From their forthcoming album Beautiful Lie.
Jun 12, 2019
Apr 26, 2019
Jan 11, 2019
Jan 7, 2019
Dec 11, 2018
Oct 24, 2018
Oct 12, 2018
Sep 27, 2018
Sep 25, 2018
Aug 25, 2018
Jun 18, 2018
by Scott Colvin
Over the years, I’ve been to a handful of Sunday matinee shows at Annapolis’ Ram’s Head on Stage and one thing I’ve learned is that many touring artists are not used to being “on” for a 1 pm performance. Don’t get me wrong, Cracker, Rhett Miller, Robyn Hitchcock, and Lydia Loveless nailed their respective performances, but all joked in their own ways about not being used to playing so early in the day (kudos to Loveless at her show opening for Cracker as she was battling the flu).
That said, country vet Kelly Willis and her terrific band didn’t seem phased at all during their stellar early afternoon performance on Sunday June 10 where fans were more likely imbibing on bloodies and screwdrivers instead of the venue’s fine selection of their own microbrews (I was definitely in the screwdriver mood on this particular day). Yeah…
Willis, touring for her wildly regarded Back Being Blue (her first solo album in 11 years) made the most of her 90 minutes on stage focusing primarily on songs from the new platter and 1999’s What I Deserve, all the while peppering in songs from her nearly 30 years in music.
The title track from her new album, “Back Being Blue” kicked off the show. It was a perfect start to highlight her aching vocals that has clearly charmed FTM Grand Poohbah Trailer, who has already publicly stated it’s one of his favorite songs of 2018.
Willis immediately threw out a “bone” to older fans with an Easy track, the honky-tonkin’ rumbler “If I Left You” which featured killer guitar licks from guitarist/pedal steel guru Geoff Queen who spent the night seamlessly switching between electric guitar and pedal steel while adding subtle harmonies. Queen’s harmonies would come into play a few songs later during “What The Heart Doesn’t Know,” a song Willis admitted was her attempt at writing a 50s “country girl duo” song which she not only accomplished but added about her harmonist “Geoff does a good job being my back-up girl” which got a good laugh from the crowd.
Throughout her career Willis has had the good fortune to write with or perform songs from some of the finest writers in country music. She featured many in her set this afternoon including the title track to What I Deserve (Gary Louris of the Jayhawks), “Wrapped,” and “Not Forgotten You” by her husband Bruce Robison, “Sweet Sundown” by Damon Bramblett, “Find Another Fool” by Marcia Ball, and “Get Real” by John Leventhal.
One of the funnier moments of the performance was during the introduction of the country rocker/revenge song “Take It All Out On You” which was written by her first husband Mas Palermo and current husband Bruce Robison (who at the time of the song’s inception was on “a break” with Kelly at the time). She’s told the story many times over the years while touring with Robison and it still gets a good laugh as she explains that it’s the “song that qualifies me to be a country singer.”
Willis closed out her set with the last song off her new album, “Don’t Step Away,” which had boots a-tappin’…well her boots for sure…as most in the crowd were sporting flip-flops or sandals on a balmy spring day in our pleasant drinking town with a sailing problem.
Willis and her band triumphantly returned to the stage moments later to play What I Deserve’s “Cradle of Love” and the old-school rocker “Whatever The Wind Blows” by the legendary Marshall Crenshaw.
Kelly Willis is one of country music’s finest artists who sadly gets overlooked. She’s not glossy, stylish, or pandering to the masses. She’s the epitome of class with a sweet temperament that wows audiences with every achingly beautiful, twangy, bittersweet vocal. Her songs can elate as much as they can rip your heart out. And you should openly and freely let them do both when experiencing her music, whether it be in a live setting or listening to her records at home, because they are simply good for one’s soul.
Editor's note: You'll never get an unbiased review outta this guy. :)
Jan 18, 2018
Jun 1, 2017
May 3, 2017
Oct 11, 2016
Jul 27, 2016
Jul 11, 2014
Jun 25, 2014
This will change a great deal in the next 6 months, but it gives you a good snapshot of just how strong the music world is right now - despite my usual rantings and ravings otherwise.
1. Sturgill Simpson - Metamodern Sounds in Country Music
2. Adam Faucett - Blind Water Finds Blind Water
3. Lydia Loveless - Somewhere Else
4. John Fullbright - Songs
5. Bruce Robison & Kelly Willis - Our Year
6. The War on Drugs - Lost In the Dream
7. Drive-by Truckers - English Oceans
8. Jimbo Mathus - Dark Night of the Soul
9. Fire Mountain - All Dies Down
10. Lee Bains III & The Glory Fires - Dereconstructed
11. Old 97s - Most Messed Up
12. St. Paul and the Broken Bones - Half the City
13. Kelsey Waldon - The Goldmine
14. Caleb Caudle - Paint Another Layer on My Heart
15. Nikki Lane - All or Nothin'
16. Matt Woods - With Love From Brushy Mountain
17. Jason Eady - Daylight and Dark
18. Josh Nolan - Fair City Lights
19. First Aid Kit - Stay Gold
20. Beck - Morning Phase
21. Whiskey Myers - Early Morning Shakes
22. Willie Nelson - Band of Brothers
23. Jeff Whitehead - Bloodhound Heart
24. Cloud Nothings - Here and Nowhere Else
25. Mastodon - Once More 'Round the Sun
Apr 30, 2014
Mar 5, 2013
Well, now that we're a full 2 months into the year, I've had enough time with some new music to come up with the first "best of" (in my opinion) list of 2013. It looks to be another banner year, folks.
1. Shooter Jennings - The Other Life (Mar. 12)
(Review coming soon)
2. Ashley Monroe - Like a Rose
3. Jimbo Mathus - White Buffalo
4. Son Volt - Honky Tonk
5. Fifth on the Floor - Ashes & Angels (Mar. 12)
6. Bow Thayer and Perfect Trainwreck - Eden
7. The Stone Foxes - Small Fires
8. Night Beds - Country Sleep
9. Bruce Robison and Kelly Willis - Cheater's Game
10. Chris King - 1983