Farce the Music's Top 25 Albums of 2022

*Note - list by Trailer only. We may bring back the staff vote next year.

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1. Kaitlin Butts - What Else Can She Do

Achingly real, passionately delivered, What Else Can She Do is short in length, but long on heart. From the broken relationship of “It Won’t Always Be This Way” to the familial sorrows of “Blood,” Kaitlin’s voice is a warm hand holding ours as we walk through a bleak landscape of addiction, bad jobs, and lost dreams. Despite that dour description, it’s somehow an uplifting journey.

2. 49 Winchester - Fortune Favors the Bold

The future is now as 49 Winchester delivers on all the buzz with this boozy, honky tonk banger. There are party tunes that don’t make you feel pandered to and tearjerkers that aren’t paint by number. I started to list the standouts, but realized that most of Fortune Favors the Bold's 10 songs fit the bill.

3. The Vandoliers - s/t

Mixing Red Dirt, pop punk, and other influences, Vandoliers have quickly become one of my favorite bands. Their ear-pleasing, danceable music sounds like nothing and everything you’ve heard before. A well oiled live act, they bring that vibrant sound to their records better than most, and this album’s no exception. More than most bands in the “scene,” Vandoliers sound like they ought to have big hits… somewhere, somehow. 

4. Big Thief - Dragon New Warm Mountain I Believe in You

Sprawling, weird, messy, endearing. From the title to the run time to the occasional vocal idiosyncrasies, Dragon can be a beast to get into for the musically unadventurous, but it’s well worth your time. Equal parts folk, country, and indie rock, the album is an epic listen that somehow leaves you wanting more. The melodies are the heart, and the lyrics are the soul - sometimes abstract, sometimes hilariously to the point. 

5. Ben Chapman - Make the Night Better

This is an album you could put on at a party and not a soul would complain, despite nobody having any idea who’s singing. There’s the fun Brad Paisley-esque humor of “10 Feet of Regret,” the soulful barroom sadness of “Strangers,” the welcoming mid-tempo swagger of “Kentucky Deluxe,” and everything in between you could ask for. It’s a songwriter’s record, in the Nashville sense of that description, but it’s as big in message as it is in wordplay. 

6. Ian Noe - River Fools & Mountain Saints

Sounding as mystical and eternal as the Appalachian mountains, Ian has another winner with River Fools. It’s timeless stuff, digging into your soul with Noe’s Dylan-with-vocal-lessons delivery and setting the hook with the lived-in stories. There’s an undeniable magnetism in this music that’s both hospitable and intimidating at once. Ian’s a force of nature.

7. Aaron Raitiere - Single Wide Dreamer

Another songwriter’s record, Single Wide Dreamer isn’t afraid to get silly and grimy, like the seedier side of Kacey Musgraves’ trailer park. Drawing from influences like Prine and Roger Miller, and backed by some of Nashville’s finest, Raitiere sings with a conversational tone, a knowing wink, and a hinted at darkness. Hilarious and comfortably cynical, Single Wide Dreamer is a nimble look into the mind of one of Nashville’s best ‘unknown’ writers. 

8. The Wilder Blue - s/t

Those harmonies. That’s all you need really, but then there’s the expert musicianship and resonant songs to go along with those spine chilling vocals, and The Wilder Blue have a true gem of an album. The bouncy 70s vibe laden “Feelin’ the Miles” is the standout for me, but there’s not a clunker in the bunch. These guys deserve a shot in the upper pantheon of Americana, and one of these days they’ll get it. 

9. Miko Marks & The Resurrectors - Feel Like Going Home

Bursting with country soul, Feel Like Going Home will take you from church to the blues dive with a stop at the country store along the way. Feel Like Going Home sounds like the best parts of 70s AM radio (when they played all genres on the same stations) put together on one record. Miko sings wonderfully, the band kicks ass, and the songs are thrillingly moving. Memphis, the Delta, Nashville, New Orleans, Muscle Shoals - Feel Like Going Home finds its heart at the midpoint of these legendary music towns. 

10. Michaela Anne - Oh to Be That Free

To these ears, the prettiest album released this year, Oh to Be That Free sounds blissful and even wistful, but there’s plenty of depth to be had here. “Chasing Days” documents Anne’s move toward settled independence after a chaotic childhood. “Mountains and Mesas” seeks solace in a darkening world. Michaela’s writing reveals complex emotion with simple words, often bringing to mind Robert Frost’s conversational tone that hides meaning in plain sight. It’s a beautiful album with so much more to offer in repeated listens. 

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11. Gabe Lee - The Hometown Kid

12. Joshua Hedley - Neon Blue

13. Wade Bowen - Somewhere Between the Secret and the Truth

14. Arlo McKinley - This Mess We’re In

15. Adeem the Artist - White Trash Revelry

16. Kelsey Waldon - No Regular Dog

17. Amanda Shires - Take it Like a Man

18. Tami Neilson - Kingmaker

19. Band of Horses - Things Are Great

20. Plains - I Walked With You a Ways

21. John Fullbright - The Liar

22. Willi Carlisle - Peculiar, Missouri

23. Bri Bagwell - Corazon y Cabeza

24. Randall King - Shot Glass

25. Courtney Patton - Electrostatic

Honorable Mentions: Zach Bryan - American Heartbreak, The Sheepdogs - Outta Sight, Jason Scott & The High Heat - Castle Rock, Pusha T - It’s Almost Dry, Hailey Whitters - Raised, Drew Kennedy - Marathon, American Aquarium - Chicamacomico, Whiskey Myers - Tornillo, The Cactus Blossoms - One Day, Sunny Sweeney - Married Alone, Randy Rogers Band - Homecoming, Emily Nenni - On the Ranch, Charley Crockett - The Man From Waco, Kendell Marvel - Come on Sunshine, Red Clay Strays - Moment of Truth, Molly Tuttle & Golden Highway - Crooked Tree, John Calvin Abney - Tourist.

Michaela Anne - "Who You Are" (Official Video)

From her new album Oh to Be That Free.

Megan's Top 11 Albums of 2019

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11. Ian Noe — Between the Country

10. Alice Wallace — Into the Blue

This is a great reminder that the "western” in country and western has not been lost; it’s an excellent showcase of the many styles and influences in California and the importance of that state to country’s heritage.

9. Midland — Let it Roll

One of the best, most country mainstream releases we have seen in awhile, exactly what modern Music Row output should look like. The production is flawless, and it’s an example of how polish can sometimes work in a record’s favor.

8. The Steel Woods — Old News

Exhibit A for the fact that Southern rock is still cool and can exist in thrive in 2019. It’s been as marginalized as traditional country, and it’s awesome to see the Steel Woods carrying the torch and doing it so well.

7. Jason Hawk Harris — Love in the Dark

One of the most fascinating records of the year, focusing on the morbid and macabre and managing to do so in a thoroughly accessible and compelling way.

6. Emily Scott Robinson — Traveling Mercies

Not much to say here, just simply a gorgeous collection of songs. Some candidates for the best songwriting of 2019.

5. Michaela Anne — Desert Dove

One of those records where everything just works, from the melodies to the vocals to the sweeping arrangements. Michaela Anne does an excellent job here of setting the wide open spaces of California and Arizona to music.

4. Tyler Childers — Country Squire

3. Shane Smith & the Saints — Hail Mary

Shane Smith & the Saints have finally managed to capture all the beauty of their live show in album form. The best harmonies you will hear on any 2019 release.

2. Charles Wesley Godwin — Seneca

From the lyrics to the vocals to the production, where it sounds as if Godwin recorded the whole album in forgotten mines and on lonely mountainsides, this is a beautiful tribute to his home state of West Virginia.

1. Jade Bird, Self-Titled

Everything comes together on Jade Bird’s debut record, from her incredible vocals to the angst in the writing to the variety in production and mood. An excellent, very re-playable record.

~Megan Bledsoe

Album Review / Michaela Anne / Desert Dove

By Megan Bledsoe

It can be alarming sometimes to hear an artist talk of expanding their sound. In mainstream country, it's usually a not-so-subtle hint that the artist wants to abandon his or her roots in favor of some ill-advised EDM singles in a misguided effort to stay relevant. It can make independent fans cautious too, as their favorite artists move further and further away from what captured these fans in the first place (Sturgill, anyone?).

But then there are those times when such expansion really works, bringing artists to their full potential and capturing their music better than ever before. Such is the case with Michaela Anne and Desert Dove, as she left Nashville behind for California and a more alt-rock vibe. But though it leans more toward rock than country, the arrangements are more polished, with sweeping strings to make the whole thing mellow and lonesome like the deserts of the West. Sam Outlaw's fingerprints can be felt all over this record, as everything sounds so elegant and polished. But this is not nearly as sparse or as quiet as an Outlaw album, and this atmospheric production is the record's greatest strength, bringing the desert to life in mood more so than in lyrical content.

In the lyrical sense, this is somewhat reminiscent of Kacey Musgraves' Golden Hour. This may seem like a strange comparison at first, and the similarity is not stylistic; rather, it's in the way that this album, like Golden Hour, operates under the assumption that less is more, going for simple lyrics and instrumental breaks rather than elaborate stories and deeper songwriting.

There's a wistfulness running through this record that is captured by both the production and the lyrics. The whole thing comes across as Michaela Anne journeying through the desert searching for something tangible. She calls herself "everybody's temporary friend" in "Child of the Wind" as she drifts from town to town. In "Tattered, Torn, and Blue and Crazy," she's convinced that her current lover will one day leave her, as if it's impossible to imagine anyone ever staying, anything ever being permanent. "One Heart" conveys a similar feeling, as she seems to believe that love has ended before it's begun but chooses to go down this road anyway. "Run Away With Me" sees her on the move yet again, albeit this time not alone. She always seems to be searching, and unfortunately, nothing is ever resolved; she never really finds what she's looking for by the end of the album.

Despite the sweeping arrangements, Michaela Anne's voice is still the focal point. She's never drowned out, and this is fortunate because her vocals are certainly a strength of this record. Her melodies also work really well with the open, atmospheric vibes and enhance the wandering feeling.

This shift in sound has worked excellently well for Michaela Anne. These songs fit her voice nicely, and this style suits her lyrics. The decision to record this in California with the inspiration of the desert and the coast really paid off. If you enjoy records with a western feel, you'll definitely love Desert Dove.

Desert Dove is available today everywhere you buy or stream music.

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Michaela Anne Performs "Somebody New"

From her forthcoming album Desert Dove.