Showing posts with label John Moreland. Show all posts
Showing posts with label John Moreland. Show all posts

Jan 25, 2023

Top 10 Ways to Become an Americana Singer

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10. Have a moderately popular rock, hardcore, or punk band in your 20s then turn 30



09. Move to East Nashville; stop bathing



08. Stand in front of mirror and say “I ain’t no part of nothin’”



07. Quit heroin



06. Be the offspring of a country music or folk legend



05. Be born named Colt, Colter, Cody, or Zach



04. Drink the water in Kentucky, apparently



03. Be either a hater of all political views or an outspoken lefty, there is no in-between



02. Be a Townes Van Zandt fan who majored in poetry and knows how to play a few chords; get fired from your job at one of the following: train depot / co-op / ranch / hardware store / horse farm.


01. Get face and/or neck and/or knuckle tattoos

Jan 4, 2022

New Blood: Andrew Jobin

By Robert Dean


Down here in Austin, Texas, we might be well on our way to becoming the Live Comedy Capital of the World or the Tech Everything Capital of the World, but we're still a music town. Every night of the week, you can hear a raucous new voice in the clubs, on the street corners, or strumming away in the corner of a bar.


One of those new voices is Andrew Jobin, who's just released his first solo EP, Bon AccordBon Accord is a collection of songs that spring from the same fertile musical soil as artists like John Moreland with its foot-stomping old school phrasing one piece like "Joan Love" but then lends itself to an emotional holler; with a track like, "Eden." Jobin leans into something I never expected on these tracks; his voice and phrasing don't remind me of contemporary singers, but more in the realm of singers like Woody Guthrie, especially the Singing Brakeman, Jimmie Rodgers. Whether or not those influence the record or Jobin, what matters is that he's not trying to play house and trying to sound like anything that's not authentic to himself.



Check out Andrew Jobin's new record, Bon Accord, and go to one of his shows if you're in Austin. As this city is getting more expensive every day, it's good to see we've still got a few honest to god guitar pickers kicking around. 


Sep 3, 2020

Trailer's 23 Favorite Albums of the Decade

23 Favorite Albums of the Decade (2010-2019)
I meant to post this at the end of last year with blurbs and whatnot, but it did not happen. 

1. Jason Isbell - Southeastern

2. Lori McKenna - The Bird and the Rifle

3. Tyler Childers - Purgatory

4. The Damn Quails - Down the Hatch

5. Father John Misty - I Love You Honeybear

6. John Moreland - In the Throes

7. The National - Trouble Will Find Me


8. Turnpike Troubadours - Diamonds & Gasoline

9. Jamey Johnson - The Guitar Song

10. Brandy Clark - 12 Stories

11. Run the Jewels - RTJ

12. James McMurtry - Complicated Game

13. The War on Drugs - Lost in the Dream

14. Kendrick Lamar - good Kid, M.A.A.D. City

15. Turnpike Troubadours - Goodbye Normal Street

16. Sturgill Simpson - Metamodern Sounds in Country Music

17. Jamie Lin Wilson - Jumping Over Rocks

18. Run the Jewels - RTJ2

19. Lydia Loveless - Somewhere Else

20. Chris Stapleton - Traveler

21. Cody Jinks - Adobe Sessions

22. Ashley McBryde - Girl Going Nowhere


23. Pallbearer - Foundations of Burden
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Honorable Mentions: Sturgill Simpson - High Top Mountain, Kacey Musgraves - Same Trailer Different Park, Cody Jinks - I’m Not the Devil, Turnpike Troubadours - A Long Way From Your Heart, Kellie Pickler - 100 Proof, Mike & The Moonpies - Cheap Silver, Turnpike Troubadours -s/t, Miranda Lambert - The Weight of These Wings, Ruston Kelly - Dying Star, Brandi Carlile - By the Way I Forgive You, Sturgill Simpson - A Sailor’s Guide, Lee Bains III & The Glory Fires - There is a Bomb in Gilead, Charlie Robison - Beautiful Day, Lucero - Among the Ghosts, Car Seat Headrest - Teens of Denial, Gojira - Magma, Colter Wall -s/t. 

Feb 6, 2020

Album Review / John Moreland / LP5


By Travis Erwin
John Moreland's latest offering, LP5, delivers the same acoustic sensibilities we have come to expect, while showcasing his notable evolution as an artist and as a human. The end product for the listener is honest, thought-provoking songwriting, delivered with authentic emotion.
The album opens with tender guitar notes pulling you into the single “Harder Dreams,” though Moreland’s poignant lyrics soon take over. And while it is hard not to get lost in the calm tones of his voice, the songwriting is what truly elevates both this track, and the entire album. The lines …   Are you lonely in your convictions, staring through the glass tonight? Is the truth a work of fiction, better ask the blood-stained skies … stuck out for me, but the emotional imagery within this opening song is gripping. This opening track foretells what’s to come, in terms of quality of sound, songwriting prowess, and in the teasing the overriding theme.
With a bit more of a bluesy funk, “A Thought is Just a Passing Train” offers a different vocal style than the rest of the album. At nearly five and half minutes long, this second track has a jam groove that sort of relaxes your senses and allows you to close your eyes and settle in for the long haul. But don’t dismiss the power of the lyrics, because we’ve all been hit hard by an emotion, fear, or doubt, and this song is all about recognizing the brevity of such gut punches.
“East October” is the kind of track that subtly reveals itself. Painted with broad strokes in places and refined thoughts in others, the track repeatedly asks the question, … How Am I ever going to get by, all my myself? The song left me thinking about a divorced man reflecting on the memorabilia of a marriage gone bad. Though the fact it was written with a nod to Chris Porter’s song, “East December,” makes it clear Moreland wrote it from more of a grieving friend’s viewpoint. Porter passed away in 2016. That such a song can be parlayed into broader emotion is more proof of Moreland’s talent for bringing forth our humanity.
My personal favorite track on the album is “Learning How to Tell Myself the Truth." The song delivers unrelenting truth. Coming via a stream-of-consciousness style, the track brings out the nuances of Moreland’s emotional vocals. This track is the musical equivalent of staring into the mirror and talking to the person looking back. 
“Two Stars” is a soft guitar instrumental that bridges the gap over to “Terrestrial,” another track about overcoming the self-doubt and uncertainty that washes over all of us at times. Discovering what is real both within our own heads and the outside world around us is the prevailing thought behind much of this well-written album. 
Moreland again pays homage to his friend, Chris Porter, with the track “In Between Times.” Written a mere two weeks after Porter’s untimely passing, Moreland puts words to the kind of grief that often leaves others speechless. The pain is palpable, and his voice is raw, over a stripped-down melody. 
Not known for love songs, Moreland proves he can take on the most vulnerable of emotions with “When My Fever Breaks,” a track he began writing, while first dating his wife. The song took him more than three years to finish, but the result is a song that stays with you. It feels genuine without resorting to being overly sentimental, simply for the sake of the poetry.
“I Always Let You Burn Me to the Ground,” feels like a goodbye, not in the literal sense, but in the admission of our own weaknesses, so that we can finally let the ashes of our past blow away in the wind. “For Ichiro” is another instrumental track that serves as an emotional reset. This track has a digital vibe laid over keys and a guitar, making it feel slightly out of place with the album, though it is tranquil and entertaining enough to certainly have merit.
The album finishes with “Let Me Be Understood,” which is fitting, because I imagine this is the internal plea of every songwriter, when they release new material out into the world. But here, this track is about growth and wisdom that comes to us on down the road, giving us a new outlook over hindsight. Bluesy and folksy, the track brings forth many of Moreland’s best sounds, both musically and vocally, and as always, the songwriting is relatable and makes you ponder your place in this world.
Or perhaps more importantly, the song and the album are meant to reinforce the fact we all have these complex thoughts and emotion running through our heads.  And the lasting message is that it's okay to let them in, because we will emerge on the other side all the better for having them. As a writer and fan of his work, I hope that is what Moreland wanted understood, but no matter the intent, his new album, LP5 is definitely worth your listen. 

LP5 is available Friday everywhere you buy or stream music.
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A native Texan, Travis Erwin is an author and music reviewer now living in Southern California. Find his novels and memoir, anywhere books are sold, or visit him in the Twitterverse, via @traviserwin.

Dec 4, 2019

John Moreland Performs New Song "East October"

(not great video, but great sound) 

From his forthcoming album LP5.

Oct 24, 2019

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