Farce the Music

Jul 11, 2020

Archives: Fun With Charts & Graphs - Trucks, Sam Hunt, Bros

Originally posted on various dates

Jul 10, 2020

New Video / Tyler Childers / "Country Squire"

Album Review / Ray Wylie Hubbard / Co-Starring

By Megan Bledsoe

It’s either a hilarious coincidence or an intentional and profound irony that the first line of this album is: “Don’t get any on you if you go to Nashville.” Certainly that is the concern when our favorite independent artists sign to a mainstream label; we’re all happy they got the recognition they deserved, but we’re hoping Nashville won’t change what made them cool artists in the first place. As bizarre as 2020 has been, it seems almost natural that this year brought about the wildly unusual development that Ray Wylie Hubbard would release an album on Big Machine. The seventy-three-year-old artist has long been deserving of more of an audience, but the alliance between Hubbard and the label that produced Thomas Rhett and Florida Georgia Line was one none of us saw coming. It’s not the first time Scott Borchetta has signed an unexpected artist, but this is no doubt the farthest into left field he has yet ventured, and the coolest thing about this partnership is that it has culminated in Co-Starring, a Ray Wylie album that is better and more infused with life than his recent records.

There’s an energy in these songs and in Hubbard himself that wasn’t as present on his last couple of albums. The hooks and melodies are more infectious, the material is generally more lighthearted, and the parade of cool artists who contributed to the album all did their part to enhance these tracks. Perhaps most importantly, Ray Wylie is clearly having a blast with every line and guitar lick, and that vibrancy shines through and brings the album the life so often lacking on Americana albums these days. All of these factors serve to give these songs lots of replay value, and ultimately, that mileage is what matters most; it matters little how deep and profound a song is on first listen if you’re not compelled to listen to that song months and years later.

There is no crown jewel of the album; rather, Co-Starring has three. “Rock Gods,” featuring Aaron Lee Tasjan, certainly hits the hardest of the three, as Hubbard sings with sorrow about Route 91, Tom Petty’s death, and the brokenness and sadness permeating every corner of our world today. The opener, “Bad Trick,” featuring Ringo Starr, Don Was, Joe Walsh, and Chris Robinson, with its many great observations and little pieces of advice like the line about Nashville, remains the most infectious track on the album. “Drink Till I See Double,” featuring Paula Nelson and Elizabeth Cook, claims the honor of having the most brilliant hook, with “I’m gonna drink till I see double, and take one of you home.” This one is also easily the most stone cold country, for all you strict traditionalists out there.

It’s exciting to see Ray Wylie Hubbard getting his just due and to see such a rootsy album being released and promoted by a label like Big Machine. But the greatest aspect of it all is that Ray Wylie Hubbard didn’t get any on him when he went to Nashville, and hopefully, this record will see him enjoying even more of the recognition and success he has always deserved.

Co-Starring is available today everywhere.

Local Man Arrested for Arrested for Vandalizing Luke Bryan T-Shirts

Local mechanic and noted country music fan Reginald Spears, 48, was arrested on Thursday morning for vandalism and destruction of property. He was booked and released on bail after spending an hour in county. Spears’ popular Twitter account tweeted “My wife shouldn’t take me to town, heh heh” that afternoon, likely in regards to the incident.

On Thursday at 11:00 a.m., Jessica Chamberlain, proprietor of So So Cute Women’s Wear reported to police that a man was drawing on t-shirts with a marker or paint pen. She says she asked him to leave the premises when she noticed it, and that he politely complied, but returned to “put the finishing touches on one drawing.” That’s when Chamberlain called the cops.

“His wife is a sweetheart… I asked her not to bring him back in here again though; he’s crazy but at least he was wearing a mask, I guess.” she said, shaking her head.

Spears was arrested without incident in the parking lot. “He’s usually a gentleman when we have to arrest him.” laughed sheriff’s deputy Cody Westling. “It’s been a while, so I told him we’d missed him.”

So So Cute maintains a section of Luke Bryan clothing, dedicated to the country superstar who was born only a hundred miles or so from the store. Chamberlain said that when Mr. Spears noticed it, he went out to his truck and returned holding something (which turned out to be a handful of Sharpies and puff paint markers). “He was wild-eyed and looking around, but I didn’t think anything of it.” said Mrs. Chamberlain. “But then I noticed that he was doodling on the shirts… who does that? He’s a grown man.”

Spears allegedly drew penises on some of the shirts and added offensive phrases to others. “On our ‘One margarita, two margarita’ (based on Bryan’s hit “One Margarita”) shirt, he wrote “leads to three baby daddies,” said Chamberlain. “And he just wrote “sucks” on all my adorable Luke Bryan vintage v-necks. He’s got a problem!”

Spears, who runs a small engine repair shop on his property off Hwy 57, has said in the past that his long string of peculiar crimes is all in the name of “real country music.” His county rap sheet stands as proof, with 6-7 different misdemeanors over the years, oddly all related to country music.

At press time, Chamberlain had agreed to drop all charges if Spears agreed to pay for the damages, estimated at around $1,000. Spears was not available for comment.

Jul 9, 2020

Dom Flemons Performs "Steel Pony Blues"

From his 2018 album Black Cowboys.

Hank 3 Fan Starter Pack

Album Review / Joshua Ray Walker / Glad You Made It

By Matthew Martin

We all have those things that bring us comfort. When we are feeling a little out of sorts or we are at a crossroads of any kind, we know exactly what to reach for to bring us a little joy or a little comfort at our most insecure moments. For me, as is the case for many people, that comfort has always been music. The kind I tend to gravitate towards when I'm feeling unsure of my reality usually is played in a minor key. But, whether or not it's in a minor key, I want the lyrics to hit home for me. I want to feel like I've been in the songwriter's position before, or know someone who has, or might be on track to be there at some point. I want to feel it.

Joshua Ray Walker has a knack for this type of song. He has a way with words that I can't get enough of. There's humor, sadness, and a sense of joy in his music- sometimes in the same song. On his last album, Wish You Were Here, it felt like lightning in a bottle. Starting off an album with a song as good as "Canyon" seems criminal. To come out of seemingly nowhere and be that devastating in a song had me hooked and wanting more. I devoured that album and became a big, big fan of Joshua Ray Walker's. I did not want to have to wait the typical 2 or so years to have to hear new music from Walker. And thank god I didn't have to wait that long.

Released a year and a half later, Joshua Ray Walker's Glad You Made It picks up right where his last album left off. These songs stand up right up there with the best of his debut. Those characters are still deeply flawed, deeply unapologetic, and deeply vibrant. They are covering up scars and bruises, They are wondering how the hell they got where they are. But, again, most of all, they are trying to stay alive, like REALLY ALIVE, for one more night.

One thing that stuck out to me about this album is that it is definitely a more rocking, honky-tonking affair, e.g. "User". This album feels like a twisted 70s Capricorn Records cousin (for those that don't know, Capricorn was home to The Dixie Dregs, Marshall Tucker Band, and The Allman Brothers). The cast of musicians playing on this album very clearly were having a fun time. It shows in every song. From the organ-laced rocker of "D.B. Cooper" to the nearly bluegrass "Play You A Song" every song is loose and perfect sounding. The notes intertwine with Walker's interesting, unique twang. Speaking of his twang, I'm not sure there's a voice as unique as Walker's, complete with his falsetto notes and yodeling. And, I absolutely love it.

Where Walker really shines is when he slows it down to explore some demons- whether or not they're his own is not all that explicit. On "Voices" Walker explores lost love, hurt, and deep depression, even pondering his own death. It's an affecting song. It's dark. But, it's incredible. It's required listening. Yeah, it's sad, but music is supposed to make you feel. It's supposed to make you confront some of those demons you've been neglecting so you can become a better person. At least, that's what I like about music. Then there's "Boat Show Girl" which has that humor that I mentioned earlier, with the imagery of a "redneck Statue of Liberty." This is a character study that Jonny Corndawg/Fritz would be proud of.

I can't wait until we can see live music again, because I know these songs are going to be absolute killers live. This album is going to be in deep, deep rotation for me. It should be for you. Go buy this album and Walker's first album. You won't regret it.

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Glad You Made It is available Friday everywhere.