Showing posts with label American Aquarium. Show all posts
Showing posts with label American Aquarium. Show all posts

Dec 7, 2018

What Your Favorite 2018 Album Says About You 2


Post Malone - Beerbongs & Bentleys
You never use the "hard R." Your dad pays for college, but has threatened to cut you off if you come home with a face tattoo.

American Aquarium - Things Change
You haven't written a humorous tweet since November 2016. You drive a Nissan Leaf but keep your hidden away Harley tuned up for when it's okay to have fun again.

Whitey Morgan & the .78s - Hard Times and White Lines
You wear shirts with curse words on them to family reunions. When you type "Luke Bryan, never heard of her" on Facebook, your co-workers in the maintenance department all click "like." 

Brandi Carlile - By the Way, I Forgive You
You picked an apartment to rent based on its walking proximity to a Whole Foods. You have broken up with someone based on their bad recycling habits.

Sleep - The Sciences
You aren't really patient, you just smoke a shit ton of weed. You spend more money on eye drops than you do body wash. 

Ashley Monroe - Sparrow
You are horny like 24/7.

Keith Urban - Graffiti U
You're still living pretty comfortably off the divorce settlement, but you sell LulaRoe and essential oils on Facebook for extra cash.

Ashley McBryde - Girl Going Nowhere
You are a thoughtful and passionate connoisseur of music. You have definitely punched a man in the face before.

Godsmack - When Legends Rise
You didn't know they put out an album in 2018, but it must be the best album of the year because they kick ass man! You have punched a woman before.

Father John Misty - God's Favorite Customer
You have had your feces tested, and no, it does not stink. You won't date a woman who's prettier than you. 


Jun 4, 2018

Album Review / American Aquarium / Things Change

by Matthew Martin

When I heard the news last year that American Aquarium was experiencing a mass exodus of all members except for singer-songwriter BJ Barham, I wondered what form Barham would continue on in.  I knew that he'd continue.  The songwriter in him showed no signs of quit, of having that hard-earned time out on the road be for nothing.  I will admit that I was shocked to hear that the name American Aquarium would continue on with all new members.  But, at the end of the day, Barham's earnest lyrics and dedicated-to-the-craft workmanship is what made American Aquarium truly work.  So, it should be no surprise that the latest output from Barham and new mates is just as impressive as ever.

Barham seems to find that muse of his when his back's against the wall.  When he feels like he's been backed into a corner and the only way to get himself out is to fight like hell.  It's what we saw with 2012's stellar Burn. Flicker. Die.   And now we see it here on Things Change.  I think that muse was burning from both ends of the same candle on this latest output as Barham saw not only the end of his band, but a change in the U.S. that was hard for many to grapple with.

I'll get that political upheaval out of the way first because I think that may turn some folks off.  It shouldn't.  Barham writes from his personal worldview.  You might disagree, but he isn't wrong either.  When he sings of seeing the hate his grandfather fought against being alive and well, it's there.  And, regardless of who won the election of 2016, it was still going to be there.  So, before getting mad at yet another artist who should just "shut up and sing," just listen.  Try understanding that there are folks out there that are worried- on both sides.  We are scared of each other, but we can change that.  Music is one of the things that can, and does, bring us together.  

As far as the other subjects on the album, there is a mighty heavy dose of regret and hope when it comes to losing friends you've had for years.  There's always sadness when you lose someone- whether it be by choice or, god forbid, death.  But, there is always hope and happiness in what that change can bring.  Barham doesn't shirk responsibility for those relationships failing.  He meets them head-on and tries to learn lessons from those failures.  He addresses the man he used to be when he would blame every trouble he had on every woman who did him wrong ("One Day At A Time").  He addresses the booze that always led him astray and towards self-destruction ("I Gave Up The Drinking").  Barham knows he isn't perfect, but his ability to stare his demons in the face with hope is what makes the album so incredibly stunning.  And, that's just the words...


The music on this album is a synthesis of every single American Aquarium album up until now.  There are hard-driving rockers ("Crooked+Straight"), acoustic self-reflective songs ("One Day At A Time"), and straight up country songs ("Work Conquers All").  While the band prior to this iteration was a pretty damn good band, this new band has absolutely crushed any expectations one could have had going into this album.  Barham is the glue holding the band together, sure.  But, the band takes his bare bones songs and kicks them up countless notches.  I don't think Barham could have chosen a better group of musicians for this new era of American Aquarium and I can't wait to hear where this band goes from here.  

So, give these songs a listen.  Take time with them.  Don't get turned off because he says something that might not be what you want to hear.  Hear it from his point of view.  Music is the great equalizer and as always, hope springs eternal.   And don't forget to go see Barham and crew as they come to your town!

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Things Change is available everywhere you enjoy good music.

Jan 22, 2018

Exclusive Single Premiere: Whiskey in the Pines "Sixteen"

Today we offer you the exclusive single premiere from Florida alt-country outfit Whiskey in the Pines. "Sixteen" is a bass line driven slice of anthemic Americana in the vein of American Aquarium and Ryan Adams. It may take you back to the 90s heyday of alt-country music, when Son Volt was being played on MTV, The Jayhawks were on fire, and Wilco wasn't dad rock. It did me.

There's a bit more bio information and the band's thoughts on "Sixteen" below the player.

Their new EP, Sunshine From the Blue Cactus is available February 2, 2018 from Amazon, iTunes, etc.






What is "Sixteen" about? 
This is one of those songs that just fell out of the sky. To break it down simplistically the song was my way of expressing that in the end, it all works out. There is no doubt that the song is the most personal on the record and it encapsulates this strange emotion I was feeling at the time. My mom had passed, my son had just been born, and in the middle of it all was this feeling of retrospect of what in the hell just happened. We move so fast in life we don’t process what we feel. This was me simply looking back saying to myself “If you would have told me that in one year from now this is where you will be, sitting on this bed, writing this song, I would have called you a bold face liar.” I don’t know if it’s because I am more aware these days or just more grateful but I am still astonished at how unpredictable life can be and how good it really all is.

Who/what were some influences when it came to writing "Sixteen?" 
Oh, it was so long ago it’s tough for me to remember what I may have been listening to at the time. But I remember distinctively watching an interview with Ryan Adams and he was discussing how he knew what kind of song he would be writing based on where he placed his capo. I never really purposely thought of it like that, even though I love using a capo. On “Sixteen” the capo on the guitar is on the 4th fret which brings a bit of a brighter feeling to it. I remember when I was coming up with the melody in my head that I wanted it to be a bit brighter and the best way to do that was to bring the capo to a higher register. So to answer the question I suppose I would tip my hat to Mr. Adams for at least making me realize how powerful the capo can be when tapping into the emotional feel of a song.


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Photo by Pat McDonnel


WHISKEY IN THE PINES - SUNSHINE FROM THE BLUE CACTUS

While Whiskey in the Pines’ hails from Florida, synonymous with endless sunshine
and miles of beaches, the ocean is still a long way from the band’s hometown
Tallahassee. “It’s about a two-hour drive,” says David Lareau, Whiskey in the Pines’
plainspoken singer and principal songwriter. The band’s unmistakably Southern
moniker—a perfect fit for its brand of heartfelt, no-frills Americana—was inspired by
their frequent excursions down US-319 south to the languid shores of the Gulf.
“You’re traveling miles of road surrounded by nothing but pine trees,” he says. “And
a good friend of mine always called me ‘Whiskey.’ I drove out to the beach so often
that when it came time to name the band, it was a pretty straightforward choice.”
For Lareau, Whiskey In The Pines has been at once a new beginning and a much-
needed salve to heal the wounds of a tumultuous year. As the band prepares to
release its new EP, Sunshine From The Blue Cactus (named for drummer Erik
Wutz's admired waitress, Sunshine, who worked the lunch shift at the band’s favorite
haunt), Lareau has been reflecting back on the pothole-filled road that led him to this
point.
 
“When I was writing the songs for Sunshine, My mom had recently passed away,
and I’d also just had my first kid,” Lareau says. “There were all sorts of conflicting
emotions pouring out through the songs. It’s been a journey, for sure.”
 
Lareau’s Florida roots provide the EP’s alt-country songs with a gentle warmth and
sense of connectedness. This is heartland rock & roll, shot through with an ambling,
country-tinged flourishes. There are songs that would perfectly score a backyard
day-drinking session and others that work as peaceful codas to soundtrack the
after-party cleanup. Which makes perfect sense after everything Lareau has
experienced in recent years. On the autobiographical “Sixteen” and shifty love paean
“Do You Believe in Hell,” Lareau ruefully examines his life’s circumstances,
pondering how past decisions have influenced his present state. Elsewhere on the
EP, “Roses” chugs forward with a driving melody reminiscent of Jason Isbell or Ryan
Adams’ earlier work in Whiskeytown. “It’s times like these when you’re driving
through this town / And you’re playing Tom Petty with the windows down,” Lareau
sings on the chorus, delivering his lines with the authenticity of someone, who—like
the rock legend he name-checks—knows small-town Southern life firsthand.  
 
Inspiration comes to Lareau in many forms. An avid distance runner, he often works
up melodic ideas as he pounds the pavement, reveling in the solitary miles. And, of
course, life in Tallahassee is inseparable from college football and the Florida State
Seminoles—it was at a tailgate where Lareau came up with the framework for what
would become the somber “Drunk with My Friends.” Sometimes, though, the tunes
come together until the pressure is on to record, which was the case with “Roses.”
“My first stab at writing that song came out really dark, which wasn’t a great fit for the
upbeat melody,” Lareau says. “I was stuck on it for a while but ended up pulling out
some new lyrics the night before we cut it. Everyone loved the spontaneity, so we
went with it.”
 
Lareau writes quickly and trusts his instincts. He may edit things later upon further
reflection or after hearing input from his bandmates, but he knows he’s at his best
when he strikes while the iron is hot. “For ‘Sixteen,’ I literally picked up the guitar with
the melody in my head laid down with my wife and son beside me, and wrote the
lyrics on my phone in ten minutes,” he says. “I luckily found the right words that
rhyme at 3:30 in the morning.”
 
Though Lareau anchors the band as frontman and songwriter, Whiskey In the Pines
is a collaborative affair and his bandmates have the chops to make these tunes
really hum. Bassist Aaron Halford and guitarist Kelly Chavers are longtime pals. Noel
Hartough produced the band’s new EP while Erik Wutz handled drums on the
recordings, and ace session musician Barrett Williams soars on pedal steel. The
band dynamic and this new set of songs have energized Lareau as he prepares to hit
the road in support of Sunshine From The Blue Cactus. 
 
“We’re really proud of this one,” he says. “We want people to remember these
songs, to sing them in the shower, or when they’re taking their kids to school—to

have them become a part of their life.”

Jan 27, 2017

In Living Color: Country Reaction Gifs

When someone disrespects Waylon to your face

When your friend won't go see American Aquarium with you
because they never heard of them

When somebody needs schooling on country music history

"Country singer" Chris Lane rehearsing for his upcoming tour

Those new Charlie Worsham songs

 When somebody calls radio DJ Homey 
to request Cole Swindell

How did you feel about country media anointing 
Kelsea Ballerini the new 'country' queen

 What would it take to get Cody Jinks played 
on mainstream country stations?

Dec 9, 2016

Live Review: BJ Barham at Jammin' Java

Live Review: BJ Barham, Jammin' Java, 12/3/2016
By Matthew Martin

If you don't know who BJ Barham is, I'll go ahead and get that out of the way.  He's the frontman of longtime, hard-working band, American Aquarium out of Raleigh, NC.  His debut solo album, Rockingham, is something else and I highly recommend it.  If there's one thing that I don't like about the album it's that it is a short album at only 8 songs.  But, that's unfair.  Many great albums contain 8 songs- both Japandroids albums, Led Zeppelin's IV, Metallica's Master of Puppets, etc.  The album doesn't contain a blemish.  It's the work of a determined man with stories to get out.  For those that don't know the story- Barham and band were overseas when the Paris attacks occurred and the band was put up in a hotel for three days where Barham felt isolated and anxious, and wrote songs to deal with his situation.

With that said, BJ is a showman and live is the best way to experience these songs.  I've seen American Aquarium play somewhere around 10 times, I believe.  Hell, my dad has had the guys play in our front yard out in my hometown of Pulaski, TN.  But I'd never seen a BJ solo show.  Seeing him sing and play these songs live with only his guitar as accompaniment is a treat.  I'll also go ahead and get it out of the way that it was a hell of an evening with about an hour and a half of music and stories in between.

BJ played all the songs off the solo album plus a few American Aquarium songs that really benefited from the solo setting.  One such song was "Man I'm Supposed to Be."  The song is already pretty minimal on the album Wolves but seeing it with just BJ and his guitar was really more of a punch to the gut than I had been ready for.  Maybe it was the coupling with touching songs off the solo album, but it was quite a song to hear in that setting.

The solo songs were the real winners here, though, and the song "Unfortunate Kind" was the most effective.  With the lines, "Do you remember that first week?/When you burnt that pecan pie/And I ate the whole damn thing/I couldn't stand to see you cry," you could hear the crowd nearly gasp.  It's a simple statement filled with so many different emotions.  It's a case-in-point of what makes BJ such an affecting and clever songwriter.  The ability to take a mundane situation and make it into a moment with much more gravity – it's not something just any songwriter can do.

There isn't much more I can say about BJ or the show.  If you get a chance to go see American Aquarium, go do so.  But, if you get a chance to see BJ play a solo show, drop what you're doing and do it.  He doesn't play as many solo shows as he does with the band and you need to see these songs played this way.  So, go see him as soon as you can, and until then go buy Rockingham wherever it is you buy music.  Support these artists so they'll continue doing these things that bring us so much joy.

Dec 30, 2015

Farce the Music's Top 13 Albums of 2015

For the first time, our best albums list is a composite voted on by Trailer and FTM's 4 most frequent contributors (Kelcy Salisbury, Kevin Broughton, Jeremy Harris, and Matthew Martin) along with a tiebreaker vote from Trailer's concert buddy/friend with good taste in music, Chad. We hope this will add validity and weight to the results. It was another great year for music, as you'll see clearly below. 



11. (Tie) Jason Boland and the Stragglers - Squelch
Boland & a slightly reworked Stragglers lineup provide proof that country music can evolve without sacrificing its identity. Not many artists are turning out this kind of work nearly two decades into their career, but the proof is in the pudding as The Stragglers have put out a rollicking rock-tinged album with a subversive, punk rock type aesthetic throughout. If you like smart, socially conscious lyrics with a bite, this is the country album for you. -Kelcy



11. (Tie) William Clark Green - Ringling Road
It may head towards the pop country direction a few times. I don’t care. It may contain a few songs that are catchy but don’t contain much substance. I don’t care. It may be from someone that a lot of you had never heard of. I don’t care. I chose this as my top album because it’s my top album. How can you argue with that logic? I don’t know or care. All I know is this is by far my favorite album of this year and it wasn’t even something that required much thought. -Jeremy



11. (Tie) Father John Misty - I Love You, Honeybear
Indie-pop is a sub-genre I usually avoid due to the twee nature of its typical fare. Father John Misty doesn't do twee. He infuses his catchy pop tunes and lounge rollers with a strong dose of balls. His lyrics are clever, biting, and frequently downright asshole-ish. These songs comfort, provoke, enlighten, and annoy, often at the same time. Our narrator is a jerk, but a jerk that you have to stick around to see what he'll do or say next. This is a record that will gnaw at you and stick with you, each song taking its turn being an earworm or soundtrack to some odd moment. -Trailer



10. Jonathan Tyler - Holy Smokes
It’s astounding when you realize all the things this guy has accomplished by his 30th year. Out of a contract with the suits at Atlantic Records, Tyler combines songwriting chops and a top-flight vocal range to express his newfound independence in impressive fashion. Expect more great things from this prodigy. -Kevin



9. John Moreland - High on Tulsa Heat
It's not an album you may want to listen to over and over because it's so heavy. But, whether you want to or not, you'll be compelled to continue to listen. It's catchy. It's a bummer. But John Moreland sings with the conviction of a man who has no choice but tell you about the pains of life. Moreland's voice is so powerful and strong. If you don't own this album, stop everything you're doing and get this album. Listen to it. Then, listen to it again regardless of your gut feeling. This album will hit you, and hit you hard. By the time you get to "Cherokee" on the last half of the album, you'll realize how special Moreland, and this album, is. -Matthew



8. Ray Wylie Hubbard - The Ruffian's Misfortune
The Wylie Lama has released his best album in years, and we are lucky enough to witness it. "Stone Blind Horses" is as good a lyric as anything released all year, "Bad On Fords" is about as much fun as anything Hubbard has ever put out, the whole vibe is great & the results are fantastic. -Kelcy

This seasoned, wry songwriter really can’t make a bad record. “Chick singer, Badass Rocking” has the kind of driving, tribal feel as a RWH standard, “Snake Farm.” And the record closes with “Stone Blind Horses,” which would make my top 5 list of singles from 2015. -Kevin



7. The Yawpers - American Man
If this were a list of the top rock albums, Nate Cook and his band would be at the summit. The songs confront a range of social/societal issues head on, but what blows you away is how much sound the Yawpers get from two acoustics and a drum kit. Buckle up; this one gets you by the throat. -Kevin

Rock & Roll isn't dead, you just can't see it from the highway or hear it on corporate radio, but there are still some bands keeping it alive. This album is at once sprawling, messy, smart, cynical, homesick & rebellious. It's a good thing. -Kelcy



6. American Aquarium - Wolves
To say the musical arrangements are daring & a departure from past albums is true. Yes, the same basic structure is there, the skeleton is intact enough to keep the loyal fans sated. But BJ Barham & the boys take risks here. The lush "Man I'm Supposed To Be" could be something Chet Atkins produced, but the darkness that lurks in this most honest of love songs somehow makes the song even more powerful. -Kelcy



5. Whitey Morgan - Sonic Ranch
How does an album with a bunch of covers make a year end list? By making you forget they’re cover songs. Whitey hits a home-run with this one and his vocals should’ve made this album more talked about than it already was in 2015. -Jeremy

As strong a "real country album" as you'll hear in 2015. It's refreshing to hear such unfiltered honky-tonk music in this day and age of contrived edge and softened edges. Morgan and the 78s' version of modern outlaw country is a comparable sound to what Sturgill Simpson is doing, but with a blue collar approach and a more pronounced low-end. This album may not drive Morgan to acceptance/hype in the same circles as Jason Isbell and Sturgill, but it's a big statement album that will bring in new fans and make old ones very happy. -Trailer



4. Chris Stapleton - Traveller
Chris Stapleton has been around the scene for a long time and I think many folks have had 
a feeling that one day he'd get the recognition due him. I'm glad that day has come, and this 
album is completely worthy of all the praise it has garnered. Stapleton's voice is as strong as 
ever and the songs are perfect showcases for his style. The slower, sadder tunes on the 
album are the real highlights though and the song "Fire Away" is far and away my favorite 
track on the album. -Matthew



3. Jason Isbell - Something More Than Free
The only thing keeping this one out of my top spot is the fact that it was just a year since his last tour-de-force, Southeastern.  As I wrote here, this record lets your emotions off the mat a little bit, and allows you to breathe. I think it’s his best to date, but the dude keeps raising the bar. -Kevin



2. James McMurtry - Complicated Game
The first studio album in six years from the dean of Texas songwriting. McMurtry turns a phrase better than most, and injects an extraordinary pathos into his everyman characters. He didn’t miss a beat during the half-dozen year delay, and this one is well worth the wait. -Kevin

I'm not sure there is anyone out there today who can write songs about everyday scenarios as perfectly as James McMurtry. On his latest effort, McMurtry strips down his songs to their basics and lets the focus be on the stories within each song. The incredibly heartbreaking song "You Got To Me" will leave you missing something- whether that be home, a past relationship, or just earlier years will be up to you. The song and the album stuck with me for weeks after listening to it. -Matthew



1. Turnpike Troubadours - Turnpike Troubadours
On this record, the Troubadours let a little color and light in, and it's just enough to fully realize the absurd potential of this group. There's space, separation, and vividness in the sound. The slower songs soar, the rockers punch, and there's fiddle and steel galore. On a good set of speakers, this thing is stunning. Their writing was already excellent, but they've even upped their game in that department. "The Bird Hunters" tells the tale of a man coming to terms with an ended relationship over the course of a quail hunt. This could come across as hokey or forced in the hands of a lesser act. The Troubadours make it a song-of-the-year candidate, epic, cinematic, and immersive. -Trailer

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Other popular selections:
The Pollies - Not Here
Lindi Ortega - Faded Gloryville
Baroness - Purple
Kacey Musgraves - Pageant Material
Randy Rogers & Wade Bowen - Hold My Beer
Allison Moorer - Down to Believing
Lucero - All a Man Should Do
Courtney Patton - So This is Life
Benton Leachman - Bury the Hatchet
Ashley Monroe - The Blade
The Honeycutters - Me Oh My
The Deslondes - s/t
Eric Church - Mr. Misunderstood
Will Hoge - Small Town Dreams

Oct 12, 2015

Top 30 Albums of 2015: 3/4 Report



Here's my 3/4 of 2015 Favorite Albums list. I'm going to attempt to do a composite among FTM's regular contributors (Matthew, Kelcy, Jeremy, Kevin, and myself) and hopefully have our first team-voted official list (at least a top 10) at the end of December, so this is just a 20% slice here. -Trailer

1. Father John Misty - I Love You Honeybear

2. Chris Stapleton - Traveller

2. Whitey Morgan - Sonic Ranch

4. Turnpike Troubadours - s/t

5. Jason Isbell - Something More Than Free

6. The Honeycutters - Me Oh My

7. Randy Rogers & Wade Bowen - Hold My Beer, Vol. 1

8. James McMurtry - Complicated Game

9. American Aquarium - Wolves

10. Ray Wylie Hubbard - The Ruffian's Misfortune

11. Jonathan Tyler - Holy Smokes

12. J.D. McPherson - Let the Good Times Roll

13. Kendrick Lamar - To Pimp a Butterfly

14. Ashley Monroe - The Blade

15. The Pollies - Not Here

16. Nathaniel Rateliff & the Night Sweats - s/t

17. Jamie Lin Wilson - Holidays & Wedding Rings

18. The Damn Quails - Out of the Birdcage

19. Anderson East - Delilah

20. Kacey Musgraves - Pageant Material

21. Faith No More - Sol Invictus

22. Lindi Ortega - Faded Gloryville

23. John Moreland - High on Tulsa Heat

24. Lucero - All a Man Should Do

25. Benton Leachman - Bury the Hatchet

26. Wrinkle Neck Mules - I Never Thought It Would Go This Far

27. Clutch - Psychic Warfare

28. Darrell Scott - Ten

29. The Deslondes - s/t

30. Dwight Yoakam - Second Hand Heart



I haven't heard these enough yet to rank them: Jason Boland and the Stragglers - Squelch, Hailey Whitters - Black Sheep, The Yawpers - American Man, Corb Lund - Things That Can't Be Undone, Don Henley - Cass County, Gretchen Peters - Blackbirds.

Jul 1, 2015

Top 20 Albums of 2015: First Half Report

 1. Whitey Morgan - Sonic Ranch
Sonic Ranch is as strong a "real country album" as you'll hear in 2015. It's refreshing to hear such unfiltered honky-tonk music in this day and age of contrived edge and softened edges. Morgan and the 78s' version of modern outlaw country is a comparable sound to what Sturgill Simpson is doing, but with a blue collar approach and a more pronounced low-end. This album may not drive Morgan to acceptance/hype in the same circles as Jason Isbell and Sturgill, but it's a big statement album that will bring in new fans and make old ones very happy.


2. Father John Misty - I Love You Honeybear
Indie-pop is a sub-genre I usually avoid due to the overly precious nature of its typical fare. Father John Misty doesn't do twee. He infuses his catchy pop tunes and lounge rollers with a strong dose of balls. His lyrics are clever, biting, and frequently downright asshole-ish. These songs comfort, provoke, enlighten, and annoy, often at the same time. Our narrator is a jerk, but a jerk that you have to stick around to see what he'll do or say next. This is a record that will gnaw at you and stick with you, each song taking its turn being an earworm or soundtrack to some odd moment.


3. Chris Stapleton - Traveller



5. Randy Rogers & Wade Bowen - Hold My Beer, Vol. 1
Hold My Beer, Vol. 1 sounds as much like a celebration of friendship as it does a duets album from the pair of popular Texas troubadours. There's a palpable sense of fun and camaraderie throughout the ten song collection.  It’s the soundtrack to a good Saturday afternoon barbecue, a party record for people who'd rather not fist-pump, a greatest hits collection of songs you haven’t heard yet (unless you've been to their summer tours of the same name as the album).



7. American Aquarium - Wolves
To say the musical arrangements are daring & a departure from past albums is true. Yes, the same basic structure is there, the skeleton is intact enough to keep the loyal fans sated. But BJ Barham & the boys take risks here. The lush "Man I'm Supposed To Be" could be something Chet Atkins produced, but the darkness that lurks in this most honest of love songs somehow makes the song even more powerful. -Kelcy Salisbury


8. James McMurtry - Complicated Game
This is McMurtry’s best record, and it ain’t close. And that was a high bar. He could put his pen and guitar down now, and his name will forever belong beside those of Lovett, Clark, Earle, and yes, Van Zandt. If you know those names, you know what the comparison implies.  If you don’t, listen to Complicated Game, and get a frame of reference. This one’s a crowning moment for one of the true and elite Texas craftsmen. -Kevin Broughton


 



11. Kacey Musgraves - Pageant Material

14. Wrinkle Neck Mules - I Never Thought It Would Go This Far
Maybe this fine album isn't to be analyzed. Find your own meaning in these literate, attitude-driven, poetic, anti-bucolic, abstruse (and surprisingly fun) lyrics and run with it. It's not like you're going to stop tapping your foot, either way. It's all too damn catchy; and so steeped in shine and cooked over some ridge dweller's firepit, I Never Thought It Would Go This Far can't help but captivate.


18. Benton Leachman - Bury the Hatchet
Benton Leachman has a reedy croon that gives off the impression of innocence or sweetness. While that may indeed be the case for Leachman personally, his debut album, Bury the Hatchet, presents several bits of evidence that are at odds with that starry-eyed delivery. He's clearly a complicated and real person, and this record shows you all his sides with a passionate honesty that's rare in first releases.


 

Apr 28, 2015

You Suck as a Music Fan 6

If...

You stopped being a fan when they sold their 10,000th album.

... you only go to concerts to talk to your friends and stare at social media. -@MarkDeskin

You think pedal-steel is a pick-up truck accessory... -Hannah Jo Lally

You incorporate Luke Bryan lyrics into your wedding vows. -Neal Grant

If you spell George's name Straight. -Michael Crabtree

You pirate the album then complain about its production values.

You only go to the merch table to ask for a free sticker. - @HonkyTonkQueen

You ask the merch guy if the album is on Spotify.

You judge an entire album based on hearing one or two songs. -Andrew Lacy

You find all your new music by Shazam'ing songs from WWE promotional videos.


You encourage 3 minute drum solos by cheering the whole time. -Christina Maccini
 
You don't know anyone else's name in the band besides the lead singer. -Cheyenne Wolf Abilene

The next morning, you have to ask your friends what the band played.

If you consider countdowns as the bar for good music. -Kenny Daniel

If you think Lie Baby is a Brantley Gilbert song. -Ben Ryan

You think Louis Armstrong was that guy who doped up and won the Tour De France "a lot of times." -Barry Toffoli

You had a terrible night because your phone ran out of space for videos.

You think Shinedown's version of "Simple Man" is better than the original. -Mark Breunig

You treat a live band like your personal jukebox. -@UncleLeonAlibis

You don't clap for the live band but you'll "check in" at the venue on your iPhone. -Lee Kelley

You ask to be on the guest list. -Trey Newman

The only song you recognize is the rap song playing over the monitors while the second band sets up.


You swapped Exile on main Street for 3 Garth Brooks albums. (I was young and stupid) -Matt Kidney
 
Jimmy Kimmel's crew interviews you during SXSW -James TreviƱo

FGL is your jam. -Westin Zamarippa

You've demanded a refund because the band didn't play the one song you know.

You use the phrase "but you've gotta admit that it's catchy." to justify a terrible song. -Taylor Smith

you respond to the question who's your favorite artist that you don't have one and you like whatever's  on the radio. -@AshleyAnnMusic

You go to your most favorite band's concert, but you get so drunk, the band has you thrown out (saw this at an American Aquarium show) -@maparriott

When you say "the record store" and you mean "Walmart." -Mike Holcomb

You couldn't make the live show because you didn't have a bow-tie to match the current vibe of the band.
   
Your idea of discovering artists is from listening to mainstream radio -@Convictcharlie

You wear bedazzled jeans to a concert. And you're a dude. - @fher1286

You can only sing along to the last two hits.


a guy raps with a twangy, nasal drawl in double-time about a ba-donk-a-donk with some such colored Solo cup in a truck with ground effects and a 7 foot suspension lift with double-decker KC lights and a never-used Warn wench, rollin' down a dirt road, going to that lake at Old Man Johnson's farm, on a hot, summer night...over the dying pleas of a steel guitar and you don't literally get sick to your stomach. -Jay White
 
You talk through an entire acoustic set. -@BlondieInTX

You think Sam Hunt is a country singer.


If Willy Braun asks you to put down your phone. -Jodi Tidwell Bourne
 
You still buy Josh Abbott's music - @HonkyTonkQueen

You take MMA training in the winter and spring to prepare for the summer concert season.

You claim an artist is a "sell out" for selling Nashville something they wrote because YOU....
DONT go to shows
DONT buy the merch
and have
DOWNLOADED all their music for free. -Angela Jolene

All your band shirts came from Target.

you know the pants size of the jeans the artist fits in to, but you're unsure of what the last single was. -Danielle E. Bowers
 
You think the Possum is a pesky critter and the Hag is merely your mother-in-law. -Mike Pollard

You smuggle in Bud Light to a show....in a can. -Scott McGuffie

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