Jeremy Squires never disappoints. One of the better voices creeping out from the backroads of North Carolina, Squires is back with his new record, Poem. And once again, it’s a slow-burn stunner that reminds listeners of backyard bonfires, and tall tales told over tall boys of PBR in quiet confidence.
Poem is moody and takes what’s considered “Americana” by its ear and dares us to explore what works within the confines of genre. Much like how Lucero dove on Among the Ghosts and Jason Isbell did with The Nashville Sound. What works about Poem is that it feels like Squires set aside what he couldn’t do, but instead, focused on what was possible by testing what he was capable in the studio.
Poem is dreamy with haunting guitars that aim more towards My Bloody Valentine or Radiohead than what Squires country-inspired contemporaries are focused on and it’s imprinted all over the record. "Stargazer" and "A Calm Around" aren’t bangers but float through the collection of tunes in a haze, which is perfect considering the vibe of the record overall.
It’s also refreshing to hear songs that that feel earnest instead of trying to catch a wave or appeal to an audience that might not exist. On Poem, Squires has found much more of himself than on his previous releases, which were also solid, but this time around, this batch isn’t as self-serving, this is a man comfortable in his own skin, but also satisfied with what he does. For a lot of us, we’re always chasing that dragon that might never land, and we could all be so lucky to finally our moment as Squires has.
The back half of the record is decidedly more country but holds its presence nonetheless. If anything, the second half sounds a little more Tom Petty country than it does hard Nashville.
One thing to definitely take note of is the record’s cover. Whoever did it rules. It’s got this metal well of skulls thing going on. Super cool. Thank you for not wistfully staring out at the sunset or body of water, Jeremy.
Poem doesn’t go overboard, and no track overturns the applecart, but instead, the songs are dreary, rainy day bummers, which will forever have their places as long as people get sad and need someone else to feel their pain.
Poem is available on Jeremy’s Bandcamp page and most everywhere you consume fine music.