A poop emoji is negative, a strike-thru is positive.
The current Poop Rating of the Mediabase Top 20 is (-4) overall which is a 5 point improvement from May (the previous time we did this chart). The peculiar thing about this chart is the wide variance of quality. There are several truly excellent songs and several bottom of the barrel offerings. Usually, there’s a lot more mediocre going on. The worst song (just like May) is Dan + Shay’s “Glad You Exist.” The highest rated is Kenny Chesney’s best song in ages, “Knowing You.” The glacially slow pace of country radio is on full display here as half of these songs were also on the chart TWO FREAKING MONTHS AGO. Yawn.
While far from his worst set of lyrics (I doubt he'll ever make anything worse than "Ready Set Roll"), it's just another generic, uninteresting booty-call where the only other ingredient I really have to work with is the unlikable person singing it. And that alone causes me to read a lyric like "the show your girls all come over for" as more misogynistic than I probably should. So maybe if someone else were singing this, you might find "Big, Big Plans", "Cool Again", or "Beers and Sunshine" in this slot instead. But as long as Chase Rice continues to be Chase Rice, I will continue to make room for him on worst-of lists.
14. "I Love My Country" by Florida Georgia Line
Good news: the mixing isn't quite as bad and the Auto-Tune is a lot less prevalent. (It really says something when switching to Corey Crowder is an improvement.) Bad news: it's still an annoyingly pandering country-pride anthem that brings absolutely nothing new to the table. Sure, it's not the worst thing they've ever released lyrically. But FGL's been running on fumes for a while, and between this and "Long Live", I don't think that "'Round Here' but with less overproduction" is going to be anywhere close enough to reverse their downward slide or even endear them to the non-fans.
13. "I Wish Grandpas Never Died" by Riley Green
I wish that interesting ideas weren't wasted on lazy, pandering list songs. I could pick apart every entry on this list, but the anachronistic conservatism of the first verse (divorce doesn't exist, respect your elders, blah blah blah) probably rubbed me the wrongest way. I'd much rather hear a story about the grandpa in question and why the narrator wishes that he never died -- in other words, I'd much rather hear Randy Travis' "He Walked on Water". (Okay, that one's about a great-grandfather. Close enough.) The sincere vocals and country-sounding production are the only elements keeping me from moving this song any higher.
12. "Bluebird" by Miranda Lambert
One of my least favorite tropes is when songs string a bunch of metaphors or similes together without a narrative theme. And boy, does this one have it bad: pages turned, digging for treasure (and somehow switching to records halfway through), wildcards, lemonade... pick a topic and stay with it, already! And what do bluebirds have to do with the rest of the song? (It's apparently an homage to an obscure poem. Never would have guessed, especially since that just comes the fuck out of nowhere.) Finally, what the hell does "turn twenty cents into a ten...rhyme a dime 'til it all makes sense" even mean, other than "this song is a total mess"? (A well-sung mess, but a mess nonetheless.)
11. "Kinfolks" by Sam Hunt
Sam Hunt doesn't usually grate on me because, as flagrantly un-country as he is, most of his songs are at least competent. The first one that I actively disliked was "Body Like a Back Road", and the second one is this. He has literally just met this girl, and he already wants to drag her back to his family like a cat dragging a dead mouse to its owner. Yes, sometimes you really do find the right one on the first try. But come on, don't you think you're rushing? Maybe it's just a stylistic thing or the lingering stink of "Back Road", but he seems less like he's found an instant match and more like he's just rushing to get his dick wet as fast as possible.
10. "Momma's House" by Dustin Lynch
Dustin Lynch continues to baffle me. "Cowboys and Angels" promised twang, but ever since, he's just been the clean channel to Jason Aldean's overdrive. While not his worst lyrically, where this song fails for me is in the overbearingly mechanical overly auto-tuned talk-singing (at least he used real drums this time), combined with the vastly dissonant hook. Okay, what about your momma? How does she even factor into this? Nope, it doesn't matter, I'm already bringing up more about the breakup. Maybe if the song sounded better, or maybe if it came from another artist who at least has some semblance of effort in his work, I wouldn't be quite as hard on the clashing tone.
9. "God Whispered Your Name" by Keith Urban
Probably the best-produced song on this list. I love the sound of Hammond organ and Wurlitzer electric piano, and after the pop bombast of his past few albums, it's nice to hear Keith Urban with fewer layers. What I don't love is motivational and/or religious clichés, and boy does this song have them in spades. "Bear the cross". "Being saved". "See the sunshine". "Baptized". "Warmth of your smile". "Amazing grace". I honestly do want to like this song because of how pleasant it sounds, but the faults of the lyrics are just way too strong for me not to notice them.
8. "One Margarita" by Luke Bryan
As of this writing, Luke Bryan is a 44-year-old married man with two children. So his hyper-fixation on alcohol-infused spring break parties makes him feel immature and stunted. The weird vocal processing on the chorus is just about the only thing that gives this increasingly tired formula any semblance of life. Is it tone-deaf in the wake of the COVID-19 pandemic, though? On the one hand, it was written long before then and I can see the argument that it's just escapism. On the other hand, the kind of people who would use this song as escapism are likely the kind to hold giant parties with no concern for social distancing...
7. "Nobody but You" by Blake Shelton feat. Gwen Stefani
Blake didn't seem to mesh with Miranda, and he really doesn't seem to mesh with the Hollaback Girl. Maybe it's the overbearing wall-of-sound production (I'm not a Scott Hendricks fan, but this is seriously the worst I've ever heard out of him). Maybe it's the extremely unoriginal lines such as "I don't wanna live without you, I don't wanna even breathe". Maybe it's Blake's delivery, which sounds strained on the high notes and completely phoned in on the rest. Maybe it's the utter lack of chemistry between him and Gwen. Whatever the case, I do wanna go down any other road just to get away from this nonsense.
6. "We Back" by Jason Aldean
Aldean has been on autopilot for so long that his last four albums have barely even registered for me. This song is just the same formula for what feels like the hundredth time: big minor-key power chords, soaring chorus, references to good ol' boys and girls drinkin' beer and blaring AC/DC (sorry, Trailer, I just can't get into them at all). Hell, even the references to speakers and obligatory omission of verbs to sound "cool" were recycled from the equally forgettable "Lights Come On". He does still have decent songs in him ("Any Ol' Barstool", "Drowns the Whiskey"), so his continued formulaic pandering is just eyerolling.
5. "Good Time" by Niko Moon
This one doesn't piss me off quite as much as it did Trailer. I will admit it does have quite a lot against it: generic party-in-the-woods lyrics that can't even come up with a decent hook; paper-thin vocals that say "I got a record deal entirely because I wrote a few songs that happened to be hits for someone else"; trap snares for days; and me wondering what the hell kind of mind control this guy has over Zac Brown that he was so able to thoroughly ruin what used to be one of the brightest spots on mainstream radio. At least Niko knows what an acoustic guitar is...
4. "Hey Boy, Hey Girl" by Upchurch feat. Katie Noel
Trailer put this one on his list so I had to check it out. And it charted, so now I have to include it too. Yay. Where do I even begin? I mean, I know what to expect from Upchurch from all of my coworkers who think that blaring hick-hop while drinking White Claw gives them street cred. But who is Katie Noel? Oh yeah, she's some Z-list auto-tuned trap-snare nobody. Put the two together, add probably the first-ever name drop of Justin freakin' Moore, the eight billionth "hey girl" hook this decade, and token references to cars and nights, and you have an unlistenably bad mess that makes "Take Back Home Girl" sound like "Golden Ring".
3. "10,000 Hours" by Dan + Shay feat. Justin Bieber
Considering how thoroughly I thrashed this in the "Worst of the 2010s" list, I bet you're surprised this is only #3, huh? Well, spoilers: the #2 and #1 songs didn't exist yet when I made that list. I already eviscerated this excessively lovey-dovey, emasculating, calculated piece of garbage last year when I made that list, and my opinion has not changed. Dan + Shay are still nauseatingly uber-romantics who can't get through a single sentence without gushing about their wives, and Justin Bieber is... well, he's still Justin Bieber. Say what you will about "I Should Probably Go to Bed"; at least it's about something else besides being all doe-eyed over your woman.
2. "More Than My Hometown" by Morgan Wallen
I don't get Morgan Wallen. All of his other songs just go in one ear and out the other for me, so at least this one got a reaction. Being an old-fashioned homeboy is not in and of itself a bad thing. But this song's hook just reads as rude and dismissive. Maybe it wouldn't chafe as much if he gave at least some kind of well wishes to the girl he's leaving behind, or even some detail as to why his hometown is so vastly important to him. (And I'm not saying that just because my own hometown went to pot long before I left it...) But as it stands, he just seems like a cranky old man far too stubborn to get with the times. And he probably still isn't wearing a mask.
1. "Dicked Down in Dallas" by Trey Lewis
It's hard to do vulgar humor right, especially in musical form. However, this one fails to deliver on the "humor" part. There's hardly even a setup; just "She left me", and then it jumps into a list of sex acts that all happen to begin with the same letter as a random Southern city. I'm coarse and vulgar enough to ghost-write an entire Bob Saget standup routine, so I'm not pissed off because Trey said "butt-fucked"; I'm pissed off because saying "butt-fucked" with zero context is not a punchline. Combine that with the fact that the premise is nothing but slut-shaming -- just about the last thing a country song should be about post-Saladgate -- and this becomes the last-minute worst country song of 2020 in my book.
You were kicked out of at least 3 stores for not wearing a mask in 2020. You don’t really like music, you just like Dustin’s smile, abs, and … wait, you’ve moved on to Russell Dickerson.
Russell Dickerson - Southern Symphony
You have the attention span of a 2-year-old and this is the most recent pop country album that came out. You don’t have a boyfriend, but if you did, he’d leave you for your godawful taste in music.
Upchurch - Everlasting Country
You’ve only heard it twice during your allotted media time at the prison library but you love it. Your parents are more proud of your brother, a furry who smokes synthetic marijuana.
Elizabeth Cook - Aftermath
You have put a man into a headlock for the last cigarette. You’ve showed up to church looking like a million bucks after a night of drinking that would have ended a normal human.
Drive-by Truckers - The Unravelling
You’ve been a fan since way back. Way back in 2016. Your real life friends hate you despite having the same political beliefs.
Sam Hunt - Southside
You’re either an idiot, or an otherwise intelligent music journalist with one major blind spot.
Matt Stell - Better Than That
You’re one of the 17 people who know who Matt Stell is, despite him having two #1 hits.
Arlo McKinley - Die Midwestern
Based on your listening habits, people would assume you’re a hard-living rancher or trucker, but they know better because they work in the cubicle next to yours.
Tyler Childers - Long Violent History
You’re able to look past click-bait headlines to see the true meaning and measure of a man. Also, your standards for old timey fiddle music are pretty low.
Keith Urban - The Speed of Now
You worked from home all year, but made fun of people who were worried about Covid. You love Yellowstone, but hate that old timey music they play. Your kids couldn’t spell their own names until they were 8 - not because they have learning disabilities - because their names are some shit like Matthieuwe or Khelleighe.
A poop emoji is negative. A strike-thru is positive.
The current Poop Rating of the Mediabase Top 20 is (6) overall which is a 25(!!) point improvement from December (the previous time we did this chart). I wouldn’t say the country chart is more country these days, but the quality has improved by leaps and bounds. There’s more depth. There are more women. The worst song is Florida-Georgia Line’s “I Love My Country.” The best song is Maddie & Tae’s “Die From a Broken Heart,” which has been on the charts for …ever, it seems.
Garth Brooks won the CMA entertainment of the year award and everybody’s in there feelings about it. I’m a little mad myself sense Keith Urban didn’t win it, but that’s not why other people are all salty. They think, get this, that Carry Underwood or Eric Church shoulda won. LMOA! On one side you’ve got all the feminists who want women to win everything and rule the world (go rule over the laundry room, lol). On the other side, you’ve got hipster country fans who think Eric Church is any good.
There both wrong! If Keith Urban couldn’t win it Garth is the man! I’ve seen garth live at least 5 times and it was a damn party! He ran around like a crazy person and climbed on stuff and yelled! It was bad ass. And Garth is one of the inventors of country music. How could you not know that? Him and Tim McGraw are the first people to make country music worth listening too so I consider them the pine ears of the music!
Now lets look at Eric Church. He’s obviously on drugs sense he never takes off his shades. And his songs are all complicated and shit. I just want to here about not going down till the sun comes up and drinking two peenya coladas and friends being in low places but he sings about monsters and being desperate or some crap. That’s not country! And he sings about that liberal loon Bruce Springsting to. I don’t know anybody who listens to that lefty crap so why would I want to hear a song about him?? Duh.
Now Carry Underwood is hot. I’ll give you that. She’s real entertaining if you turn the sound off, you know what I’m saying? But when you have to here her voice, it’s awful. And she sings about love all the time. She’s also a liberal deep state member. It’s crazy we let these people into country music in the first place! She’s a vagrant too! That means she doesn’t eat any meat products. What.the.f.? Both her and Eric don’t want me to have my collection of bazookas and Gatling guns. Damn gun grabbers. Neither one of them deserves to be the entertainment of the month at Chucky Cheese’s much less for the hole country music asociation.
My final comment is: scoreboard! Garth won. Get over it. You can’t try to get rid of him like your trying to do too a certain other American hero right now. God blessed country music an America!
A poop emoji is negative; a strike-thru is positive.
The current Poop Rating of the Mediabase Top 20 is (-10) overall which is a 6 point improvement from January (the previous time we did this chart). The best song on the chart is Eric Church’s “Some of It.” The worst is Thomas Rhett’s “Look What God Gave Her” (though there is very stiff competition from FGL and Luke Bryan). The biggest surprise for me is that Keith Urban’s current single isn’t too bad. I can’t remember the last time one of his singles wasn’t unlistenable pop dreck. Women are faring a little better on the chart now, but only marginally.
