Mar 26, 2018

Cruising The Lost Highway In Search Of A Ghost

by Robert Dean

Living in New Orleans is a pressure cooker. The drinking never stops, there’s always a bill due, and there’s never enough overtime. A constant threat of violence lurks omnipresent, and there’s never a night when you can’t stumble into trouble or the best time of your life.

I had to get out of the city. Every six months, I found an excuse to get away from the noise, Bourbon Street, and collect myself. I’d take long rides, going into the abyss on my days off. It didn’t matter where the destination was.
I’d recently broken up with an ex-girlfriend. I floated between trying to understand my place in the city, and also wondering where I’d land career-wise. I was stuck dancing around on Bourbon Street stages while pushing every scrap of writing I could. Everything internally was in a tailspin. I ached for resolve, for a plan. I drank like a fish and slept for days at a time. Drink, write, read, work, and repeat.

I kept a set schedule at work, which allowed me to make plans, I got in my 2004 Ford Mustang and floored it out of the city. I headed to Alabama. I drove endlessly shuffling through my book of cd’s, jamming Elvis, Johnny Cash, Hank, Waylon, JD McPherson, George Jones, to remember a few. I popped across Mississippi and cruised the back roads of Alabama, searching for the ghost of Hank Williams, a wild spirit who’d died too young.

At the time, I felt like we were kindred spirits, as I was known to wail on a bottle a time or two in the dark recesses of the French Quarter while Hank’s escapades were the basis for an entire music genre. Hank Williams has always made sense to me and why he’ll endure centuries after this one; he’s merely too human. His tragedies color many of our own, and because his deliverance was so pure, so tactile, it’s hard not to fall in love with.

Years later, "I'm So Lonesome I Could Cry" is still my favorite song of all time and it still haunts me no matter how many times I hear it. There’s a genuine sadness caught on tape that day and no matter how many artists cover it or try to crack its core, none ever will – that day Hank caught fire.

For hours I trucked through little towns and hillbilly outposts, burning rubber toward the trail of Hank Williams. I stopped in the center of Montgomery and stood near his statue at the center of town, sharing a secret with the man many passes by daily without a second glance. I peered into the window of the Hank Williams Museum, cursing myself for arriving in town on the one day it was closed.

I wolfed down hot dogs and a Coke at Chris’ Hot Dogs just like Hank used to do. I sat at the ancient counter feeling like I was partaking in a ritual. I paid my respects at Oakwood cemetery and took more than a few minutes to relish the silence and enjoy being utterly alone. No one else pulled up to join me in my tribute; this moment was between Hank and me.

I rolled up to Georgiana, AL and walked the floors of the Hank Williams boyhood home museum, where I managed to pick up an original program from Hank’s funeral. Everything I did, it felt like I was leading up to a moment, a feeling, but really, it was just me trying to understand my ghosts along with Hank’s.

I-65 between Georgiana and Montgomery is known as “The Lost Highway.” I likened it to a spiritual journey, a conquest only I could take along the way. I stopped and ate Chic-a-fila since it hadn’t spread nationwide yet. It was a Deep South delicacy I’d only heard was succulent and boy howdy were those first bites a communion.


I rolled through those 55 miles and back, trying to will something through his death and my living. By now it was the dead of night. Because I kept graveyard shift hours, the exercise and the return home wasn’t a big deal. But, I was out there searching for something. I’d wanted so much to resolve itself through the music, through the miles, but the dead keep their secrets. I wanted to know how I could harness that energy, which Hank emitted, how a guy blew fire at such a young age, while I was still blowing smoke, trying to get my wings as a writer.

What I realized there was I just needed to gnash my teeth, put my head down and do the fucking work. There was no mojo, no spell and no way to make my bones without some bumps and bruises. That trip was the first leg of self-realization and that maybe “Hank didn’t do it that way.”

I drove back to New Orleans and arrived sometime early morning. I fell into my bed nourished but still looking for fulfillment. I took my ride with Hank Williams but knew as soon as I arrived home, I had work to do, I had to get back to writing. A few months later, I tattooed Hank on my left wrist, reminding me that he’ll be with me for eternity, a ghost I don’t mind guiding me. 


Monday Morning Memes: Evolution, Women on Country Radio




Mar 23, 2018

Tyler Childers Performs "Banded Clovis"

5 New Johnny Paycheck Parody Album Covers







Album Review / Great Peacock / Gran Pavo Real

by Matthew Martin

When I first heard Great Peacock's EP a few years ago, it felt like it was the beginning of something special - an inside peek at the beginning of the rise of an obscure band.  5 years later, and it still feels that way when I hear a new Great Peacock offering.  The band's sophomore album is no different as the band takes a slight turn away from the gentle, melodic Americana and more towards the psychedelic, Americana-tinged rock. 

The last output, their great Making Ghosts album, was everything we had been promised from their self-titled EP.  It was a melodic outpouring of yearning tunes with Blount Floyd and Andrew Nelson's voices working perfectly together.  The band toured restlessly off that album, coming to DC at least 4 times, I believe, during that time.  Around the last couple of times the guys came through, you could hear something shift in their music.  There were 2 acoustic guitars on stage, then there was one acoustic and one electric, then there were only electric guitars.  The songs began to shift sonically and jam a little more.

On Gran Pavo Real, those new sounds are apparent with the opening organ-heavy jam of "Hideaway."  The harmonies of Floyd and Nelson are still there and the heartbreak-driven tunes are still there, but there is a shift in the tone towards a Pneumonia-era Whiskeytown.  But, never to fear, there are still hints of the old Great Peacock there - "Begging to Stay" and "Miss You Honey" being the two most akin to their previous album.  


There's always a bit of concern with a new album from an artist you really like - are they going to hit the mark they were aiming for and if they do, is it the mark we're wanting to hear?  Will they grow in a way that stays close to their sound but sees them exploring new themes and sounds?  On all accounts, I think Great Peacock hits every note right on this Gran Pavo Real.  They take a chance moving away from their first album and coming up with an even better version of themselves.  They're bluesier ("Heartbreak Comin' Down").  They're subtler at times ("All I Really Want is You").  And, they're just all around better.

This is the kind of album that's just right for the upcoming Summer.  It's going to be on my stereo all year long, for sure.  There's a song for every occasion, high to low.  And the music is rollicking and a damn good time.  You should go buy this album, and then buy another for a friend.  Then, go to every show these guys put on near you.  Let's make the world know Great Peacock.

----------

Gran Pavo Real will be released next Friday, March 30th and you can pre-order it at iTunesBandcamp, and other music outlets.


Larry Lee the Primitive Baptist Reviews Old Dominion's "Hotel Key"



It seems like I'm living a lie. I used to review country songs and pop-country songs for this here blog, but these days all Trailer has me listen to are pop and hippity hop and rocking roll songs that still have the gall to call themselves country. It's disheartening and I believe it to be sinful (the lie that they're country; not that I'm reviewing them). But anyway, here we go.

This is another song from Old Dominion, a sleazy looking bunch of boys who like to sing about stalking women and wearing stupid looking hats (according to their appearances, it is probably pulled from the sweat-soaked, smoky pages of their own lives; not that I would judge). Well, I guess that's one way to go about things. It's not a Godly or respectable way, but it's a way. 

"Hotel Key." From the very title, you are immediately aware that some untoward situations are probably about to be recounted. It's not like a song about my wife losing her hotel key at the Million Dollar Quartet show in Branson is good song material for popular radio, so it has to be about fornicating or whatnot.

Annnnnd it is. Oh, ye of the olde dominion, fornicators shall not inherit the Kingdom of God. Put your pecker away and save that thing for your betrothed wife. Sins of the flesh are sins against the body. Flee from doing the sideways shimmy! You'll have a solid 3-5 years of all that you want once you get married. 

Another evil spoken of here is the mary wanner. Don't think I don't know what they speak of here. I'm from the seventies! Your body is a temple! Do you want to bring something into the temple that makes you want to lay on the couch all day watching Life Below Zero and eating Doritos all day? Well, that's what my son-in-law does and he ain't worth a …. I mean, he is not living within the Word at this time.

There's also mention of drinking in this song and you can probably imagine how the Lord and I feel about that. We don't even have real wine at the Lord's Supper, so I sure don't approve of it in a Motel 6 with a floozie and a doobie.

In summary, this song is as wretched as most I've reviewed for Farce the Music and it is also pretty lame. I needed three hours of Gaithers on YouTube to scrub it from my ears. 

F



Mar 22, 2018

New Video / Ashley Monroe / "Paying Attention"

From her forthcoming album, Sparrow.

Krusty Krab Memes: Sams, FGLs, Keiths, etc.






The No Sleep Roundup w/Jeremy Squires, Rising Appalachia, etc.

by Robert Dean 

I didn’t get a lot of sleep last night. I do it to myself every time, always chasing deadlines or falling down the rabbit hole, reading about some odd subject that ordinary people wouldn’t spend five minutes on. Such is my life. I spent, I dunno, a good half an hour reading about flan. Yes, flan the Mexican desert. 

Today, I’ve been checking my email, wandering around Youtube and wanted to do a “Rodeo of Cool Shit” post where I share stuff I think is either worth checking out or at the very least, entertaining. 





My friend Michelle Hanks is a mover and shaker in the underground country world. She sends me artists to check out on the regular and one of the dudes she passed along to me was Jeremy Squires. I dig what the guy is doing. His new tune "Gift" features a slow piano that’s straight out of the Radiohead playbook, but country. It’s an odd mixture, but it works. 

Jeremy is all over YouTube and Spotify, so finding his stuff won’t be very hard. The straight-ahead tunes he’s got on Spotify are in the vibe of Jason Isbell meets Bright Eyes sorta thing. It’s not the most upbeat of stuff, but worth a listen if you’re driving down a backroad somewhere on an overcast day. 



When was I like, 23? My roommate and I were on the couch looking for something to watch. We stumbled on Ryan Reynolds and Amy Smart in the movie “Just Friends” and were immediately rolling our eyes, groaning that we knew it was going to suck. Eventually, as the minutes passed of hate-watching, we set the remote down and laughed along, enjoying the movie. 

The same exact thing happened to me this AM when I stumbled on Rising Appalachia "Scale Down." It’s so oddly satisfying. I checked it out to dismiss the song and the video but couldn’t because it’s unique and challenging. There are quick triphop bits with Lauryn Hill meets Beth Gibbons emoting about the state of the world through biting verses. The whole thing shouldn’t work, and yet, I enjoyed the hell out of it. Kinda the same way I couldn’t stop listening to that Hobo Johnson song last week when it went viral. 



Two crusty folks jamming on a fiddle and a banjo out in a field. Lots of brown leather. Meat and potatoes Americana stuff I used to hear the gutter punks strumming on as I’d walk the streets of the French Quarter. Quenches a certain thirst. It’s not breaking any precedent, but it’s a damn fine song. 



Finally, if you’re looking for a new podcast, And Now We Drink proves to be always entertaining with its revolving door of musicians, writers, lots of porn stars, and everyone else floating around Los Angeles. There are drunken tales told by guys like Dino Cazares from Fear Factory or indelicate anecdotes by someone who shoots fetish porn; it’s a mixed bag of what you’ll get when people start drinking heavily. Worth the subscription, especially if you like to hear a lot of risqué stories. 





Roseanne Country Reaction Gifs

When you were about to leave, but you hear Cody Jinks playing

When the TV is stuck on CMT and you're too lazy to find the remote

In the bathroom at a Willie concert

When all the presents are mainstream country CD's

Trying to keep it cool when Mr. Yoakam calls

"Sam Hunt's not that bad"

When the hubby says Miranda Lambert is hot.

"Panic is way better than any Americana band"

Was that you who left all those vulgar comments on Luke Bryan's Facebook page?


Mar 21, 2018

New Video / Aaron Einhouse / "Nobody Knows"

Sometimes Winning is a Bad Thing


Little Known Artist Somehow Scores #1 Country Hit

A singer virtually no one in mainstream country radio's target demographic has even heard of scored his first #1 song this week. The bearded, nearly middle-aged man has made waves in recent years selling truckloads in the archaic "album" format, but until this year had made little impact on radio.

This sketchy character once sang backup for Justin Timberlake on the 2015 CMA Awards, earning high praise from pretentious critics and long-in-the-tooth music fans. He has also sung on a sketch comedy program your parents watch called Saturday Night Live a couple of times. 

The singer has raked in quite a few awards, grabbing ACM, CMA, and Grammy trophies along the way. But, as modern country fans know, awards are irrelevant if they don't go to the artist you were rooting for. Other than those few minor blips, the aging country artist has made little inroads with the listeners who matter. 

Like Cheryl, a young web producer for a major magazine, who recently had a tweet questioning who this man is and why he keeps winning awards. If this hip youth doesn't know who the one-hit wonder is, he clearly must not be any good!

Or Bryce, a "huge country fan" from the Midwest who complained on Facebook about "the old dude" who beat out Thomas Rhett for best album. A chorus line of iHeartRadio's prime quarry chimed in with likes and similar grumblings. If these college bros who clearly love country music don't know the guy, surely this is just a fluke. 

So, nothing to see here.

Now back to your focus group tested, heavily promoted, sonically consistent, regularly scheduled song from Tylerson Davis.


Eddie Rabbitt, Willie, Juice Newton, Dolly, etc. Parody Album Covers





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