Showing posts with label Wade Bowen. Show all posts
Showing posts with label Wade Bowen. Show all posts

Apr 3, 2018

Top 20 Albums of 2018 - First Quarter Report

1. Brandi Carlile - By the Way, I Forgive You

2. Caitlyn Smith - Starfire

3. Ashley McBryde - Girl Going Nowhere

4. Dallas Moore - Mr. Honky Tonk

5. First Aid Kid - Ruins

6. Courtney Marie Andrews - May Your Kindness Remain

7. Caleb Caudle - Crushed Coins

8. Kacey Musgraves - Golden Hour

9. Courtney Patton - What It's Like to Fly Alone

10. Buffalo Tom - Quiet and Peace

11. Ruby Boots - Don't Talk About It

12. Wade Bowen - Solid Ground

13. Mike & The Moonpies - Steak Night at the Prairie Rose

14. Trixie Mattel - One Stone

15. Whiskey Wolves of the West - Country Roots

16. Anderson East - Encore

17. Josh Grider - Good People

18. Nathaniel Rateliff & The Night Sweats - Tearing at the Seams

19. Ross Cooper - I Rode the Wild Horses

20. Pedigo's Magic Pilsner - s/t

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*there are a few recent and forthcoming albums I haven't listened to enough to rank yet
**This is just Trailer's top 20 - year end list will include all contributors

Jan 5, 2018

Hee Haw Country Reaction Gifs

When country radio gives you
gloom, despair, and agony

When you pretend a Kane Brown fan told a good joke
so you can get out of the conversation

Hey Buck! Point to a couple of legends.

Kentucky, you're putting out some great country music!

When you try to trick the boys into believing
you've decided Sam Hunt is actually pretty good

Are you excited about the new Wade Bowen album?

George: "I co-wrote a new song that's way
too good for country radio to play."

Apr 1, 2016

Album Review: Flatland Cavalry - Humble Folks

Review by Trailer

This one hits the spot.

I haven't felt much like writing reviews for a while now. It's not that there hasn't been some good music put out this year - just nothing I felt I could put any passion into writing about. Also, since we've brought on the full-barrel punk energy of Robert Dean and the damn near peerless wordsmithery of Kevin Broughton, there hasn't been much need for my everyman type reviewing, but this new album from Flatland Cavalry has pulled me out of mothballs.

Flatland Cavalry's Humble Folks is also the first album of 2016 to stir up all the feelings I like to have when listening to music. From the wistfulness of "A Good Memory" to the driving introspection of "Devil Off My Back," the sentimental wanderlust of "Traveler's Song" to the sad-sack lamenting of "Goodbye Kiss," Humble Folks is a tour-de-force of emotions and textures.

"Easy on the ears, heavy on the heart" reads the description on Flatland Cavalry's website, and that couldn't be more accurate. Their sound is an easygoing mix of red dirt country, pop melodies, laid back swing, and heartworn folk. And there's so much fiddle. Lord, but I love me some fiddle and I love Laura Jane's fiddling. It's all a perfectly accessible approach but one that doesn't scrimp on the craftsmanship and songwriting.

"Tall City Blues" grabs you with its portrayal of loneliness and unfulfilled dreams amid the high-rises and concrete canyons of the city. You can just imagine the twenty-something small town boy taking the accounting job in Houston, then slowly realizing the "difference in making a living and loving what you do."

"Stompin' Grounds" rescues that dispirited fellow back to his home town where the Shiner is cheaper and colder and the people are warmer. There's a lot of that sort of longing in Flatland Cavalry's music - yearning for real interaction and authentic folks. It's a welcome and relatable desire in a world that seems to grow more mean and detached with every passing day.




Humble Folks is a great album; certainly one of my favorites of the early year, and well worth your listen. It's a familiar sound, but one that with repeated listens will reveal deeper layers and twists of melody you haven't heard before. These songs are sure to make you think, smile, hurt, and tap your foot. Sometimes all at once. That's what good music does.

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Flatland Cavalry is a no-doubter for fans of Turnpike Troubadours, Wade Bowen, The Damn Quails, and the like.

You can find Humble Folks on Lonestar Music , iTunes, etc.. (Out today)

Dec 29, 2015

FTM's Top 20 Songs of 2015

20. Jonathan Tyler (with Nikki Lane) - To Love is to Fly

19. Nathaniel Rateliff and the Night Sweats - S.O.B.

18. Kendrick Lamar - King Kunta

17. Jamie Lin Wilson - Seven Year Drought

16. Allison Moorer - If I Were Stronger

15. John Moreland - White Flag

14. Darrell Scott - Thanksgiving 1985

13. Benton Leachman - Lonely

12. Ray Wylie Hubbard - Stone Blind Horses

11. Anderson East - What a Woman Wants to Hear

10. Chris Stapleton - Fire Away

9. Father John Misty - The Night Josh Tillman Came to Our Apt.

8. Ashley Monroe - Bombshell

7. Whitey Morgan - Still Drunk, Still Crazy, Still Blue

6. Wrinkle Neck Mules - Beehive

5. Hailey Whitters - Low All Afternoon

4. Randy Rogers and Wade Bowen - El Dorado

3. The Honeycutters - Me Oh My

2. Baroness - Chlorine & Wine


1. Turnpike Troubadours - The Bird Hunters

Oct 12, 2015

Top 30 Albums of 2015: 3/4 Report



Here's my 3/4 of 2015 Favorite Albums list. I'm going to attempt to do a composite among FTM's regular contributors (Matthew, Kelcy, Jeremy, Kevin, and myself) and hopefully have our first team-voted official list (at least a top 10) at the end of December, so this is just a 20% slice here. -Trailer

1. Father John Misty - I Love You Honeybear

2. Chris Stapleton - Traveller

2. Whitey Morgan - Sonic Ranch

4. Turnpike Troubadours - s/t

5. Jason Isbell - Something More Than Free

6. The Honeycutters - Me Oh My

7. Randy Rogers & Wade Bowen - Hold My Beer, Vol. 1

8. James McMurtry - Complicated Game

9. American Aquarium - Wolves

10. Ray Wylie Hubbard - The Ruffian's Misfortune

11. Jonathan Tyler - Holy Smokes

12. J.D. McPherson - Let the Good Times Roll

13. Kendrick Lamar - To Pimp a Butterfly

14. Ashley Monroe - The Blade

15. The Pollies - Not Here

16. Nathaniel Rateliff & the Night Sweats - s/t

17. Jamie Lin Wilson - Holidays & Wedding Rings

18. The Damn Quails - Out of the Birdcage

19. Anderson East - Delilah

20. Kacey Musgraves - Pageant Material

21. Faith No More - Sol Invictus

22. Lindi Ortega - Faded Gloryville

23. John Moreland - High on Tulsa Heat

24. Lucero - All a Man Should Do

25. Benton Leachman - Bury the Hatchet

26. Wrinkle Neck Mules - I Never Thought It Would Go This Far

27. Clutch - Psychic Warfare

28. Darrell Scott - Ten

29. The Deslondes - s/t

30. Dwight Yoakam - Second Hand Heart



I haven't heard these enough yet to rank them: Jason Boland and the Stragglers - Squelch, Hailey Whitters - Black Sheep, The Yawpers - American Man, Corb Lund - Things That Can't Be Undone, Don Henley - Cass County, Gretchen Peters - Blackbirds.

Jul 2, 2015

FTM's 10 Favorite Songs of 2015 So Far

In no particular order.


John Moreland - White Flag
Wrinkle Neck Mules - Beehive


Whitey Morgan - Still Drunk, Still Crazy, Still Blue

Kendrick Lamar - King Kunta

The Honeycutters - Me Oh My

Randy Rogers and Wade Bowen - El Dorado


Benton Leachman - Lonely

Darrell Scott - Thanksgiving 1985

Father John Misty - The Night Josh Tillman Came to Our Apt.


Chris Stapleton - Fire Away



These and many other good songs from 2015 are included on this Spotify playlist:


Jul 1, 2015

Top 20 Albums of 2015: First Half Report

 1. Whitey Morgan - Sonic Ranch
Sonic Ranch is as strong a "real country album" as you'll hear in 2015. It's refreshing to hear such unfiltered honky-tonk music in this day and age of contrived edge and softened edges. Morgan and the 78s' version of modern outlaw country is a comparable sound to what Sturgill Simpson is doing, but with a blue collar approach and a more pronounced low-end. This album may not drive Morgan to acceptance/hype in the same circles as Jason Isbell and Sturgill, but it's a big statement album that will bring in new fans and make old ones very happy.


2. Father John Misty - I Love You Honeybear
Indie-pop is a sub-genre I usually avoid due to the overly precious nature of its typical fare. Father John Misty doesn't do twee. He infuses his catchy pop tunes and lounge rollers with a strong dose of balls. His lyrics are clever, biting, and frequently downright asshole-ish. These songs comfort, provoke, enlighten, and annoy, often at the same time. Our narrator is a jerk, but a jerk that you have to stick around to see what he'll do or say next. This is a record that will gnaw at you and stick with you, each song taking its turn being an earworm or soundtrack to some odd moment.


3. Chris Stapleton - Traveller



5. Randy Rogers & Wade Bowen - Hold My Beer, Vol. 1
Hold My Beer, Vol. 1 sounds as much like a celebration of friendship as it does a duets album from the pair of popular Texas troubadours. There's a palpable sense of fun and camaraderie throughout the ten song collection.  It’s the soundtrack to a good Saturday afternoon barbecue, a party record for people who'd rather not fist-pump, a greatest hits collection of songs you haven’t heard yet (unless you've been to their summer tours of the same name as the album).



7. American Aquarium - Wolves
To say the musical arrangements are daring & a departure from past albums is true. Yes, the same basic structure is there, the skeleton is intact enough to keep the loyal fans sated. But BJ Barham & the boys take risks here. The lush "Man I'm Supposed To Be" could be something Chet Atkins produced, but the darkness that lurks in this most honest of love songs somehow makes the song even more powerful. -Kelcy Salisbury


8. James McMurtry - Complicated Game
This is McMurtry’s best record, and it ain’t close. And that was a high bar. He could put his pen and guitar down now, and his name will forever belong beside those of Lovett, Clark, Earle, and yes, Van Zandt. If you know those names, you know what the comparison implies.  If you don’t, listen to Complicated Game, and get a frame of reference. This one’s a crowning moment for one of the true and elite Texas craftsmen. -Kevin Broughton


 



11. Kacey Musgraves - Pageant Material

14. Wrinkle Neck Mules - I Never Thought It Would Go This Far
Maybe this fine album isn't to be analyzed. Find your own meaning in these literate, attitude-driven, poetic, anti-bucolic, abstruse (and surprisingly fun) lyrics and run with it. It's not like you're going to stop tapping your foot, either way. It's all too damn catchy; and so steeped in shine and cooked over some ridge dweller's firepit, I Never Thought It Would Go This Far can't help but captivate.


18. Benton Leachman - Bury the Hatchet
Benton Leachman has a reedy croon that gives off the impression of innocence or sweetness. While that may indeed be the case for Leachman personally, his debut album, Bury the Hatchet, presents several bits of evidence that are at odds with that starry-eyed delivery. He's clearly a complicated and real person, and this record shows you all his sides with a passionate honesty that's rare in first releases.


 

Apr 20, 2015

Album Review: Randy Rogers and Wade Bowen - Hold My Beer, Vol. 1

Hold My Beer, Vol. 1, the new album from Randy Rogers and Wade Bowen, sounds as much like a celebration of friendship as it does a duets album from the pair of popular Texas troubadours. There's a palpable sense of fun and camaraderie throughout the ten song collection.  It’s the soundtrack to a good Saturday afternoon barbecue, a party record for people who'd rather not fist-pump, a greatest hits collection of songs you haven’t heard yet (unless you've been to their summer tours of the same name as the album).

That’s not to say the songs don’t hold together as a consistent album - the song order is organic, the songs clearly come from a collective creative vision, and there’s a common production quality - but it truly sounds like a “Best of” set that just happens to be a regular album. While I don’t want every album to be quite so packed with “event” songs, it’s a compliment for Hold My Beer. There’s no lag; all killer no filler, as they say.

There are songs which stand out from the rest, however. “Good Luck With That” is a humorous and self-deprecating tune that sounds like cross between a Texas-music scene staple and one of those short ditties George Strait used to include on every album. It’s a good time.

“Standards” is a friendly kiss-off to the Nashville way of doing things. Wade shrugs off a “bro” song pitched to him with a simple “it’s not me,” before launching into the more biting chorus “I don’t have hits, I’ve got standards,” using the double-meaning of ‘standards’ to perfection. “It’s gotta feel right” replies Randy, maintaining that polite balance.

“El Dorado” is a cowboy epic, a solemn and thoughtful goodbye from an old desperado. While neither Randy nor Wade has the sort of voice you’d describe as wide-ranging, their voices entangle so perfectly as to soar across the western vistas of the song during the instantly memorable chorus. It’s an extremely moving song, and one of my favorite of the year thus far.

The record closes with a cover of Willie & Merle’s “Reasons to Quit” (fittingly, from that legendary pair of friends’ duet album Pancho and Lefty). It’s a sobering way to end the album, but Wade and Randy’s vocals play off one another with a warmth and understanding that imbues the tune with unexpected liveliness.

Hold My Beer, Vol. 1 is more than a summary of Randy and Wade’s annual tour. It’s a strong and artful set of songs that never drags in the slow moments, and never embarrasses you during the more party-friendly moments. Fire up the grill, throw a koozie on a Shiner Bock, and turn this up.

-Trailer

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Hold My Beer, Vol. 1 is available today at iTunes, Amazon, Lonestar Music and all the usual locations.

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