Showing posts with label Chris Stapleton. Show all posts
Showing posts with label Chris Stapleton. Show all posts

Nov 19, 2020

Wrasslin' Country Reaction Gifs 45

How many million albums has Stapleton's Traveler sold?

When a "country fan" starts talking about how much they love Dan + Shay

Why do you get so worked up over people knowing what authentic country music is?

People who thought Morgan Wallen had the best performance on the CMA Awards

To people who fix their mouth to say something bad about Dolly

When the car next to me at the light is jamming Turnpike

But country music has to evo...

♫ ♬ Old friends, they shine like diamonds ♫ ♬

Nov 4, 2020

The Current Poop of Mainstream Country Radio: November 2020

A poop emoji is negative. A strike-thru is positive. 


The current Poop Rating of the Mediabase Top 20 is (-4) overall which is a 5 point improvement from August (the previous time we did this chart). The worst song by a long shot is Dan + Shay’s “I Should Probably Go to Bed.” The best song is Jon Pardi’s “Ain’t Always the Cowboy,” edging out Stapleton’s latest by a hair. There are some decent tunes here and the chart should improve a little more over the fall and winter. On a negative note, there’s only 1 solo woman, so we’re back to square one on that front. Do better, Nashville.


Chart info from Mediabase/Country Aircheck.



Oct 9, 2020

Americana Singer Actually Should Shut Up and Sing

Roots rock singer/songwriter Alessa Torrance is facing a problem not new to artists of her ilk. Fans and casual listeners alike are constantly telling her to “shut up and sing.” In most cases, that phrase is used to express discomfort with the political opinions a singer is putting forth on social media or between songs at concerts. However, in Alessa’s case, it seems like a good idea.


“She’s always talking about her toenail fungus.” said Jerry Lucas, a fan of Torrance since 2008. “It’s really disgusting and I’d rather hear her misguided opinions about the border wall than foot hygiene.”


Another concert-goer told us Alessa was obsessing about a mole on her back during the show he attended. “She even stopped mid-song one time to pull her shirt up and show it to an RN in the audience.” said Bill Phillips of Des Moines, “She was convinced it was skin cancer, but I just wanted her to entertain me.”


Many country and Americana singers are met with disapproval for sharing their thoughts on Donald Trump, Joe Biden, Covid-19, the economy, and other topics in these divided times. Artists such as Tyler Childers and Chris Stapleton have faced backlash for their songs and comments regarding racial tensions. Perhaps Ms. Torrance is the proper focus of this ire. 


“My snot is green… is that normal????” read a concerned tweet from Torrance this past Tuesday. She has also had recent rants and worry sessions about: periods, migraines, pimples, a bout of diarrhea, ingrown hairs, toilet paper, scabs, nausea, and many other personal matters.


“I’d rather have her call me an inbred idiot for supporting Trump than listen to her talk about ear wax on stage.” said Marcy Peterson of Tallahassee, “Her hypochondria is very tiresome; she may need some counseling.”


At press time, Torrance was considering Instagramming a rash to see if anybody thought it was scabies. 


Sep 2, 2020

Exclusive Video/Single Premiere / Joe Stamm Band / "Bottle You Up"

Photo by Elise Kingland

We’ve got a video premiere for you from countrified roots rockers The Joe Stamm Band today. Joe’s rich, character-filled voice is the centerpiece of the band's new single “Bottle You Up,” a love song from the heart. It’s a commercially accessible sound without kowtowing to the trends of the day, instead keeping it real with an in-the-pocket rock ’n roll band playing the hell out of this catchy country rocker. RIYL: Chris Stapleton, Whitey Morgan, Cody Jinks, The Steel Woods. 

Joe on “Bottle You Up” -
"There’s been a grand total of two times that I’ve done one of them, “I just wrote this song and now I’m posting a video of me playing it to Facebook” type of things. One of those times was just yesterday (as I’m writing this up). The only other time was a couple years ago and the song was 'Bottle You Up.'

I’d just got home from a Sunday afternoon gig, and I sat down at my kitchen table with a little glass my mom had recently purchased for me. It said, “Apple of My Eye” on the side of it. I started pouring Busch Light down into it. Then emptying it. Repeat. Pretty soon I was writing a song and about 25 minutes later, I had “Bottle You Up” down on paper.

All them beers convinced me I should take the song straight to social media. So I did, and pretty soon folks were requesting “Bottle You Up” at shows. It didn’t take long to realize we were going to have to cut it on our next record.

While you can still find that old acoustic performance on YouTube, we did decide to go down to Nashville and have our buddies at Midtown Motion put a bonafide music video together for the song. We’re pretty happy about the results. Though I’m not sure the feller in the video was by the song’s end…"

More information about the Joe Stamm Band and their upcoming album below the player.


Joe Stamm Band - The Good & The Crooked (& The High & The Horny)

The Joe Stamm Band makes countrified roots-rock with an emphasis on the roots, drawing on Stamm's small-town upbringing in rural Illinois for a sound that blends heartland hooks with Nashville twang. It's a sound that's taken the songwriter from the college apartment where he strummed his first chords to venues beyond the Midwest, sharing shows with personal heroes like Kris Kristofferson and Chris Knight along the way. With his debut studio LP, The Good & The Crooked (& The High & The Horny), Stamm begins building his own legacy, leading his band of road warriors through an album rooted in all-American storytelling and guitar-driven swagger.

Recorded in a converted barn outside of Iowa City, The Good & The Crooked (& The High & The Horny) is a studio album that owes its electrified energy to Stamm's live show. It was there — onstage, guitar in hand, headlining a club in Peoria one night and playing with artists like Tyler Childers and Easton Corbin the next — that Stamm sharpened the edges of his self-described "black dirt music," rolling Americana, country, and blue-collar rock & roll influences into his own style. Some songs were autobiographical, spinning true-life stories of love, loss, and life in Middle America. Others, like the barn-burning "12 Gauge Storyline," were character-driven and fictional. Whittled into sharp shape by a touring schedule that kept Stamm and company on the road for as many as 150 days a year, those songs took new shape in the recording studio, shot through with amplified riffs, grooves, and arrangements that rolled just as hard as they rocked. 

Fiction and autobiography come together on the album's title track, a coming-of-age anthem that finds Stamm writing about the humor, heartache, charm, and chaos of youth in America. 

"Everyone falls into at least one — and usually several — of those categories," he says of "The Good & The Crooked (& The High & The Horny)." "That song really captured a sense of things, a sense of people, and a sense of what it's like to grow up in America."

For Stamm, growing up in America involved a good amount of time on the football field. A teenage quarterback in a sports-obsessed town, he led his high school team to back-to-back state appearances, becoming a local celebrity along the way. When an injury brought his sports career to an end during his college years, though, Stamm found a new passion in music, diving into the work not only of classic country crooners like George Jones and Johnny Cash, but also the modern-day heavyweights of Texas' country scene, including Randy Rogers Band, Pat Green, and Reckless Kelly. Before long, he was writing his own songs — and just like his favorite Texas artists, he rooted his music in a strong sense of place, bringing a midwestern spirit to his own brand of country music. Stamm was soon packing venues across central Illinois, trading the athletic fame of his teenage years for an equally rewarding — and longer lasting — brand of recognition.

"I like writing about characters and coming up with stories," says Stamm, whose diverse past — including his time in an evangelical Christian household, his athletic days behind the line of scrimmage, and his creative rebirth as country music's newest rule-breaker — is woven throughout The Good & The Crooked (& The High & The Horny), lending personal details to even the most fictional of songs. "Songwriting is where experience and imagination meet," he adds, "and each song finds a different spot on that spectrum."

With The Good & The Crooked (& The High & The Horny), the spectrum is as wide as it is compelling, with Stamm roping together a range of honky-tonk hooks, rock & roll guitars, heartland twang, and country swagger. He's a songwriter. A bandleader. A storyteller. And while he'll always be a proud midwestern native — a man shaped by the creek bottoms, fields, and fence rows of Metamora, Illinois — he writes from a more universal perspective on his full-length studio debut. These aren't just his stories, after all. They're all of ours. 

Joe Stamm Band's The Good & the Crooked (& The High & the Horny) is due out September 25.

PRE-ORDER:

May 27, 2020

Ranking the Country Chrises With Steak



(I actually like medium rare the best, so this isn't necessarily saying rare steak = best steak. 
It's just a dumb meme metaphor. And Chris Gaines was soft rock, thus the exclusion.)

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