his style. The slower, sadder tunes on the 
album are the real highlights though and the song "Fire Away" is far and away my favorite 
track on the album. -Matthew



3. Jason Isbell - Something More Than Free
The only thing keeping this one out of my top spot is the fact that it was just a year since his last tour-de-force, Southeastern.  As I wrote here, this record lets your emotions off the mat a little bit, and allows you to breathe. I think it’s his best to date, but the dude keeps raising the bar. -Kevin



2. James McMurtry - Complicated Game
The first studio album in six years from the dean of Texas songwriting. McMurtry turns a phrase better than most, and injects an extraordinary pathos into his everyman characters. He didn’t miss a beat during the half-dozen year delay, and this one is well worth the wait. -Kevin

I'm not sure there is anyone out there today who can write songs about everyday scenarios as perfectly as James McMurtry. On his latest effort, McMurtry strips down his songs to their basics and lets the focus be on the stories within each song. The incredibly heartbreaking song "You Got To Me" will leave you missing something- whether that be home, a past relationship, or just earlier years will be up to you. The song and the album stuck with me for weeks after listening to it. -Matthew



1. Turnpike Troubadours - Turnpike Troubadours
On this record, the Troubadours let a little color and light in, and it's just enough to fully realize the absurd potential of this group. There's space, separation, and vividness in the sound. The slower songs soar, the rockers punch, and there's fiddle and steel galore. On a good set of speakers, this thing is stunning. Their writing was already excellent, but they've even upped their game in that department. "The Bird Hunters" tells the tale of a man coming to terms with an ended relationship over the course of a quail hunt. This could come across as hokey or forced in the hands of a lesser act. The Troubadours make it a song-of-the-year candidate, epic, cinematic, and immersive. -Trailer

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Other popular selections:
The Pollies - Not Here
Lindi Ortega - Faded Gloryville
Baroness - Purple
Kacey Musgraves - Pageant Material
Randy Rogers & Wade Bowen - Hold My Beer
Allison Moorer - Down to Believing
Lucero - All a Man Should Do
Courtney Patton - So This is Life
Benton Leachman - Bury the Hatchet
Ashley Monroe - The Blade
The Honeycutters - Me Oh My
The Deslondes - s/t
Eric Church - Mr. Misunderstood
Will Hoge - Small Town Dreams

Aug 3, 2015

Live Review: John Moreland with Caroline Spence - 7-29-15 - Vienna, VA

John Moreland with Caroline Spence
7-29-15 - Jammin' Java - Vienna, VA
by Matthew Martin 

There are shows that are raucous.  There are shows that are full of bros.  There are quiet shows full of very respectful and amazing music lovers.

Then, there are those at a John Moreland show.  I could say that those people going to a John Moreland show are just more respectful than most concertgoers, but that would be wrong.  By the time the first chord is struck and the first word is sung, the crowd is already in complete awe.  This is just a fact at a John Moreland show.  You shut up because there is honestly nothing more you can do.  You are transfixed on this amazing talent on stage.

But, let's not get ahead of ourselves.  Openers are very important and this particular night was no exception.
Caroline Spence
Opening for Moreland was Caroline Spence.  If you haven't heard of Caroline Spence, you should really give her a shot.  She had a wonderful voice and is really one hell of a song-writer.  Two songs that really stuck out to me were "Whiskey Watered Down" and "Bless Your Heart."  If you're on this site, reading this review, chances are you are going to like her.  You should buy her new album, Somehow, and go see her if she is around.  I had never heard of Caroline Spence and so as I was doing a little research on her after the show, I came across this Rolling Stone article listing her as one of the 10 New Country Artists You Need To Know: Spring 2015.  Don't pass her up, folks!

Maybe 15 minutes after Ms. Spence finished her set, John Moreland took the stage to a loud round of applause.  As he settled onto his stool, the crowd began quieting down, then, as mentioned above, Moreland begins and the crowd is stunningly quiet.  I can't recall who it was now, but someone on Twitter (I believe it was Todd Farrell, Jr.) had said before that their favorite thing to witness was a crowd realizing they were in the midst of something special when John Moreland began playing.  I agree.  100%.  It is unbelievable.  I put it up there with watching Tim Barry.

For an hour and a half, Moreland played songs from his first solo album, Earthbound Blues, through the excellent new album, High On Tulsa Heat.  There were a couple of songs in there that I believe were new as well.  During the show, Moreland doesn't speak much, but when he does, he is clever, wry, and self-deprecating.  Before breaking in to "You Don't Care For Me Enough To Cry," he states, "This is a song I recently discovered was too sad for Dallas-Ft. Worth morning television."

This was my second time seeing Moreland, and I was glad to see that the crowd for this show was at least triple the size it was last time.  I hope he continues trending upwards, and with the recent success of this little circle of music we listen to (whatever you want to call it), I believe he will.

I don't think I need to tell you to go see John Moreland if he's in your area.  You know him, you love him- why wouldn't you go see him?  There are few musicians that I can't imagine missing when they come to town and Moreland is absolutely at the very top of that list.  Yeah, you'll feel all of your feelings, but hey, that's what songs are for, right?

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