Dec 5, 2019
Jul 18, 2019
Jul 16, 2019
“Old Town Road (Rerererereremix)”
Lil Nas X
ft. Billy Ray Cyrus, Young Thug, Mason Ramsey,
Kid Rock, Lizzo, Florida-Georgia Line, Bon Iver,
Steve Aoki, Willie Nelson, Wale, Travis Barker,
Kane Brown, City Girls, Future, Ed Sheeran,
David Guetta, Camila Cabello, Meek Mill,
Blanco Brown, Chase Rice, Migos, Saweetie,
Brooks & Dunn, Maren Morris, & Halsey.
Jun 19, 2019
Jun 17, 2019
Apr 24, 2019
Apr 16, 2019
Apr 14, 2019
Apr 11, 2019
I’m gonna be completely real with y’all. I haven’t been doing this column much in the past couple of years because I don’t know what the hell to tell you. Clearly, I don’t know how to write a hit country song in this era, so how am I supposed to give you advice? So, either listen to a bunch of Gavin DeGraw and write kind of sleazy but respectful songs entirely speaking to a generic “you” who is the woman you desire. Or… or, you can still go the bro-country route, only as long as you take the country part out. Bro pop? Shit man, it’s enough to make an established songwriter have to sell his stately manor with an elevator, runway lights, and 9 bars, and downsize to a measly million dollar starter home. And this Lil Nas X thing? That could change it all. Do I need to learn to rap now? Do I need to have Billy Ray Cyrus on all of Big & Rich’s songs? Can we say “boobies” in country songs now?? I’d have been dropping d-cups in every damn song if I’d known. And why do we have to let the singer have a credit on every song now? Just because Morgan Chase Russell added one trendy phrase to the lyrics doesn’t mean his handsome ass deserves a sixth. F**k that guy. Things are changing fast on Music Row and your space cowboy isn’t sure how to handle it. I’m thinking about just becoming a permanent Fox News correspondent. Politics is easy compared to Nashville now, bitches. Be careful out there!
*Not really by John Rich
Jan 30, 2019
Jul 31, 2018
Mar 30, 2018
by Robert Dean
Been grinding away lately. Burning the candle at both ends trying to get some creative projects to pop off while maintaining a busy writing schedule. Friday, I think I got a whopping four hours of sleep and at no point over the weekend did I ever get more than, like six.
In this week’s roundup:
Nathan Kalish dropped a new record, “I Want To Believe” that’s straight from the school of Conway Twitty and George Jones, but with a timbre that’s oddly satisfying. Kalish has an interesting delivery. “I Want To Believe” has an old-school sound that feels like tape; it’s unique, which is nice because, damn, I get a lot of stuff sent to me that sounds the same. Give Nathan Kalish a spin. It gives off the vibe that it’s a good record to smoke a joint to, which is always essential. Well, at least it is to me.
Caleb from Cave In died. This one is a sword right to the guts. I’ve loved Cave In since I heard "Until Your Heart Stops", a bonafide hardcore classic. It breaks my heart to know Caleb died in such a terrible way. We were about to have him and the boys from MA back in our lives and just like that; he’s gone. Life is bananas, kids. Love the folks around you hard, because the next minute, they could be gone. The older I get, the more real this becomes.
Please consider donating to his GoFundMe - dude is leaving behind a wife and two daughters. He wasn’t even 40 and a vet of the heavy music community for the last 20 years.
Devildriver is releasing a “country covers” album that sounds as exciting as oral surgery. Deftones are working on a new one; hopefully, it pulls some White Pony magic out of the ether cuz I haven’t liked a Deftones record in almost 20 years.
In other news that makes me want to stab a bbq spike into my throat, Godsmack is teasing a new video featuring Billy Ray Cyrus – two things the world a whole lot less of. Fucking awesome.
As always, Desus & Mero is the funniest show on tv. Yes, I’m hipster scum who watches VICELAND all day long while I type stuff for you lovely folks.
Turnstile is a band you should probably be listening to right now. Hardcore is evolving in a super exciting way. Knocked Loose, Harms Way, Code Orange, Jesus Piece, etc. There’s a lot of bands challenging the genre, and it’s a lot of fun to see these kids push the cultural dynamics in places other music is too afraid to. If there’s percolating artistry and anger in music that’s pushing boundaries for the better, it’s happening in hardcore music. Turnstile is cool because they’re mixing Snapcase with Gorilla Biscuits and even some Bad Brains, but it doesn’t feel throwback for the sake of doing so.
That’s it. Enjoy your weekend.
Feb 8, 2018
Nov 29, 2017
|Should've had a mullet|
|Had a mullet|