Showing posts with label Whiskey Myers. Show all posts
Showing posts with label Whiskey Myers. Show all posts

Dec 23, 2019

Farce the Music's Top 20 Albums of 2019

This year we welcome Megan Bledsoe and Travis Erwin in as voters. As previously, our other voters are Kevin Broughton, Jeremy Harris, Matthew Martin, Trailer, Scott Colvin, and Robert Dean. Here are our staff-voted favorite albums of 2019.

Top 20 Albums of 2019
-----------------------------
A blast of punk meets roots rock energy with big hooks, sing-along choruses, and plenty of heart and song-craft as well. Forever is proof you can make a party record without having to dumb it down. It went bell to bell as my favorite album of 2019 - a tough task with such a strong field of contenders.
~Trailer

Josh Fleming and his rowdy band of Texas rockers had their wish come true when they inked a deal with Bloodshot records, then rewarded the label’s faith in them with this tour de force. It’s an album that combines Fleming’s focused, fiery storytelling with the raw, rough-edged roots you might hear from Lucero or the Old 97s. And oh, the fiddles and horns!
~Kevin Broughton

I remember a few years ago, it seemed like there was something in the water in Alabama. There was a great new album coming out of Alabama every couple of months. But, now it seems to be that has switched to Kentucky. Ian Noe is the next in line. He has a unique voice that sounds right out of the 60s. The album rises to the crescendo of what I think of his best song, the bluesy “Meth Head.” The song is gross, memorable, and incredible. The album will only grow as the years go by.
~Matthew Martin

Just Google everyone else’s review. There’s nothing left to say.
~Jeremy Harris

I was at the show in Circleville at Tootle’s Pumpkin Inn the day after Tyler smelled the factory smells in Chillicothe prior to his Steiner’s Speakeasy performance. I spend so much time in Chillicothe I forget it smells but it does. 
~JH (was Jeremy drunk when he ranked his albums?)

The song that I couldn't turn off was "House Fire." By the time the song completely breaks down halfway through, you can practically smell the smoke. There's a reason Tyler Childers is selling out arenas right now. He's untouchable. His ability to write songs about everyday things and make them seem like they are the most important subjects is incredible.  
~MM

A popular pick on most lists, Childers turns back time by transposing me to my childhood when I would listen to country radio as I fell asleep. The title track kicks off his classic sound quite well.

From the lyrics to the vocals to the production, where it sounds as if Godwin recorded the whole album in forgotten mines and on lonely mountainsides, this is a beautiful tribute to his home state of West Virginia.
~Megan Bledsoe

The voice, the stories, the music. Everything I love about country music is on this record. This is all I ever want out of an album. Songs about forgotten places and love. Songs about dead ends and never giving up. These are songs everyone needs to hear. After first hearing this album, I could not put it down. I tried to tell everyone I know about it. I tried to see him every time he came to D.C. I became obsessed with these songs
~MM

You Look Good In Neon” is the kind of country song the world is missing more of. These guys are so damn traditional that if you say their name three times Hee Haw will appear on your television screen. https://www.youtube.com/watch?v=BkHhaIR6Gcc ~Travis Erwin

A tough, touring gal posts up with an album and band that shows John Prine was right to sign her to O Boy Records. It’s dreamy and trippy and wonderful, and she’s so full of confidence. Kelsey Waldon will amaze. ~KB

Waldon's songs are as bluesy as they are country. This is soulful country and her voice is perfectly paired with the music. This album feels like it could have been recorded in 1979 or 2019. And, that's what makes this album great- it's timeless. It will be around a long, long time. ~MM

I’m pretty sure “Lottery” is the song that every alternative band in the 90s wished they wrote. And I say that as a compliment. The whole album is just wonderful ear candy that is ridiculously infectious.  ~Scott Colvin

Everything comes together on Jade Bird’s debut record, from her incredible vocals to the angst in the writing to the variety in production and mood. An excellent, very re-playable record. ~MB

Bloodshot continues its hot streak of great debut records. Harris endured an unimaginable series of tragedies in the few years leading up to this album, yet managed to emerge with clarity and hopefulness. He’s a brilliant songwriter who also deserves legitimate Isbell comparisons. ~KB

  One of the most fascinating records of the year, focusing on the morbid and macabre and managing to do so in a thoroughly accessible and compelling way. ~MB

A change of pace, style and life converge in this brilliant follow up to 2017’s Corners. On this album it’s all about the lyrics, and the artist is brutally honest in his self-reflection. The lyrical imagery is reminiscent of Isbell’s Southeastern, and one hopes that sobriety will have a similarly positive impact on Domino’s career going forward. Even if Songs From The Exile is his upper limit, it’s a worthy career-defining effort. ~KB

Another powerful album from an artist who has ascended in skill, openness and songwriting strength with every release. ~Trailer

I hate when people put S/T instead of typing the self titled album name. Stop being lazy. Obviously any artist or band that names their album after themselves is proud of it. We don’t call Hank Jr self titled. 
~JH (dammit Jeremy)

It’s counterintuitive that this band self-produced a masterpiece after having two great records helmed by all-everything Dave Cobb, but that’s exactly what happened here. There’s depth and balance to this album, but ultimately it’s a Southern rock record in the very best tradition of a nearly forgotten genre. “Houston County Sky” channels The Marshall Tucker Band, and “Little More Money” and “Bad Weather” are right out of Dirty South-era Drive By Truckers. “Hammer” is a sultry, swampy reminiscence of early Black Crowes. This album is a triumph, and long-awaited.
~KB

An album as songful and charming as it is technically dazzling. Tuttle's voice is spellbinding, but she doesn't rely on ambiance... these are expertly written tunes. 
~Trailer

There’s something very familiar about Molly Tuttle that I can’t put my finger on, but I know I like this. A lot. ~SC

Introspective Cody Jinks is my favorite Cody Jinks. Those songs where he slows things down a bit and tries to do a little brain surgery on himself. Those are the ones I gravitate towards. So, The Wanting is my cup of tea. Every song is a dissection of Jinks's psyche. These songs are like pages out of his diary. When an artist can be honest with themselves and in turn with their audience, we will always be receptive to that because we feel that way too...we have those same doubts and worries. Hearing them from someone like Jinks makes us feel validated.  ~MM

Sturgill Simpson is like a druggier Eric Church who I also seem to dig even more as he deviates from “his norm.” ~SC

You'll swear you've heard them before, so timeless sounding are the Black Pumas. Soulful seventies inspired R&B with a modern flair. Well worth a listen for fans of Otis Redding or St. Paul and the Broken Bones.
~Trailer

Another album on almost everyone’s radar, this collection of talent did a great job of rekindling the magic of Country’s all-time best supergroup. “Wheels of Laredo” spoke the loudest to me and close the album with a hauntingly classic sound. ~TE

Caroline Spence has a beautiful voice and writes crushing, beautiful songs. In a perfect world, Spence would be a household name. She's special and we're lucky to have her songs. "Sit Here and Love Me" is one my favorite songs of the year.   ~MM

Not much to say here, just simply a gorgeous collection of songs. Some candidates for the best songwriting of 2019. ~MB

The title track is an ode to writer Jack Kerouac but beyond the literary influence it carries a deeper meaning and sets off the album on a wonderful journey of its own. “Small Engine Repair” is another wonderful song that uses the simple to create a broad metaphor. My personal favorite is “T-bone Steak and Spanish Wine,” but there simply is not a bad track among the bunch. “Highway 46” is on the surface, a where were you when Merle Haggard died song, but really it is a tip of that hat to both discovery and loss. One could argue the ghost of Johnny Cash sat in while the 72-year-old Russell laid down his tracks as the influence is undeniable so it is fitting the final and eleventh track is a cover paying homage to The Man in Black. ~TE

So much sound from just two guys. Left Lane Cruiser really hit it out of the park with this one. Just a gritty and in yer face rock album. At first glance of the cover art you expect the entire album to be an ode to left hand cigarettes but after a short listen you find yourself immersed in Left Lane Cruiser’s best album. ~JH

I reviewed this entire album right here on Farce the Music, and if anything my appreciation has grown as the year went on. One of my best friends in the world argues that Carll’s wife, Alison Moorer put out an better album, but while her release is a very good album and emotional album, it did not take me on quite the same ride. For me, few to none can match the easy way Carll disarms a listener. Writing that feels natural and familiar yet impactful. Like a stoner prophet, Hayes Carll makes me think why hasn’t anyone else said that on almost every song. For me his work is always sneaky good and emotionally satisfying. This album has such a great track progression to it. I love the opening line to “Be There.” ~TE

-----

Just beyond the top 20: Erin Enderlin - Faulkner County, The Raconteurs - Help Us Stranger, Joshua Ray Walker - Wish You Were Here, Michaela Anne - Desert Dove, Shane Smith & The Saints - Hail Mary, Gary Clark Jr. - This Land, Chris Shiflett - Hard Lessons, Houston Marchman - Highway Enchilada, Baroness - Gold & Grey, Randy Rogers Band - Hellbent.


Dec 18, 2019

The Office Christmas Country Reaction Gifs

If there was a Whiskey Myers Christmas song
 
A Bobby Bones impression

♫ ♬ ...dancin' over here or fightin' over there
I'm makin' the rounds, looking for a party crowd ♫ ♬

When a Kane Brown fan asks you if impeachment is something about cobbler

♫ ♬ Come on and tell me what you told my friends
If you think you're brave enough
 ♫ ♬


 When you're enjoying a country playlist and a Sam Hunt song pops up

♫ ♬ You know I don't remember a thing
But they say I sure was raising some cane
 ♫ ♬

When you remember Dwight called Willie Nelson an elderly burnout

Dec 5, 2019

Rudolph the Red-Nosed Reindeer Country Reaction Gifs

♫ ♬ I wanna see you again, but I'm stuck in colder weather♫ ♬

But when you hear Zac Brown's new music

"I want to be a country singer too"

I sleep in a van with other dudes and sing country songs
so people will buy t-shirts

♫ ♬Under my thumb...♫ ♬

When you've had enough Christmas music and it's time for some Whiskey Myers

When Santa complains about Rudolph listening to Kane Brown during the reindeer games

Gary Levox's favorite toy

When everybody finds out Hermey is a FGL fan

How excited was Tyler Childers when he got that SEC commercial?

Oct 7, 2019

Top Albums of 2019: 3/4 Report


This is the last list before the year-ender, which will be voted on by all Farce the Music contributors. These are only Trailer's selections.
Note: A few recent releases like Kelsey Waldon, Billy Strings, etc. have not yet had enough spins to make the list, but likely would have in time.
----------

1. Vandoliers - Forever

2. Molly Tuttle - When You’re Ready
3. Baroness - Gold & Grey
4. Black Pumas -s/t
5. Freddie Gibbs & Madlib - Bandana
6. The Highwomen - s/t
7. Mike & The Moonpies - Cheap Silver & Solid Country Gold
8. Ian Noe - Between the Country
9. Whiskey Myers - s/t
10. Caroline Spence - Mint Condition
11. Tyler Childers - Country Squire
12. Dalton Domino - Songs from the Exile
13. Drivin N Cryin - Live the Love Beautiful
14. Tyler Ramsey - For the Morning
15. Austin Meade - Waves
16. Lillie Mae - Other Girls
17. Dee White - Southern Gentleman
18. Kalyn Fay - Good Company
19. Charles Wesley Godwin - Seneca
20. Charley Crockett - The Valley
21. Shane Smith & The Saints - Hail Mary
22. Reba McEntire - Stronger Than the Truth
23. Vince Gill - Okie
24. Emily Scott Robinson - Traveling Mercies
25. Sturgill Simpson - Sound & Fury
26. Joshua Ray Walker - Wish You Were Here
27. Jason Hawk Harris - Love and the Dark
28. Yola - Walk Through Fire
29. Jon Pardi - Heartache Medication
30. Tanya Tucker - While I’m Livin’

Oct 3, 2019

WWE Country Reaction Gifs 38

When you have to teach your friend how to headbang at the Whiskey Myers show

Dan + Shay are bringing Justin Bieber to country radio??

Every girlfriend of a male Americana singer

Advice to Kane Brown fans

When your GF's friend says the Zac Brown Band is good now that they stopped being so old-timey

Pull up to the party and Florida-Georgia Line is cranking

"Morgan Wallen is the best thing to happen to country in years"

If you make your friends listen to Mitchell Tenpenny while they're in your car...

Sep 27, 2019

Whiskey Myers: A Self-Titled Masterpiece

By Kevin Broughton

When Whiskey Myers front man Cody Cannon got the call last year, the band was in the studio working on what would become their fifth, self-titled album. The pitch: Would the group like to appear in Kevin Costner’s Yellowstone? Not just on the soundtrack, but in an actual scene? 

It was a no-brainer, and a decision that had nearly immediate – and retroactive – benefits for the Palestine, Texas-based Red Dirt rockers, as noted by Saving Country Music:

In the aftermath of the episode, the band’s most recent album, Mud, went to No. 1 on the iTunes country chart, and Top 20 all-genre on the hourly-updating aggregator. Also, their album Firewater came in at No. 3 in country, and the album Early Morning Shakes came in at #9. On the iTunes country songs chart, the song “Stone” was in the Top 10.

In an ever-evolving music business, independent artists often find a shot in the arm of exposure from film and television; Colter Wall, Chris Stapleton and Scott Biram all got boosts from appearing on the soundtrack of the Oscar-nominated Hell or High Water. But Whiskey Myers’ catapult ride from relative obscurity to the forefront of commercial success was almost otherworldly. The Yellowstone appearance landed three previous records – dating back seven years – in the country Top Ten. That momentum set the stage perfectly for the band’s self-titled album released today. 

Their two previous offerings, 2016’s Mud and Early Morning Shakes from 2014, were both helmed by all-world producer and Grammy machine Dave Cobb. For their fifth release, though, the band decided to produce it themselves. Lead guitarist and multi-instrumentalist John Jeffers emphasizes how a sense of collaboration and experimentation really defined their whirlwind eighteen days of recording at the Sonic Ranch studio, outside of El Paso. “There’s never a right or wrong answer when it comes to ideas,” he says. “We would run every single idea from everyone — some work and some don’t, but we give them all a shot. And then there’s that magical moment when the whole band hears it, your eyes get a twinkle — ‘That’s it, that’s us!’”

Their do-it-yourself result is a Southern rock masterpiece.

The album kicks off with “Die Rockin’.” Cannon’s raspy, proud vocals are right in your face – and you definitely feel the influence of co-writer Ray Wylie Hubbard. 


Over the course of fourteen tracks, though, songs expand, moods change and songs like “Bury My Bones” and “California to Carolina” explore different stories and emotions. “You want an album to be like a rollercoaster,” says Jeffers. “Does it really take you for a ride, with ups and downs and some loops and sometimes you’re upside down?”

There are indeed shifts in the album’s momentum and flow. “Bitch” is the best indictment of Bro-country you’ll ever find

Collaborative writing with Adam Hood (“Rolling Stone”) and Brent Cobb (“Running”) provide balance and country texture. Ultimately, however, this is a Southern rock album in the very best tradition of the nearly forgotten genre. “Houston County Sky” channels The Marshall Tucker Band, and “Little More Money” and “Bad Weather” are right out of Dirty South-era Drive By Truckers. “Hammer” is a sultry, swampy reminiscence of early Black Crowes.

Whiskey Myers has positioned itself on the cusp of rarified air; can they enjoy widespread mainstream success without benefit of commercial radio in the way, say, Jason Isbell has in recent years? We’re about to find out. This album is a triumph. 

Whiskey Myers is available everywhere you consume music today.

LinkWithin

Related Posts with Thumbnails