The four-piece has deftly stayed clear of being labeled by writing songs only about work, drinking and love, while steering away from any sort of signifiers or coded terms that might out them as Democrats or Republicans. “We love and respect all our fans and welcome them into our big tent, at least until we’re popular. Then 50% of them can kiss our asses!” laughed drummer Laura Lofton.
The Red Lions’ music also avoids classification. Blending country, rock, pop, folk, soul, hard rock, southern rock, indie rock, outlaw country, and R&B in perfectly equal parts in every song, the band literally can barely be described. Despite being impossible to market, they’ve managed to get a couple of songs to over 100k streams on Spotify, including “Coal Mining and Liquor” and “Laid Off at the Paper Mill.”
While the band has gained a great deal of traction on streaming platforms, they’re having a hard time finding a touring partner. “We had one potential supporting tour for a major band, but they were gonna make us sign a social intersectionality pact or some shit. And another big singer wanted us to get tiny MAGA tattoos to come aboard. So we’re mostly opening for ourselves so far.” said Sparkman.
When asked about the band’s plans after passing their threshold of “success,” bassist Reed Wilkes chimed in. “Shortly after crossing 100,000 monthly listeners, we will go into the studio and write an album in which we write ham-fisted lyrics railing against whatever the current Presidential administration is, while leaning into EDM and other styles our original fans don’t care for, so they’ll have to say ‘their first album is actually good’ when somebody mentions us for the rest of their lives.”
At press time, The Red Lions were being ambivalent about their lunch plans.
