Feb 5, 2016
May 3, 2013
Mar 1, 2013
Feb 28, 2013
Jan 9, 2013
-by Kelcy Salisbury
This list is by no means exhaustive. 2012 has been an absolute banner year for good music. I’m sure there are several great albums released in 2012 that I haven’t even heard yet and will discover some time down the road & wish I’d included them. I tried doing a top 5 list, then I tried for 10 but in the end these were the albums I just couldn’t bring myself to cut off the list.
14) Corb Lund - Cabin Fever
The Canadian musician released some of his finer work with this album (get the deluxe edition with multiple acoustic versions of several songs.) Don’t miss Down On The Mountain, Drink It Like You Mean It, One Left In The Chamber & the hilarious Hayes Carll collaboration of Bible On The Dash (as a former rodeo cowboy who’s done his share of traveling I found this to be one of the most truthfully humorous compositions I’ve heard in years.)
13) Ray Wylie Hubbard - The Grifter’sHymnal
Texas music godfather reaches out to an under-served demographic. Grifters need hymnals too, right? Seriously, Coricidin Bottle & Lazarus are as good as any work he’s done. My favorite Ray Wylie Hubbard album since Delirium Tremolos.
12) Shooter Jennings - Family Man
The album is a touch uneven in places but songs like The Long Road Ahead, Summers Dreams and Daddy’s Hands are so good that they elevate the entire thing. There’s not a song on here I skip, but there are a few I look forward to more than others. Can’t wait to see what the next project sounds like.
11) The Trishas - High Wide And Handsome
Not sure I can really describe this one but to say that The Trishas are easily the best female duo or group in country music right now and it’s not even close (sorry Pistol Annies but you could take some notes from these ladies). I hate to distinguish them as a “female” act though. Isn’t it about time we just acknowledge that this is one incredibly good bunch of musicians? They can play, they can sing, and they can write…How they can write! I’d tell you what my favorite songs are on the album, but that changes every time through. Last time around it was Mother Of Invention, John Wayne & Gold&Silver. Listen for yourself, if you haven’t heard this album you’re missing something great.
10) Dwight Yoakam - 3 Pears
I’m a Dwight fan, I’ll admit that. I’ve also appreciated Pete Anderson’s production work, so when I heard that Dwight’s new album would not employ Pete as producer I was a little worried. I’m sure the folks who want to hear “Guitars, Cadillacs” re-made over and over won’t care for this. It’s unabashedly Dwight’s “rock” album, but it’s outstanding. Top songs are Waterfall, It’s Never Alright and Long Way To Go.
9) Jason Eady - AM Country Heaven
Probably the best pure country record of the year, this one saw Eady take a slight detour from his more folk oriented material and record a straight ahead country album that draws heavily on the Merle Haggard school of writing & playing. The end result is simply astoundingly good in its simplicity. Don’t miss the scathing songwriting of the title cut, the heartbreaking Wishful Drinking or the Patty Loveless duet of Man On A Mountain.
8) Dirty River Boys - The Science Of Flight
I have to thank Brad Rice (the drummer from Jason Boland & The Stragglers, not the one from Son Volt) for bringing this band to my attention. I was honestly getting a little burned out on “new” Texas/Red Dirt/Independent bands. I hadn’t heard a new one doing anything original in a few years & even with all the buzz about these guys I hadn’t paid a bit of attention. Brad told me they were “original” and “different” and was he ever right! I’d venture to say that this album would be top 3 material if I’d only picked it up a little sooner. I’ve only had time to listen to it twice but it absolutely blew me away and forced me to include it on this list. Dirty River Boys sound is a hard thing to describe, but I’ll try. Let’s imagine that the Black Crowes & Nick Cave had a baby that was raised by a group of Celtic musicians who also happened to be bluegrass fans & the baby ran away from home at age 14 to tour with Ray Wylie Hubbard & Gram Parsons. These guys aren’t scared to try a mixture of styles and influences and the end result is something amazing to hear. I can’t wait to get a chance to see them live. Best songs on the album (and there isn’t a bad one) are the title song & Six Riders, but you’d better get the whole thing.
7) Soundgarden - King Animal
The best voice in 90s rock is back where he belongs as Chris Cornell has reunited with Soundgarden & put out an album that sounds like a worthy follow-up to Superunknown, not the album that showed up a decade plus after Down On The Upside. There’s no Get On The Snake, Blow Up The Outside World or Fell On Black Days (my 3 personal favorite Soundgarden songs) here but what there is, is more than enough to be the hard rock album of the year. Soundgarden was somewhat unfairly labeled as “just another grunge band” in the 90s & were never completely able to break free from that. They may never break away from it completely but hopefully this album will earn them a whole new generation of fans as well as reminding their legions of Gen X fans (how’d we all get so old anyway?) that Soundgarden are still kings of the rock universe.
6) Jack White - Blunderbuss
Jack White may be the direct spiritual descendant of Keith Richards & Led Zeppelin. Nobody in mainstream music is doing anything remotely close to his sound. Just great rootsy rock 'n roll that comes straight from the heart. This album, along with most of his output is proof that 3 chords and the truth are really all you need.
5) Turnpike Troubadors - Goodbye Normal Street
Turnpike Troubadours are one of the finest live bands to come out of the rich musical scene of eastern Oklahoma in the past several years. Their first two albums showed tremendous promise due to the great songwriting and musicianship. What sets this album apart is the addition of backing vocals of Jamie Wilson of The Trishas. Like most of the albums near the top of this list, there simply is not a single throwaway track. The album needs to be heard in it’s entirety. The musicianship has actually improved over their first two albums (Bossier City & Diamonds and Gasoline) if that is even possible. Either this or Eady’s album are the best true country albums of this year, if not the best of the past 2-3 years. The only country album I’ve heard in the past couple of years that can stand on the same level is Jason Boland & The Stragglers Rancho Alto.
4) The Departed - Adventus
After This Is Indian Land came out last year I was intrigued to see what this band could do with their original material. I’m happy to report that they exceeded all my expectations. This isn’t a country album, it’s a bluesy, rootsy, gospel influenced trip through the prodigious talents of a band that (while made up of an all-star cast of players) is truly much more than the sum of it’s parts.
3) Chris Knight: Little Victories
Mr Knight (I feel like I should refer to him as Mr., just because I’m pretty sure anybody with the kind of body count usually exhibited in his songs might stab me if I don’t call him Mr.) has released the finest album of his remarkable career. It’s not quite a protest album, but there is a theme of social commentary running through the entire thing. In almost any other year this would be my album of the year. I’ve only had the album since early October, but all the songs are among my most played for the entire year. I can’t hear Jack Loved Jessie, Nothing On Me or The Lonesome Way while driving without risking a speeding ticket.
2) Matt King - Apples & Orphans
First a bit of background: I am such a fan of Matt’s 2005 album “Rube” (right down to the Marilyn Manson sounding drums, and other industrial sounding touches) that I have worn out two CD copies, and it’s been one of the top 2 most played albums on my iPod every year since I got the digital copy, something like 5 years running now. I liked the Matt King & The Cutters EP. I loved the bare bones approach of Raw, which is also an album that’s been in heavy rotation for the past couple of years. (I’ll admit to not being a huge fan of Matt’s mid 90s Nashville country output, but hopefully Matt will forgive me for that…) Point is, I had very high expectations for this album even though I didn’t really know quite what to expect. If you’re looking for real stories of real life Matt is one of the three songwriters I’d point you toward to start with (Chris Knight & Javi Garcia would be the other two.) I’d be doing this album and the listener a disservice to point out one song over another as the “must have” tracks on this album. It’s an album that’s meant to be heard from start to finish. It’s clearly a labor of love, care was paid to the sequencing of songs - so get the album and listen to it the way it was meant to be heard, start to finish. My brother once asked me what Matt King sounded like and I told him that if Trent Reznor & Loretta Lynn had a child who was raised in the Appalachians by Woody Guthrie, he would be Matt King. That was meant as a compliment & hopefully it’ll be taken that way.
1) Lincoln Durham - The Shovel vs. The Howling Bones
This one came out early in the year, February I believe. Anyway, the first time I heard Drifting Wood I was hooked. This album is proof that you don’t need “top of the line” equipment or fancy production to make a great album. The pure soul of the vocals, the simple blues influenced music suits each song perfectly. There’s great variety here. Clementine & Truckers Love Song are simple yet beautiful (if somewhat unconventional) love songs. Mud Puddles, Drifting Wood, Living This Hard and Reckoning Lament are haunting rootsy slices of goodness. I had the privilege of catching Lincoln opening for Billy Joe Shaver last fall in San Marcos,TX and he blew me away. The most amazing thing I’ve ever seen in terms of a single person making sounds that one person shouldn’t be able to. Lincoln is a young man with an old soul and a clear appreciation for the traditions of such influential acts as Robert Johnson and Ray Wylie Hubbard. If you’ve somehow missed the greatness that is The Shovel VS The Howling Bones, go pick it up today. You can thank me later.
Albums I’m looking forward to in 2013:
New music from Jason Boland & The Stragglers: The best traditional country band going has a new album (produced by Shooter Jennings) on the way early in '13.
Javi Garcia & The Cold Cold Ground are finally coming with a follow up to A Southern Horror. March is the targeted release date.
Tyler McCumber (he’s a star in Italy of all places) plans to release some new music in '13. In an interesting side note, Javi Garcia was a member of Tyler’s first band.
Jan 4, 2013
A first-half-of-the-year release unfairly hurts some albums on these year-end lists. That wasn't the case for this year's #1 album, There is a Bomb in Gilead. From my May review:
"The forthright Lee Bains III and The Glory Fires emerges onto the scene already
a full-fledged force to be reckoned with on this fantastic debut.
Mixing garage rock, country soul and southern swagger into an effortlessly authentic blend, Lee and the boys give a spirited go at every style across 11 spotless tracks. From the driving exploration of faith on album opener "Ain't No Stranger," through the sin, searching and nostalgia of the middle to the hymn-inspired closing title track, there isn't a weak point on the album."
Standout tracks: Sundown in Nashville, Picture From Life's Other Side (with Hank III)
See review here.
See review here.
RIYL: Jason Isbell and the 400 Unit, Lucero, Two Cow Garage
Does this band have a signature sound, or what? Turnpike Troubadours are (is?) distinctive, vibrant and unique (so unique in fact, that I used two synonyms for that word in the same description). Disregard my haphazard writing and just know that they've come into their own on Goodbye Normal Street.
Songwriting doesn't get much better in this day and age.
Standout tracks: Good Lord Lorrie, Empty as a Drum, Gin, Smoke, Lies
From Kelcy's November review (note - we'll also post Kelcy's favorite albums of '12 later on,
so I should probably do my own write-up here, but I'm lazy)
"In summary, if you're a fan of anything that Cody Canada, Seth James, Jeremy Plato, Steve Littleton or have done in the past you will love this album. If you're a fan of good bluesy rock n roll you will love this album. Shoot, if you're just a fan of good music with some substance, you need to pick up a copy. So get Adventus & celebrate the true Arrival of The Departed on the scene."
Standout tracks: Prayer for the Lonely, Set It Free, Sweet Lord
A true comeback album, 3 Pears finds the country legend mixing rock, soul, country and his undying swagger into a welcome set of memorable songs that will never get played on Clearchannel radio.
Standout tracks: It's Never Alright, A Heart Like Mine, Rock It All Away
Standout tracks: Pocket Full of Misery, Rosalia
(Condescending Wonka says) Oh you thought West Coast rap was dead?
Have you heard Kendrick Lamar?
Standout tracks: B*tch Don't Kill My Vibe, Backseat Freestyle
Real country is alive and well. The Trishas are proof. The vocals and harmonies are beyond reproach. The songwriting is the thing for me though. High, Wide and Handsome shows Nashville how to write a hooky, lyrically clever song without leaning on cliches and marketing. The Trishas are no one-note act - they give us a portrait of strength on the album, but they also give us vulnerability. In other words, reality.
Standout tracks: Over Forgiving You, Mother of Invention, The Fool
Standout tracks: More Than I Can Handle, Harold Wilson, Desperate People
I want to personally thank Killer Mike for relighting my fire for hip-hop. Obviously, I focus mostly on alt-country and rock, but I've been a rap fan since the late 80's. I just thought intelligent, fiery, well-crafted hip-hop was a thing of the past. (Obviously there's a whole rap underground that I'm discounting with that statement, but there are only so many hours in the day for listening to music.) R.A.P. Music is a bold statement, both lyrically and sonically. Producer EL-P (whose own album is further down this list) provides a brutal, old-school-leaning bed for the rhymes. Mike flows like he actually cares about what he's saying. He's clearly a real person - in one verse he's cursing the political system; in the next he's praising his family. There's little talk of bling and booty on this record....because real people don't have to dwell on generalities and boasts when they discuss life. Killer Mike is as real as it gets.
Standout tracks: Big Beast, Reagan, Butane
The indie-country Svengali delivers his most consistent album to date with Family Man.
It's a cohesive, passionate look at (mostly) the everyman side of country music royalty.
On these very pages, I once dismissed Shooter's music, voice and image but no longer...
so long as he continues to deliver music this engaging and tuneful.
Standout tracks: The Long Road Ahead, Daddy's Hands
The indie world buzzed and bowed for this band from ...duh, Alabama, as soon as their EP hit the scene in 2011. That hype turned a lot of people off or built up their expectations far too high, but for me, Boys & Girls was a delivery on the promise of that Extended Play. Throw some Muscle Shoals soul, New York garage rock and folk sensibility into a blender and the Shakes are what results. It's more than that, though. Their songwriting is strong, their musical chops are exciting and Britanny Howard's voice is a thing of beauty.
I can't wait to see where they go from here.
Standout tracks: Hold On, Heartbreaker, I Ain't the Same
Like Shooter Jennings, Matt King was an artist I once didn't "get." Given time with his music however, I've changed my tune. Matt is a country singer with a very distinct vision. He also has a signature sound. That's rare in this day and age. Apples and Orphans is full of wit and anger in equal amounts. While politics and the environment are common themes, Matt explores these themes with an old-timey aesthetic and warm approach that never seems preachy, even when it is. His music is at times experimental, steampunk (whatever that means), ragtime or pure country. It's always passionate.
Standout tracks: Back to Baltimore, Jasmine and Gypsies
Nov 13, 2012
By Kelcy Salisbury
Southern Rock has always owed a large debt to the blues for it's roots, and with the formation of The Departed, it could be said that former Cross Canadian Ragweed frontman & bassist Cody Canada & Jeremy Plato have gone back to their roots.
I greatly enjoyed This Is Indian Land, the debut album from The Departed, but it felt rather like a Ragweed side project. Understandably so, given that this tribute album to great Oklahoma songwriters was the labor of love that Canada & Plato had both spoken often of wanting to do while still in Ragweed. Sure, the album had plenty of unique touches, particularly Seth James bluesy take on his guitar parts & the addition of keys by Steve Littleton (a musical heavyweight on the Oklahoma scene for years even before the ascendance of Ragweed) but Indian Land mostly served as a placeholder to whet my appetite for the new music that would hopefully be coming soon.
With Adventus (from the Latin for "Arrival") that appetite is sated. Make no mistake, Indian Land was a fine album & an outstanding tribute to many of my own musical heroes, but Adventus is the sound of a dream fully realized, stomping the boards & defiantly proclaiming it's place in the American musical landscape.
This is no Ragweed album, and I sincerely hope (in spite of my nearly 20 years of affection for the band, a band I truly felt like I grew up with) that this album will put all the comparisons to bed at last. This is definitely it's own animal & you know it from front to back on the album. Cody Canada's name may still be nearly synonymous with the band, but the contributions that elevate this album from good to great come from the fact that the rest of the band is so perfectly in tune with the vision. I don't know if it's Cody's vision or a truly shared one, but I'd guess that the entire band is perfectly in tune with it. It would be nearly impossible to pull off something this good that remains so unique in scope & style, without every single member being equally on board.
I could go through this album song by song, but I doubt anyone wants to read that many paragraphs, so I'll just point out the things that jumped out to me the most on my most recent listen.
The Seth James penned tune, "Prayer For The Lonely" is just about as moving & gut-wrenching honest as song-writing can get. If you are a fan of Red Solo Cups this might be out of your depth. However, if you are a thinking human, you can't help but find it moving for all the right reasons.
The lead single "Worth The Fight" blew me away the first couple listens. I'm sure it will do well within the regional charts in Texas & Oklahoma. This song deserves to be getting spins nationwide though. I don't know how they could've chosen a finer song with which to tell the world "This is who we are. This is what we are about. We are here to stay & you're gonna like it."
The cover art is great. I grew up on albums (you know, the big black plastic CDs?) and even when CDs came along there was very little I enjoyed more than poring through the booklet, examining the cover art, reading the notes & checking out the lyrics. The music industry as a whole has gotten away from that, and of course the digital download boom has been the biggest reason, but I can say that after seeing the cover photo (taken at a Led Zeppelin concert in Dallas, the police officers working security used bullets as makeshift earplugs because Led Zeppelin was LOUD [you rap/metal loving kids have NO idea]) I was just in love with the concept immediately. I will be ordering the Vinyl edition just as soon as possible. Sadly, I missed out on the pre-order for a signed copy, but I still cannot wait to add this to my vinyl collection and enjoy the full tactile experience in edition to the auditory treat that is the album in any format.
In summary, if you're a fan of anything that Cody Canada, Seth James, Jeremy Plato, Steve Littleton or have done in the past you will love this album. If you're a fan of good bluesy rock n roll you will love this album. Shoot, if you're just a fan of good music with some substance, you need to pick up a copy. So get Adventus & celebrate the true Arrival of The Departed on the scene. I expect this album to fill a high slot on my 2012 "best of" list, and I expect it'll be one of your favorites as well.