Showing posts with label Hollis Brown. Show all posts
Showing posts with label Hollis Brown. Show all posts

Jul 1, 2019

No-Sleep Roundup ft. Hollis Brown, Black Pumas, ASHRR



By Robert Dean

Hey friends, compatriots, Commies, and everyone in between. Down here in lovely Austin, I’ve been busy as hell. Lots of articles and essays to write, and I’m even making a tv show. My therapist wants me to sleep more, so I’m doing that and eating healthier. I haven’t had bread in over two weeks. I miss tacos. 

But, that ain’t what you’re here for. You’re here for the latest and greatest of what the fuck is going on in the world of music. And I’m here to tell you. So, let’s get sloppy. Let’s Roundup. 

ASHRR have just dropped their debut and holy shit if you like David Bowie, Depeche Mode, The Cure, Radiohead, and The Talking Heads, you’ll freak out. How this record isn’t blowing up is beyond me. It’s easily something I’ve listened to over 100 times since dropping last month. It’s synthy 1980’s dancey rock and roll with very little fat on the bone. The record is sleek and sexy and you need to own it. 

Another record I absolutely love right now is the debut from Austin’s own Black Pumas. Think Leon Bridges, Cee-Lo, Sam, and Dave but musically closer to neo-soul without drifting into a place that’s too nichey. When Black Pumas blow way up, you’re going to remember this little tidbit and wave your finger in agreement. 

Hollis Brown is back with a new record Ozone Park and it’s taken a new direction. On this one, the boys from New York are a lot less country and more dialed into Vampire Weekend meets Kings of Leon. It’s pop-driven and definitely the kind of stuff you’d hear on a mainstream station. If that’s your bag, you can find it wherever you’re streaming music. 


The mighty dark bastards in Cult Leader have a new video for their gloomy banger, “A Patient Man” and like everything these dudes do, it’s dark as fuck. 

SUNN O))) have a new record. If you’re into doomy, droney low stuff, you’ll have a chance to see them if you’re in Texas or on the West Coast. 

Summer shows - Europe
July 30  Berlin, DE @ Festsaal Kreuzberg w/ Caspar Brotzmann
July 31  Berlin, DE @ Festsaal Kreuzberg w/ Caspar Brotzmann
August 1  Amsterdam, NL @ Dekmantel festival

September 2019  - U.S. West Coast
September 1  Dallas, TX @ Granada *
September 2  Austin, TX @ Emo’s *
September 4  Denver, CO @ The Gothic *
September 8  Los Angeles, CA @ The Mayan *
September 9  San Francisco, CA @ The Fillmore *
September 11  Seattle, WA @ Showbox ^
September 12 Portland, OR @ Revolution Hall ^

* w/ Papa M, Big|Brave
^ w/ Papa M

October 2019  - Europe + UK
October 7  Munich, DE @ Backstage Werk %
October 8  Karlsruhe, DE @ HfG / ZKM %
October 9  Basel, CH @ Kaserne Basel - Rosstall %
October 10  Leipzig, DE @ Felsenkeller %
October 11  Krakow, PL @ Unsound Festival
October 13  Vilnius, LT @ Kablys %
October 14  Tallinn, EE @ Vene Theatre %
October 15  Helsinki, FI @ Kulttuuritalo %
October 17  Stockholm, SE @ Kraken
October 18  Oslo, NO @ Kulturkirchen Jakob
October 19  Oslo, NO @ Blä *duo show (Greg and Stephen only)
October 21 Copenhagen, DK @ Koncerthuset
October 22  Nijmegen, NL @ Doornroosje
October 24  Bristol, UK @ SWX
October 25  Glasgow, UK @ QMU
October 26 Birmingham, UK @ The Crossing
October 27 Manchester, UK @  Albert Hall
October 28  London, UK @  Roundhouse

Hesitation Wounds (Torche Amor, Slipknot, Trap Them, Hope Conspiracy) have a new song, “Paragon of Virtue” and of course it goes hard AF. If you like grinding, straight up hardcore, these dudes bring it every single time. 

Jacob Bannon of Converge has a side project called Wear Your Wounds, which is a continuation of this new trend of heavy bands writing super slow scary sounding music that’s straight from a horror flick. Originally conceived as a collaborative thing with rotating musicians, Wear Your Wounds has an official lineup now along with a new record, Rust on the Gates of Heaven.  


The official lineup features some hardcore all-stars, to say the least:

Jacob Bannon (Converge), Mike McKenzie (The Red Chord, Stomach Earth, Unraveller, etc), Adam McGrath (Cave In, Nomad Stones, etc), Sean Martin (Twitching Tongues, ex-Hatebreed, ex-Kid Cudi), and Chris Maggio (ex-Trap Them, ex-Sleigh Bells, etc). The record also features musicians Ben Chisholm (Chelsea Wolfe, White Horse) and Gared O’Donnell (Planes Mistaken For Stars, Hawks, and Doves) collaborating throughout.

The band has a tour on the books as well: 
WEAR YOUR WOUNDS, ON TOUR:
May 8 Louisville, KY @ Zanzabar 
May 9 Chicago, IL @ Empty Bottle 
May 10 Toledo, OH @ Ottawa Tavern 
May 11 Detroit, MI @ Sanctuary 
May 12 Cleveland, OH @ Grog Shop 
May 14 Richmond, VA @ Gallery 5 
May 15 Baltimore, MD @ Metro Gallery 
May 16 Philadelphia, PA @ Voltage Lounge 
May 17 Brooklyn, NY @ Saint Vitus 
May 18 Boston, MA @ Sonia 
May 26 Seattle, WA @ Highline 
May 27 Portland, OR @ Tonic Lounge 
May 28 San Francisco, CA @ Rickshaw Stop 
May 29 Los Angeles, CA @ The Satellite 
May 30 Santa Ana, CA @ Constellation Room 
May 31 San Diego, CA @ Casbah 
June 1 Mesa, AZ @ Underground 

Boris is back with two reissues of Akuma No Uta and Feedbacker via Third Man Records. They’ve also got a new record dropping, their first in two years: LφVE & EVφL and look, this is what the press release says about the record, “LφVE & EVφL exist as two independent works, encapsulating conflicting connotations that interweave and become intricately entangled with one another, gradually eroding before becoming utterly singular. Continuing to tinker and toil with their sound since the release of DEAR, Boris have pivoted onward a more organic, non-grid literary style that LφVE & EVφL showcases.” 

Did you expect anything less from Boris? I didn’t. Anyhow, they’re coming back to America, too. 

BORIS — On Tour w/ Uniform: 
August 19 San Diego, CA @ Casbah
August 20 Phoenix, AZ @ Valley Bar
August 22 San Antonio, TX @ Paper Tiger
August 23 Austin, TX @ Barracuda
August 24 Denton, TX @ Rubber Gloves
August 25 Houston, TX @ White Oak Music Hall
August 28 Mexico City, MX @ Galera *
August 30 Tampa, FL @ Orpheum
August 31 Gainesville, FL @ High Dive
September 1 Atlanta, GA @ Masquerade
September 3 Nashville, TN @ Exit/In
September 4 Asheville, NC @ The Orange Peel
September 5 Raleigh, NC @ Hopscotch Festival *
September 7 Washington, DC @ Black Cat
September 8 Jersey City, NJ @ White Eagle Hall
September 10 Brooklyn, NY @ Elsewhere
September 11 Boston, MA @ Paradise Rock Club
September 12 Portland, ME @ Port City Music Hall
September 13 Montreal, QC @ Theatre Plaza
September 14 Toronto, ON @ Lee’s Palace
September 15 Grand Rapids, MI @ Pyramid Scheme
September 17 Chicago, IL @ Lincoln Hall
September 18 St. Louis, MO @ Delmar Hall
September 20 Denver, CO @ Marquis Theater
September 21 Salt Lake City, UT @ Metro Music Hall
September 23 Seattle, WA @ Neumos
September 24 Portland, OR @ Doug Fir Lounge
September 26 San Francisco, CA @ Great American Music Hall
September 27 San Jose, CA @ The Ritz
September 28 Camarillo, CA @ Rock City
September 29 Los Angeles, CA @ Echoplex

* no Uniform


May 3, 2016

Album Review: Hollis Brown - Cluster of Pearls



A Review by Robert Dean

Many times when I hear the label “Americana” thrown around, I cringe. It’s become such a catch-all phrase, a hodge-podge of styles trying to describe one common ground: the lack of one element that’s rock or blues or country.

But, when I hear about bands doing the Americana thing from places like New York, I tend to get extra skeptical. While New York has churned out some of the best bands in history – down home blues is Chicago’s thing, and what does city slicker New York know about the country or the artist's struggle in a day where rent can financially ruin you? A lot apparently.

On Hollis Brown’s recent Record Store Day release, Cluster of Pearls, we’re witnessing a band figuring out their sound and getting the flavor just right. Even if it comes wearing a Yankees hat and likes bagels and lox instead of biscuits and gravy.

Hollis Brown capture a vibe on Cluster of Pearls that sounds like it coulda been brewed down in Muscle Shoals, with beers and smoke in hand.

I’ll admit, I went, and YouTube searched Hollis Brown’s music before this review and was middle of the road on some songs for their reliance to trying to be too poppy, maybe a little too much like a Jason Mraz with dark soul or something you’d hear in Target. I dunno. I also think dipping grilled cheese into ketchup is delicious, so whatever.

On Cluster of Pearls, the music feels different. It seems focused, maybe evolved. And apparently, after some Internet snooping, Cluster of Pearls is a collection of B-side tracks, which is nuts. This collection feels like a nod to The Band, The Flying Burrito Brothers and even some moments of The Stones in the Exile on Mainstreet era.  And if anyone’s got something to say aboutt Graham Parsons, they can just fuck right off.

The record’s opener, "Completed Fool" sounds like a funky, bluesy Hall and Oates take on Maneater, except not shitty. (Sorry 80’s dorks. I hate Yacht Rock.)
The last track, "Miracle" gives off a City and Colour vibe that’s a nice change of pace for the overall composure of the record. There are a lot of shades of Hollis Brown on the record, and it’s rad to see the different shades of their musical personalities shine through.

"Don’t Want To Miss You" is easily the best song on the record. It’s a classic bar room bummer, and it’s done so well. With its lonely beer bravado, it paints the immediate picture of a candle lit dive with too few patrons and a bored bartender wiping glasses to pass the time. Nothing’s on tv and no one’s watching anything but the world pass by. And at the end, there you are – staring into your drink with no one around to complain to. Just you and the whiskey staring back, testing you. That’s what "Don’t Want To Miss You" feels like.



There’s a little bit of everything on Cluster of Pearls, with nods to riffs straight off a Black Keys record, and harmonious melodies that a focused and together ala – you guessed it, The Band. Naturally, when hearing the jangly, foot-stomping riffs of Hollis Brown, I imagine playing shows with bands like Quiet Hollers, or Brian Fallon.

If this is any indication of Hollis Brown’s path to follow, the results will be exciting to behold. I’ll even forgive them for wearing cowboy hats in New York.

-------
You can only get Cluster of Pearls in record stores, if they have any left in stock, or eBay etc.

However, you can get Hollis Brown albums here http://www.hollisbrown.com/
or Amazon, etc.

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