Nov 14, 2020
May 20, 2017
May 18, 2017
by Robert Dean
I remember the summer of 1994. I was 13. I was stuck in an emotional paradox of figuring myself out in this kaleidoscope of so many feelings, and so much going on internally. My grandmother had passed away and coupled with the death of Kurt Cobain. My world was on its goddamned head.
My grandmother had passed away from ovarian cancer at 54, and because we were so close, the loss shook the foundation of my being. Losing Kurt Cobain was my 9/11 – my favorite singer was gone, and it made the death of my grammie feel that much more real. To this day, I compound the two as the same loss, and both of their memories are inter-connected. Everything I saw, felt, and experienced was internalized, processed through a childhood rage that didn’t manifest in ways that were destructive, but bled out through what I consumed.
I’d already been a kid into rock and roll, metal, grunge, punk – but, because no other music captured that spirit, the tangibility for emotion, there was no going back. The sound of a guitar cranked to the ceiling with booming drums and a singer wailing their hearts out became the lynchpin to how my emotional process.
At 35, losing Chris Cornell hurts because he’s a mile-marker for that time, for my generation. We had front row seats to his rise. We watched the band become a part of the lexicon. Losing some of the other incredible artists of our lives hurts in their own, signature ways. We process death with a sense of ownership in relationship to our lives and personal experience with that person. Soundgarden’s music was a part of my childhood and remains a part of my culpability as a growing human. There’s poetry in those phrases – they stick with you, they imprint the bones with an aloof suffering. It’s not on purpose. It’s just symptomatic of the generation. There’s always a little tinge of suffering for the Gen – X that’s inescapable, no matter how happy someone may be.
Losing Chris Cornell feels odd. We didn’t expect his death. Losing Layne from Alice in Chains or Scott Weiland from Stone Temple Pilots was sadly not surprising. We wanted them to get better, to regain their forms as idols and icons. But, that would never come to pass.
We mourn him because he was someone we were excited was back with Soundgarden, keeping the flame of rock and roll alive. Despite being elder statesmen in the game, they’re a meat and potatoes band that everyone can carry in their pocket as uniquely “theirs.” Losing Cornell is another showcase of mortality, but also that when our icons die, the feeling like you lost a page of your personal narrative is just too real. For a lot of us, we include the songs we love as psychological footnotes in our greater story. Soundgarden carries that weight for me.
Soundgarden was and is different. They’re a band who crossed the lines of so many styles and categories. Those riffs are powerhouse, sludgy masterpieces. From the vocal range to the destructive, bombastic drums, or the in the shadows, but totally amazing bass playing, Soundgarden was a band of pure players. They’d dabble in metal here, or define a notion of grunge, and I may be mistaken, but I think one song might have some banjo.
There’s an inescapable presence to their music. It’s timeless, and kids will always be into them.
One memory though, it sticks out anytime I think of Soundgarden. I remember they’d dropped Superunknown and the world was at their feet in the wave of Black Hole Sun. While I saved my pennies to buy a cassette, some of my friends weren’t so keen. I remember one of the first experiences in diversity was connecting with a Mexican friend because his world was hip hop and mine was rock and roll. We had the cultural exchange of him showing me Warren G and Nate Dogg’s Regulators and me showing him Soundgarden.
It seems small, but I remember that time of innocence where things like the music you liked didn’t define your friendship, like so many do. I’m a nerd. I obsess about music, about records, about every aspect of the artform. I connect with people who feel the same.
In this memory, the exchange was pure. We took something from one another and accepted it. We defined that summer by trading my grunge or punk or metal, for hip hop. I now liked Snoop Dog or Cypress Hill, and he now liked Metallica or Nirvana.
But, it was Soundgarden that opened that door. I grew as a person because of one song and one summer. It may seem insignificant for most, but I like to remember those pure moments, the ones that exist on the axis of absolute joy and now, so many years later, I still do.
Thanks for that time in my life Chris. See you on the flip side.
Apr 4, 2015
Mar 9, 2015
Feb 26, 2013
Jan 9, 2013
-by Kelcy Salisbury
This list is by no means exhaustive. 2012 has been an absolute banner year for good music. I’m sure there are several great albums released in 2012 that I haven’t even heard yet and will discover some time down the road & wish I’d included them. I tried doing a top 5 list, then I tried for 10 but in the end these were the albums I just couldn’t bring myself to cut off the list.
14) Corb Lund - Cabin Fever
The Canadian musician released some of his finer work with this album (get the deluxe edition with multiple acoustic versions of several songs.) Don’t miss Down On The Mountain, Drink It Like You Mean It, One Left In The Chamber & the hilarious Hayes Carll collaboration of Bible On The Dash (as a former rodeo cowboy who’s done his share of traveling I found this to be one of the most truthfully humorous compositions I’ve heard in years.)
13) Ray Wylie Hubbard - The Grifter’sHymnal
Texas music godfather reaches out to an under-served demographic. Grifters need hymnals too, right? Seriously, Coricidin Bottle & Lazarus are as good as any work he’s done. My favorite Ray Wylie Hubbard album since Delirium Tremolos.
12) Shooter Jennings - Family Man
The album is a touch uneven in places but songs like The Long Road Ahead, Summers Dreams and Daddy’s Hands are so good that they elevate the entire thing. There’s not a song on here I skip, but there are a few I look forward to more than others. Can’t wait to see what the next project sounds like.
11) The Trishas - High Wide And Handsome
Not sure I can really describe this one but to say that The Trishas are easily the best female duo or group in country music right now and it’s not even close (sorry Pistol Annies but you could take some notes from these ladies). I hate to distinguish them as a “female” act though. Isn’t it about time we just acknowledge that this is one incredibly good bunch of musicians? They can play, they can sing, and they can write…How they can write! I’d tell you what my favorite songs are on the album, but that changes every time through. Last time around it was Mother Of Invention, John Wayne & Gold&Silver. Listen for yourself, if you haven’t heard this album you’re missing something great.
10) Dwight Yoakam - 3 Pears
I’m a Dwight fan, I’ll admit that. I’ve also appreciated Pete Anderson’s production work, so when I heard that Dwight’s new album would not employ Pete as producer I was a little worried. I’m sure the folks who want to hear “Guitars, Cadillacs” re-made over and over won’t care for this. It’s unabashedly Dwight’s “rock” album, but it’s outstanding. Top songs are Waterfall, It’s Never Alright and Long Way To Go.
9) Jason Eady - AM Country Heaven
Probably the best pure country record of the year, this one saw Eady take a slight detour from his more folk oriented material and record a straight ahead country album that draws heavily on the Merle Haggard school of writing & playing. The end result is simply astoundingly good in its simplicity. Don’t miss the scathing songwriting of the title cut, the heartbreaking Wishful Drinking or the Patty Loveless duet of Man On A Mountain.
8) Dirty River Boys - The Science Of Flight
I have to thank Brad Rice (the drummer from Jason Boland & The Stragglers, not the one from Son Volt) for bringing this band to my attention. I was honestly getting a little burned out on “new” Texas/Red Dirt/Independent bands. I hadn’t heard a new one doing anything original in a few years & even with all the buzz about these guys I hadn’t paid a bit of attention. Brad told me they were “original” and “different” and was he ever right! I’d venture to say that this album would be top 3 material if I’d only picked it up a little sooner. I’ve only had time to listen to it twice but it absolutely blew me away and forced me to include it on this list. Dirty River Boys sound is a hard thing to describe, but I’ll try. Let’s imagine that the Black Crowes & Nick Cave had a baby that was raised by a group of Celtic musicians who also happened to be bluegrass fans & the baby ran away from home at age 14 to tour with Ray Wylie Hubbard & Gram Parsons. These guys aren’t scared to try a mixture of styles and influences and the end result is something amazing to hear. I can’t wait to get a chance to see them live. Best songs on the album (and there isn’t a bad one) are the title song & Six Riders, but you’d better get the whole thing.
7) Soundgarden - King Animal
The best voice in 90s rock is back where he belongs as Chris Cornell has reunited with Soundgarden & put out an album that sounds like a worthy follow-up to Superunknown, not the album that showed up a decade plus after Down On The Upside. There’s no Get On The Snake, Blow Up The Outside World or Fell On Black Days (my 3 personal favorite Soundgarden songs) here but what there is, is more than enough to be the hard rock album of the year. Soundgarden was somewhat unfairly labeled as “just another grunge band” in the 90s & were never completely able to break free from that. They may never break away from it completely but hopefully this album will earn them a whole new generation of fans as well as reminding their legions of Gen X fans (how’d we all get so old anyway?) that Soundgarden are still kings of the rock universe.
6) Jack White - Blunderbuss
Jack White may be the direct spiritual descendant of Keith Richards & Led Zeppelin. Nobody in mainstream music is doing anything remotely close to his sound. Just great rootsy rock 'n roll that comes straight from the heart. This album, along with most of his output is proof that 3 chords and the truth are really all you need.
5) Turnpike Troubadors - Goodbye Normal Street
Turnpike Troubadours are one of the finest live bands to come out of the rich musical scene of eastern Oklahoma in the past several years. Their first two albums showed tremendous promise due to the great songwriting and musicianship. What sets this album apart is the addition of backing vocals of Jamie Wilson of The Trishas. Like most of the albums near the top of this list, there simply is not a single throwaway track. The album needs to be heard in it’s entirety. The musicianship has actually improved over their first two albums (Bossier City & Diamonds and Gasoline) if that is even possible. Either this or Eady’s album are the best true country albums of this year, if not the best of the past 2-3 years. The only country album I’ve heard in the past couple of years that can stand on the same level is Jason Boland & The Stragglers Rancho Alto.
4) The Departed - Adventus
After This Is Indian Land came out last year I was intrigued to see what this band could do with their original material. I’m happy to report that they exceeded all my expectations. This isn’t a country album, it’s a bluesy, rootsy, gospel influenced trip through the prodigious talents of a band that (while made up of an all-star cast of players) is truly much more than the sum of it’s parts.
3) Chris Knight: Little Victories
Mr Knight (I feel like I should refer to him as Mr., just because I’m pretty sure anybody with the kind of body count usually exhibited in his songs might stab me if I don’t call him Mr.) has released the finest album of his remarkable career. It’s not quite a protest album, but there is a theme of social commentary running through the entire thing. In almost any other year this would be my album of the year. I’ve only had the album since early October, but all the songs are among my most played for the entire year. I can’t hear Jack Loved Jessie, Nothing On Me or The Lonesome Way while driving without risking a speeding ticket.
2) Matt King - Apples & Orphans
First a bit of background: I am such a fan of Matt’s 2005 album “Rube” (right down to the Marilyn Manson sounding drums, and other industrial sounding touches) that I have worn out two CD copies, and it’s been one of the top 2 most played albums on my iPod every year since I got the digital copy, something like 5 years running now. I liked the Matt King & The Cutters EP. I loved the bare bones approach of Raw, which is also an album that’s been in heavy rotation for the past couple of years. (I’ll admit to not being a huge fan of Matt’s mid 90s Nashville country output, but hopefully Matt will forgive me for that…) Point is, I had very high expectations for this album even though I didn’t really know quite what to expect. If you’re looking for real stories of real life Matt is one of the three songwriters I’d point you toward to start with (Chris Knight & Javi Garcia would be the other two.) I’d be doing this album and the listener a disservice to point out one song over another as the “must have” tracks on this album. It’s an album that’s meant to be heard from start to finish. It’s clearly a labor of love, care was paid to the sequencing of songs - so get the album and listen to it the way it was meant to be heard, start to finish. My brother once asked me what Matt King sounded like and I told him that if Trent Reznor & Loretta Lynn had a child who was raised in the Appalachians by Woody Guthrie, he would be Matt King. That was meant as a compliment & hopefully it’ll be taken that way.
1) Lincoln Durham - The Shovel vs. The Howling Bones
This one came out early in the year, February I believe. Anyway, the first time I heard Drifting Wood I was hooked. This album is proof that you don’t need “top of the line” equipment or fancy production to make a great album. The pure soul of the vocals, the simple blues influenced music suits each song perfectly. There’s great variety here. Clementine & Truckers Love Song are simple yet beautiful (if somewhat unconventional) love songs. Mud Puddles, Drifting Wood, Living This Hard and Reckoning Lament are haunting rootsy slices of goodness. I had the privilege of catching Lincoln opening for Billy Joe Shaver last fall in San Marcos,TX and he blew me away. The most amazing thing I’ve ever seen in terms of a single person making sounds that one person shouldn’t be able to. Lincoln is a young man with an old soul and a clear appreciation for the traditions of such influential acts as Robert Johnson and Ray Wylie Hubbard. If you’ve somehow missed the greatness that is The Shovel VS The Howling Bones, go pick it up today. You can thank me later.
Albums I’m looking forward to in 2013:
New music from Jason Boland & The Stragglers: The best traditional country band going has a new album (produced by Shooter Jennings) on the way early in '13.
Javi Garcia & The Cold Cold Ground are finally coming with a follow up to A Southern Horror. March is the targeted release date.
Tyler McCumber (he’s a star in Italy of all places) plans to release some new music in '13. In an interesting side note, Javi Garcia was a member of Tyler’s first band.
Jan 3, 2013
We're getting close now. Almost any of these could have easily made the top 20 in a lesser year.
Did I miss anything? Well, wait and tell me tomorrow when I reveal FTM's top 20 albums of 2012.
For now. 21-50:
Full of wit and askew approaches, Corb's Cabin Fever has nearly completed my transformation from respectful admirer to fan to obsessed fan. He's an acquired taste,
but it's well worth the effort coming around to his unique vibe and sound.
Standout tracks: Bible on the Dash, One Left in the Chamber, Cows Around
23. The Gaslight Anthem - Handwritten
Who'd have ever thought you'd see Kellie on a Farce the Music "best of" list and not just
in ridiculous memes and jokes about her "blonde-ness" and amplifications to her figure? Well here she is.
She said she'd put out a classic country album and she followed through. 100 Proof is not just an experiment either - it's full-blown, cry in your beer, lock your cheatin' spouse out, burn down the honky tonk country music. And for her effort? No hits and dropped from her label. Nashville sucks.
Standout tracks: Long As I Never See You Again, Mother's Day.
A late discovery that probably would have ended up much higher on this list if I'd had more time with it.
RIYL: Ryan Adams, Townes Van Zandt, Guy Clark.
Standout tracks: Jericho(!), Forgotten Flowers
30. Soundgarden - King Animal
31. Japandroids - Celebration Rock
Another album that might have climbed higher if I'd heard it earlier. Imagine Fleet Foxes with (100x)
the vitality and actual hooks. Makes sense because J. Tillman was a member of Fleet Foxes.
Fear Fun retains a lot of the indie vibe with its off-kilter lyrics but delivers for those of us who prefer a rootsier sound with a true alt-country delivery and even some Gram Parsons-esque desert rock.
Standout tracks: Nancy From Now On, Hollywood Forever Cemetery Sings
I can't say enough about this band. If you'd like Lucero by way of The Ramones, this is the album for you.
Passion, sorrow, humor and swagger. It's all here. And just look at that cover.
Standout tracks: White Bluff, Daddy's Breath
37. Rival Sons - Head Down
38. The Dirty Guv'nahs - Somewhere Beneath These Southern Skies
40. Alan Jackson - Thirty Miles West
43. Jack White - Blunderbuss
44. Kathleen Edwards - Voyageur
49. fun. - Some Nights
50. Frank Ocean - channel orange