I meant to post this at the end of last year with blurbs and whatnot, but it did not happen.
1. Jason Isbell - Southeastern
2. Lori McKenna - The Bird and the Rifle
3. Tyler Childers - Purgatory
4. The Damn Quails - Down the Hatch
5. Father John Misty - I Love You Honeybear
6. John Moreland - In the Throes
7. The National - Trouble Will Find Me
8. Turnpike Troubadours - Diamonds & Gasoline
9. Jamey Johnson - The Guitar Song
10. Brandy Clark - 12 Stories
11. Run the Jewels - RTJ
12. James McMurtry - Complicated Game
13. The War on Drugs - Lost in the Dream
14. Kendrick Lamar - good Kid, M.A.A.D. City
15. Turnpike Troubadours - Goodbye Normal Street
16. Sturgill Simpson - Metamodern Sounds in Country Music
17. Jamie Lin Wilson - Jumping Over Rocks
18. Run the Jewels - RTJ2
19. Lydia Loveless - Somewhere Else
20. Chris Stapleton - Traveler
21. Cody Jinks - Adobe Sessions
22. Ashley McBryde - Girl Going Nowhere
23. Pallbearer - Foundations of Burden
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Honorable Mentions: Sturgill Simpson - High Top Mountain, Kacey Musgraves - Same Trailer Different Park, Cody Jinks - I’m Not the Devil, Turnpike Troubadours - A Long Way From Your Heart, Kellie Pickler - 100 Proof, Mike & The Moonpies - Cheap Silver, Turnpike Troubadours -s/t, Miranda Lambert - The Weight of These Wings, Ruston Kelly - Dying Star, Brandi Carlile - By the Way I Forgive You, Sturgill Simpson - A Sailor’s Guide, Lee Bains III & The Glory Fires - There is a Bomb in Gilead, Charlie Robison - Beautiful Day, Lucero - Among the Ghosts, Car Seat Headrest - Teens of Denial, Gojira - Magma, Colter Wall -s/t.
We’ve got a video premiere for you from countrified roots rockers The Joe Stamm Band today. Joe’s rich, character-filled voice is the centerpiece of the band's new single “Bottle You Up,” a love song from the heart. It’s a commercially accessible sound without kowtowing to the trends of the day, instead keeping it real with an in-the-pocket rock ’n roll band playing the hell out of this catchy country rocker. RIYL: Chris Stapleton, Whitey Morgan, Cody Jinks, The Steel Woods.
Joe on “Bottle You Up” -
"There’s been a grand total of two times that I’ve done one of them, “I just wrote this song and now I’m posting a video of me playing it to Facebook” type of things. One of those times was just yesterday (as I’m writing this up). The only other time was a couple years ago and the song was 'Bottle You Up.'
I’d just got home from a Sunday afternoon gig, and I sat down at my kitchen table with a little glass my mom had recently purchased for me. It said, “Apple of My Eye” on the side of it. I started pouring Busch Light down into it. Then emptying it. Repeat. Pretty soon I was writing a song and about 25 minutes later, I had “Bottle You Up” down on paper.
All them beers convinced me I should take the song straight to social media. So I did, and pretty soon folks were requesting “Bottle You Up” at shows. It didn’t take long to realize we were going to have to cut it on our next record.
While you can still find that old acoustic performance on YouTube, we did decide to go down to Nashville and have our buddies at Midtown Motion put a bonafide music video together for the song. We’re pretty happy about the results. Though I’m not sure the feller in the video was by the song’s end…"
More information about the Joe Stamm Band and their upcoming album below the player.
Joe Stamm Band - The Good & The Crooked (& The High & The Horny)
The Joe Stamm Band makes countrified roots-rock with an emphasis on the roots, drawing on Stamm's small-town upbringing in rural Illinois for a sound that blends heartland hooks with Nashville twang. It's a sound that's taken the songwriter from the college apartment where he strummed his first chords to venues beyond the Midwest, sharing shows with personal heroes like Kris Kristofferson and Chris Knight along the way. With his debut studio LP, The Good & The Crooked (& The High & The Horny), Stamm begins building his own legacy, leading his band of road warriors through an album rooted in all-American storytelling and guitar-driven swagger.
Recorded in a converted barn outside of Iowa City, The Good & The Crooked (& The High & The Horny) is a studio album that owes its electrified energy to Stamm's live show. It was there — onstage, guitar in hand, headlining a club in Peoria one night and playing with artists like Tyler Childers and Easton Corbin the next — that Stamm sharpened the edges of his self-described "black dirt music," rolling Americana, country, and blue-collar rock & roll influences into his own style. Some songs were autobiographical, spinning true-life stories of love, loss, and life in Middle America. Others, like the barn-burning "12 Gauge Storyline," were character-driven and fictional. Whittled into sharp shape by a touring schedule that kept Stamm and company on the road for as many as 150 days a year, those songs took new shape in the recording studio, shot through with amplified riffs, grooves, and arrangements that rolled just as hard as they rocked.
Fiction and autobiography come together on the album's title track, a coming-of-age anthem that finds Stamm writing about the humor, heartache, charm, and chaos of youth in America.
"Everyone falls into at least one — and usually several — of those categories," he says of "The Good & The Crooked (& The High & The Horny)." "That song really captured a sense of things, a sense of people, and a sense of what it's like to grow up in America."
For Stamm, growing up in America involved a good amount of time on the football field. A teenage quarterback in a sports-obsessed town, he led his high school team to back-to-back state appearances, becoming a local celebrity along the way. When an injury brought his sports career to an end during his college years, though, Stamm found a new passion in music, diving into the work not only of classic country crooners like George Jones and Johnny Cash, but also the modern-day heavyweights of Texas' country scene, including Randy Rogers Band, Pat Green, and Reckless Kelly. Before long, he was writing his own songs — and just like his favorite Texas artists, he rooted his music in a strong sense of place, bringing a midwestern spirit to his own brand of country music. Stamm was soon packing venues across central Illinois, trading the athletic fame of his teenage years for an equally rewarding — and longer lasting — brand of recognition.
"I like writing about characters and coming up with stories," says Stamm, whose diverse past — including his time in an evangelical Christian household, his athletic days behind the line of scrimmage, and his creative rebirth as country music's newest rule-breaker — is woven throughout The Good & The Crooked (& The High & The Horny), lending personal details to even the most fictional of songs. "Songwriting is where experience and imagination meet," he adds, "and each song finds a different spot on that spectrum."
With The Good & The Crooked (& The High & The Horny), the spectrum is as wide as it is compelling, with Stamm roping together a range of honky-tonk hooks, rock & roll guitars, heartland twang, and country swagger. He's a songwriter. A bandleader. A storyteller. And while he'll always be a proud midwestern native — a man shaped by the creek bottoms, fields, and fence rows of Metamora, Illinois — he writes from a more universal perspective on his full-length studio debut. These aren't just his stories, after all. They're all of ours.
Joe Stamm Band's The Good & the Crooked (& The High & the Horny) is due out September 25.
