Farce the Music: Standards

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Satire, reviews, interviews, hatin'... that's what we're about. Nothing is to be taken as absolute truth, except reviews, interviews, videos, and the like. If you are the owner of any photos used for commentary and satire purposes, and would like them removed, just let us know. I do not claim ownership of any photos unless noted. Watermarks only indicate origination of the memes. Opinions are those of the authors and do not represent Farce the Music as a whole, unless stated.

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Off the Beaten Path

Saving Country Music

Morgan Wallen Camp Addresses Lack of Amazon Stream from Stagecoach
Americana UK

For The Sake Of The Song: Charlie Parr “817 Oakland Avenue”
That Nashville Sound

New Music Video From Aaron Lewis - "Over The Hill"
Country Universe

Every #1 Country Single of the Eighties: Nitty Gritty Dirt Band, “Baby’s Got a Hold On Me”
POST TO WIRE

ALBUM REVIEW: Claire Anne Taylor – Giving It Away
Heavy Blog Is Heavy

EXCLUSIVE PREMIERE: Beaten To Death Bludgeon You Once More With "Enkel Resa Till Limfabriken"
The Sludgelord

ALBUM REVIEW: High On Fire, "Cometh The Storm"
Adobe and Teardrops

INTERVIEW: Kyshona Leaves an Emotional Legacy
Highway Queens

Live Review: Lainey Wilson @ Glasgow O2 Academy 19/04/24
The Mad Mackerel

Sex Week – Angel Blessings
Shore2Shore Country - Medium

My Sixteen Favorite Songs of 2023
The Musical Divide

Favorite Albums of 2023
Belles and Gals

Diana Jones, Slaughtered Lamb, London, 2nd May 2023
texasmusicpickers.com

Texas Music Spotify Chart: Week 20
Beat Surrender

I surrender, blog over and out…..
Country Exclusive

Reflecting on: John Prine’s Self-Titled Debut
Spectrum Pulse

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