There's a bit more bio information and the band's thoughts on "Sixteen" below the player.
Their new EP, Sunshine From the Blue Cactus is available February 2, 2018 from Amazon, iTunes, etc.
What is "Sixteen" about?
This is one of those songs that just fell out of the sky. To break it down simplistically the song was my way of expressing that in the end, it all works out. There is no doubt that the song is the most personal on the record and it encapsulates this strange emotion I was feeling at the time. My mom had passed, my son had just been born, and in the middle of it all was this feeling of retrospect of what in the hell just happened. We move so fast in life we don’t process what we feel. This was me simply looking back saying to myself “If you would have told me that from now this is where you will be, sitting on this bed, writing this song, I would have called you a bold face liar.” I don’t know if it’s because I am more aware these days or just more grateful but I am still astonished at how unpredictable life can be and how good it really all is.
Who/what were some influences when it came to writing "Sixteen?"
Oh, it was so long ago it’s tough for me to remember what I may have been listening to at the time. But I remember distinctively watching an interview with Ryan Adams and he was discussing how he knew what kind of song he would be writing based on where he placed his capo. I never really purposely thought of it like that, even though I love using a capo. On “Sixteen” the capo on the guitar is on the 4th fret which brings a bit of a brighter feeling to it. I remember when I was coming up with the melody in my head that I wanted it to be a bit brighter and the best way to do that was to bring the capo to a higher register. So to answer the question I suppose I would tip my hat to Mr. Adams for at least making me realize how powerful the capo can be when tapping into the emotional feel of a song.
WHISKEY IN THE PINES - SUNSHINE FROM THE BLUE CACTUS
While Whiskey in the Pines hails from Florida, synonymous with endless sunshine and miles of beaches, the ocean is still a long way from the band’s hometown Tallahassee. “It’s about a two-hour drive,” says David Lareau, Whiskey in the Pines’ plainspoken singer and principal songwriter. The band’s unmistakably Southern moniker—a perfect fit for its brand of heartfelt, no-frills Americana—was inspired by their frequent excursions down US-319 south to the languid shores of the Gulf. “You’re traveling miles of road surrounded by nothing but pine trees,” he says. “And a good friend of mine always called me ‘Whiskey.’ I drove out to the beach so often that when it came time to name the band, it was a pretty straightforward choice.”
For Lareau, Whiskey In The Pines has been at once a new beginning and a much-needed salve to heal the wounds of a tumultuous year. As the band prepares to release its new EP, Sunshine From The Blue Cactus (named for an admired waitress, Sunshine, who worked the lunch shift at the band’s favorite haunt), Lareau has been reflecting back on the pothole-filled road that led him to this point.
“When I was writing the songs for Sunshine, My mom had recently passed away, and I’d also just had my first kid,” Lareau says. “There were all sorts of conflicting emotions pouring out through the songs. It’s been a journey, for sure.”
Lareau’s Florida roots provide the EP’s alt-country songs with a gentle warmth and sense of connectedness. This is heartland rock & roll, shot through with an ambling, country-tinged flourishes. There are songs that would perfectly score a backyard day-drinking session and others that work as peaceful codas to soundtrack the after-party cleanup. Which makes perfect sense after everything Lareau has experienced in recent years. On the autobiographical “Sixteen” and shifty love paean “Do You Believe in Hell,” Lareau ruefully examines his life’s circumstances, pondering how past decisions have influenced his present state. Elsewhere on the EP, “Roses” chugs forward with a driving melody reminiscent of Jason Isbell or Ryan Adams’ earlier work in Whiskeytown. “It’s times like these when you’re driving through this town / And you’re playing Tom Petty with the windows down,” Lareau sings on the chorus, delivering his lines with the authenticity of someone, who—like the rock legend he name-checks—knows small-town Southern life firsthand.
Inspiration comes to Lareau in many forms. An avid distance runner, he often works up melodic ideas as he pounds the pavement, reveling in the solitary miles. And, of course, life in Tallahassee is inseparable from college football and the Florida State Seminoles—hence the raucous pre-game tailgate singalong “Drunk with My Friends.” Sometimes, though, the tunes come together until the pressure is on to record, which was the case with “Roses.” “My first stab at writing that song came out really dark, which wasn’t a great fit for the upbeat melody,” Lareau says. “I was stuck on it for a while but ended up pulling out some new lyrics the night before we cut it. Everyone loved the spontaneity, so we went with it.”
Lareau writes quickly and trusts his instincts. He may edit things later upon further reflection or after hearing input from his bandmates, but he knows he’s at his best when he strikes while the iron is hot. “For ‘Sixteen,’ I literally picked up the guitar with the melody in my head, laid down with my wife and son beside me, and wrote the lyrics on my phone in ten minutes,” he says. “I luckily found the right words that rhyme at in the morning.”
Though Lareau anchors the band as frontman and songwriter, Whiskey In the Pines is a collaborative affair and his bandmates have the chops to make these tunes really hum. Bassist Aaron Halford and guitarist Kelly Chavers are longtime pals. Noel Hartoe produced the band’s new EP and handled drums on the recordings, and ace session musician Barrett Williams soars on pedal steel. The band dynamic and this new set of songs have energized Lareau as he prepares to hit the road in support of Sunshine From The Blue Cactus.
“We’re really proud of this one,” he says. “We want people to remember these songs, to sing them in the shower, or when they’re taking their kids to school—to have them become a part of their life.”