Showing posts with label Turnpike Troubadours. Show all posts
Showing posts with label Turnpike Troubadours. Show all posts

Oct 12, 2015

Top 30 Albums of 2015: 3/4 Report



Here's my 3/4 of 2015 Favorite Albums list. I'm going to attempt to do a composite among FTM's regular contributors (Matthew, Kelcy, Jeremy, Kevin, and myself) and hopefully have our first team-voted official list (at least a top 10) at the end of December, so this is just a 20% slice here. -Trailer

1. Father John Misty - I Love You Honeybear

2. Chris Stapleton - Traveller

2. Whitey Morgan - Sonic Ranch

4. Turnpike Troubadours - s/t

5. Jason Isbell - Something More Than Free

6. The Honeycutters - Me Oh My

7. Randy Rogers & Wade Bowen - Hold My Beer, Vol. 1

8. James McMurtry - Complicated Game

9. American Aquarium - Wolves

10. Ray Wylie Hubbard - The Ruffian's Misfortune

11. Jonathan Tyler - Holy Smokes

12. J.D. McPherson - Let the Good Times Roll

13. Kendrick Lamar - To Pimp a Butterfly

14. Ashley Monroe - The Blade

15. The Pollies - Not Here

16. Nathaniel Rateliff & the Night Sweats - s/t

17. Jamie Lin Wilson - Holidays & Wedding Rings

18. The Damn Quails - Out of the Birdcage

19. Anderson East - Delilah

20. Kacey Musgraves - Pageant Material

21. Faith No More - Sol Invictus

22. Lindi Ortega - Faded Gloryville

23. John Moreland - High on Tulsa Heat

24. Lucero - All a Man Should Do

25. Benton Leachman - Bury the Hatchet

26. Wrinkle Neck Mules - I Never Thought It Would Go This Far

27. Clutch - Psychic Warfare

28. Darrell Scott - Ten

29. The Deslondes - s/t

30. Dwight Yoakam - Second Hand Heart



I haven't heard these enough yet to rank them: Jason Boland and the Stragglers - Squelch, Hailey Whitters - Black Sheep, The Yawpers - American Man, Corb Lund - Things That Can't Be Undone, Don Henley - Cass County, Gretchen Peters - Blackbirds.

Oct 2, 2015

Really Dumb Country Music Reviews 2

Real country song/album reviews from a popular music downloading service.


Ashley Monroe - The Blade


George Strait - Love is Everything 


Jason Isbell - Something More Than Free


Pistol Annies - Hell on Heels


Thomas Rhett - Tangled Up 



Sam Hunt - Montevallo



Turnpike Troubadours - s/t


Chris Stapleton - Traveller

Sep 18, 2015

YouTube Gems: Turnpike Troubadours - The Mercury

Turnpike Troubadours - "The Mercury"



Album Review: Turnpike Troubadours - s/t

Turnpike Troubadours feels like the perfect album to self-title. As good, nay great, as they already were, this is the album where the Oklahoma band finds its best self.

I hold this band in high regard: they've graced the upper reaches of FTM year-end lists, I tout them on social media frequently, and "Gin Smoke and Lies" has been my ringtone for a couple of years now. That said, I've always felt there was a certain grayness to TPT's sonic palette. Maybe it was production, maybe the individual players were a little "too" in sync… I'm not well-versed enough in this sort of thing to discern - I just know there was a vague sameness, even amidst the unquestionably peerless talent.

On this record, they let a little color and light in, and it's just enough to fully realize the absurd potential of this group. There's space, separation, and vividness in the sound. The slower songs soar, the rockers punch, and there's fiddle and steel galore. On a good set of speakers, this thing is stunning.

Their writing was already excellent, but they've even upped their game in that department. "The Bird Hunters" tells the tale of a man coming to terms with an ended relationship over the course of a quail hunt. This could come across as hokey or forced in the hands of a lesser act. The Troubadours make it a song-of-the-year candidate, epic, cinematic, and immersive.

Later on there's the heartfelt meta-song "A Little Song," an updated version of sure-fire modern Red Dirt classic "Easton & Main," and a rocking take on alt-country legends Old 97's "Doreen." 

Other standouts include all the songs on the album. There are no bad cuts, and only a couple that strike me as anything less than top shelf. Certainly, time could fade my adulation, but that may be more from over-listening than a change of opinion.

You're unlikely to hear another country album better than Turnpike Troubadours in 2015. It's a benchmark, and hopefully a platform for this deserving band to find greater recognition on the national music scene.

If you need a grade: A

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Turnpike Troubadours is available on iTunes, Amazon, Lone Star Music, etc.

Apr 24, 2014

On Garth's Comeback



Garth Brooks Comeback
& How On Earth Did Everything Get This Weird?
-Kelcy Salisbury

This was a reply I made to a non-country music loving friend of mine on Facebook. It's unedited so I take responsibility for all typos & nonsense. Thank you Kelly Manning for pushing this to the front of my mind. 
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Garth Brooks looks like a St Bernard that wears a cowboy hat. But yeah, he was kind of a big deal I guess. I'd still trade him & Clint Black to get Chris LeDoux (the guy Garth pretty well copied his live show from & that's not meant as a slam on Garth) back on this earth. 

I'll admit, after I saw your post, I actually watched a good bit of it. I was a little disappointed that he basically only played snippets of songs, but he was personable & engaging & wasn't wearing girl jeans or earrings (cough, Luke Bryan, cough Jason Aldean) and he wasnt using AutoTune, and he carried a show with just him, a guitar & whatever chemical assistance was used...I mean seriously dude, you should NOT be that excited about Jackson Browne! There's some Bolivian Marching Powder involved in that. Jackson Browne doesn't get that excited about his own songs! 

I'm pretty interested to see what his next career move is, whether he ever actually drops a new album & what it sounds like. Commercial country music is flailing & drowning in red ink, thus the increasing willingness to throw gimmicks out there & desperately hope one sticks. I'm sorry but Jawga Boyz, FL/GA Line, and about 3/4 of the content on any given hour of CMT programming is not country music, or even anything resembling good music. There's talent in the genre, but it's largely pop talent marketed as (sort of) country (Taylor Swift), relegated to the sidelines because the record companies will not allow them to make & release to radio the music they want (Jamey Johnson) or reduced to making ridiculously bad country-rap parodies (PLEASE tell me that "Boys Round Here" is a parody) like Blake Shelton, Luke Bryan (who is a world class jerk & has an unnerving fetish for dry humping drum kits in a drunken fit of mid-concert copulation fever), Jason Aldean or nearly any male star not named George Strait or Zac Brown.

Folks might not be aware of it, but radio playlists have gotten smaller as Clear Channel has snatched up stations, removed local DJ talent from the equation & created a monopoly of terrestrial radio. As the value of radio airplay dwindles the industry has basically shot itself in the foot (with #00 buckshot) by promoting as stars people who can't sing without computer assistance or engage a crowd or do many other things a star should be able to do. When people are exposed to the true musical talent of even a mediocre musician like Garth (GREAT showman & marketer though), it makes the posturing & pandering of the current Nashville wasteland look every bit as hollow & silly as it is. 

When an artist like Jamey Johnson can have the track record of success that he had with That Lonesome Song & The Guitar Song but he STILL can't get into a contract that allows him to choose 100% of his own material there is a huge problem, it's 1970 Nashville all over again & the outsiders are still out there, ready to make people care about country music again. It's coming, and while the standard bearers of the movement (The Great Divide, Bob Childers, Pinto Bennett on through Reckless Kelly, Jason Boland & The Stragglers, Ragweed & a few others) are either no longer performing together or not ideally positioned to be the next wave of truly great country music that achieves commercial success, there is a second generation ready & waiting & they are gonna make some noise when they get on the dance card. The current structure of commercial country music is so far overdue for collapse that it could implode in the next 10 seconds & nobody would be surprised. This means that bands that are accustomed to owning their own material, beating down the highway & playing live 200 nights a year are going to be ideally positioned for success. My money would be on Turnpike Troubadours as probably the smartest bet. They've got the chops, they're still quite young, and their grassroots following stretches world wide & grows daily. There will be plenty of competition, and it could be that they won't even want the crown, should it be offered, I just find it amazing that we have actually reached a point where GARTH BROOKS of all folks could be the tipping point that moves country music in a direction that's better for the music & the artists. If this comes to pass I will personally get a Chris Gaines poster for my office. 

Jan 9, 2013

FTM Top Albums of '12: Kelcy's 14


-by Kelcy Salisbury

This list is by no means exhaustive. 2012 has been an absolute banner year for good music. I’m sure there are several great albums released in 2012 that I haven’t even heard yet and will discover some time down the road & wish I’d included them. I tried doing a top 5 list, then I tried for 10 but in the end these were the albums I just couldn’t bring myself to cut off the list.

14) Corb Lund - Cabin Fever
The Canadian musician released some of his finer work with this album (get the deluxe edition with multiple acoustic versions of several songs.) Don’t miss Down On The Mountain, Drink It Like You Mean It, One Left In The Chamber & the hilarious Hayes Carll collaboration of Bible On The Dash (as a former rodeo cowboy who’s done his share of traveling I found this to be one of the most truthfully humorous compositions I’ve heard in years.)

13) Ray Wylie Hubbard - The Grifter’sHymnal
Texas music godfather reaches out to an under-served demographic. Grifters need hymnals too, right? Seriously, Coricidin Bottle & Lazarus are as good as any work he’s done. My favorite Ray Wylie Hubbard album since Delirium Tremolos.

12) Shooter Jennings - Family Man
The album is a touch uneven in places but songs like The Long Road Ahead, Summers Dreams and Daddy’s Hands are so good that they elevate the entire thing. There’s not a song on here I skip, but there are a few I look forward to more than others. Can’t wait to see what the next project sounds like.

11) The Trishas - High Wide And Handsome
Not sure I can really describe this one but to say that The Trishas are easily the best female duo or group in country music right now and it’s not even close (sorry Pistol Annies but you could take some notes from these ladies). I hate to distinguish them as a “female” act though. Isn’t it about time we just acknowledge that this is one incredibly good bunch of musicians? They can play, they can sing, and they can write…How they can write! I’d tell you what my favorite songs are on the album, but that changes every time through. Last time around it was Mother Of Invention, John Wayne & Gold&Silver. Listen for yourself, if you haven’t heard this album you’re missing something great.

10) Dwight Yoakam - 3 Pears
I’m a Dwight fan, I’ll admit that. I’ve also appreciated Pete Anderson’s production work, so when I heard that Dwight’s new album would not employ Pete as producer I was a little worried. I’m sure the folks who want to hear “Guitars, Cadillacs” re-made over and over won’t care for this. It’s unabashedly Dwight’s “rock” album, but it’s outstanding. Top songs are Waterfall, It’s Never Alright and Long Way To Go.

9) Jason Eady - AM Country Heaven
Probably the best pure country record of the year, this one saw Eady take a slight detour from his more folk oriented material and record a straight ahead country album that draws heavily on the Merle Haggard school of writing & playing. The end result is simply astoundingly good in its simplicity. Don’t miss the scathing songwriting of the title cut, the heartbreaking Wishful Drinking or the Patty Loveless duet of Man On A Mountain.

8) Dirty River Boys - The Science Of Flight
I have to thank Brad Rice (the drummer from Jason Boland & The Stragglers, not the one from Son Volt) for bringing this band to my attention. I was honestly getting a little burned out on “new” Texas/Red Dirt/Independent bands. I hadn’t heard a new one doing anything original in a few years & even with all the buzz about these guys I hadn’t paid a bit of attention. Brad told me they were “original” and “different” and was he ever right! I’d venture to say that this album would be top 3 material if I’d only picked it up a little sooner. I’ve only had time to listen to it twice but it absolutely blew me away and forced me to include it on this list. Dirty River Boys sound is a hard thing to describe, but I’ll try. Let’s imagine that the Black Crowes & Nick Cave had a baby that was raised by a group of Celtic musicians who also happened to be bluegrass fans & the baby ran away from home at age 14 to tour with Ray Wylie Hubbard & Gram Parsons. These guys aren’t scared to try a mixture of styles and influences and the end result is something amazing to hear. I can’t wait to get a chance to see them live. Best songs on the album (and there isn’t a bad one) are the title song & Six Riders, but you’d better get the whole thing.

7) Soundgarden - King Animal
The best voice in 90s rock is back where he belongs as Chris Cornell has reunited with Soundgarden & put out an album that sounds like a worthy follow-up to Superunknown, not the album that showed up a decade plus after Down On The Upside. There’s no Get On The Snake, Blow Up The Outside World or Fell On Black Days (my 3 personal favorite Soundgarden songs) here but what there is, is more than enough to be the hard rock album of the year. Soundgarden was somewhat unfairly labeled as “just another grunge band” in the 90s & were never completely able to break free from that. They may never break away from it completely but hopefully this album will earn them a whole new generation of fans as well as reminding their legions of Gen X fans (how’d we all get so old anyway?) that Soundgarden are still kings of the rock universe.

6) Jack White - Blunderbuss
Jack White may be the direct spiritual descendant of Keith Richards & Led Zeppelin. Nobody in mainstream music is doing anything remotely close to his sound. Just great rootsy rock 'n roll that comes straight from the heart. This album, along with most of his output is proof that 3 chords and the truth are really all you need.

5) Turnpike Troubadors - Goodbye Normal Street
Turnpike Troubadours are one of the finest live bands to come out of the rich musical scene of eastern Oklahoma in the past several years. Their first two albums showed tremendous promise due to the great songwriting and musicianship. What sets this album apart is the addition of backing vocals of Jamie Wilson of The Trishas. Like most of the albums near the top of this list, there simply is not a single throwaway track. The album needs to be heard in it’s entirety. The musicianship has actually improved over their first two albums (Bossier City & Diamonds and Gasoline) if that is even possible. Either this or Eady’s album are the best true country albums of this year, if not the best of the past 2-3 years. The only country album I’ve heard in the past couple of years that can stand on the same level is Jason Boland & The Stragglers Rancho Alto.

4) The Departed - Adventus
After This Is Indian Land came out last year I was intrigued to see what this band could do with their original material. I’m happy to report that they exceeded all my expectations. This isn’t a country album, it’s a bluesy, rootsy, gospel influenced trip through the prodigious talents of a band that (while made up of an all-star cast of players) is truly much more than the sum of it’s parts.
3) Chris Knight: Little Victories
Mr Knight (I feel like I should refer to him as Mr., just because I’m pretty sure anybody with the kind of body count usually exhibited in his songs might stab me if I don’t call him Mr.) has released the finest album of his remarkable career. It’s not quite a protest album, but there is a theme of social commentary running through the entire thing. In almost any other year this would be my album of the year. I’ve only had the album since early October, but all the songs are among my most played for the entire year. I can’t hear Jack Loved Jessie, Nothing On Me or The Lonesome Way while driving without risking a speeding ticket.

2) Matt King - Apples & Orphans
First a bit of background: I am such a fan of Matt’s 2005 album “Rube” (right down to the Marilyn Manson sounding drums, and other industrial sounding touches) that I have worn out two CD copies, and it’s been one of the top 2 most played albums on my iPod every year since I got the digital copy, something like 5 years running now. I liked the Matt King & The Cutters EP. I loved the bare bones approach of Raw, which is also an album that’s been in heavy rotation for the past couple of years. (I’ll admit to not being a huge fan of Matt’s mid 90s Nashville country output, but hopefully Matt will forgive me for that…) Point is, I had very high expectations for this album even though I didn’t really know quite what to expect. If you’re looking for real stories of real life Matt is one of the three songwriters I’d point you toward to start with (Chris Knight & Javi Garcia would be the other two.) I’d be doing this album and the listener a disservice to point out one song over another as the “must have” tracks on this album. It’s an album that’s meant to be heard from start to finish. It’s clearly a labor of love, care was paid to the sequencing of songs - so get the album and listen to it the way it was meant to be heard, start to finish. My brother once asked me what Matt King sounded like and I told him that if Trent Reznor & Loretta Lynn had a child who was raised in the Appalachians by Woody Guthrie, he would be Matt King. That was meant as a compliment & hopefully it’ll be taken that way.

1) Lincoln Durham - The Shovel vs. The Howling Bones
This one came out early in the year, February I believe.  Anyway, the first time I heard Drifting Wood I was hooked.  This album is proof that you don’t need “top of the line” equipment or fancy production to make a great album.  The pure soul of the vocals, the simple blues influenced music suits each song perfectly.  There’s great variety here.  Clementine & Truckers Love Song are simple yet beautiful (if somewhat unconventional) love songs.  Mud Puddles, Drifting Wood, Living This Hard and Reckoning Lament are haunting rootsy slices of goodness.  I had the privilege of catching Lincoln opening for Billy Joe Shaver last fall in San Marcos,TX and he blew me away.  The most amazing thing I’ve ever seen in terms of a single person making sounds that one person shouldn’t be able to.  Lincoln is a young man with an old soul and a clear appreciation for the traditions of such influential acts as Robert Johnson and Ray Wylie Hubbard.  If you’ve somehow missed the greatness that is The Shovel VS The Howling Bones, go pick it up today.  You can thank me later.

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Albums I’m looking forward to in 2013:
New music from Jason Boland & The Stragglers: The best traditional country band going has a new album (produced by Shooter Jennings) on the way early in '13.

Javi Garcia & The Cold Cold Ground are finally coming with a follow up to A Southern Horror.  March is the targeted release date.

Tyler McCumber (he’s a star in Italy of all places) plans to release some new music in '13.  In an interesting side note, Javi Garcia was a member of Tyler’s first band.

Dec 27, 2012

Top 10 Songs of 2012


No commentary on these. I'll just let the music speak for itself.

1. The Gaslight Anthem - Here Comes My Man
from Handwritten

2. Lee Bains III and The Glory Fires - Righteous, Ragged Songs
from There is a Bomb in Gilead

3. Arliss Nancy - 40's
from Simple Machines
(Track hosted for streaming purposes only. No claim is made to copyright. 
Song is not downloadable despite language in the graphic which suggests otherwise.)


4. Chris Knight - Nothin' On Me
from Little Victories

5. The Trishas - Over Forgiving You
from High, Wide and Handsome

6. Jason Eady - AM Country Heaven
from AM Country Heaven

7. Turnpike Troubadours - Good Lord Lorrie
from Goodbye Normal Street

8. Killer Mike - Big Beast
from R.A.P. Music

9. The Mavericks - Come Unto Me
from Suited Up and Ready EP

10. Some Dark Holler - Chords Are Always the Same
from Hollow Chest

A few more honorable mentions: 
John D. Hale Band - Desperate People
Hayes Carll - Love Don't Let Me Down (feat. Caitlin Rose)
The Dirty Guv'nahs - Dear Alice

Sep 13, 2012

Best Albums of 2012 So Far: September


New to the chart this month: The Pollies, Chris Knight, Uncle Lucius and the John D. Hale Band.


1. Lee Bains III & The Glory Fires - There is a Bomb in Gilead


2. Marty Stuart - Nashville, Vol. 1 Tear The Woodpile Down

3. The Pollies - Where the Lies Begin (Release Date: Oct. 2)


5. Turnpike Troubadours - Goodbye Normal Street



7. Arliss Nancy - Simple Machines



9. Killer Mike - R.A.P. Music

10. Shooter Jennings - Family Man

11. Blackberry Smoke - The Whippoorwill

12. Darrell Scott - Long Ride Home

13. John D. Hale Band - More Than I Can Handle (Release Date: Sept. 25)

14. Jason Eady - AM Country Heaven

15. Kellie Pickler - 100 Proof

Aug 10, 2012

Best Albums of 2012 So Far: August



There's no change towards the top of FTM's "best of" list but a lot of upheaval down below, with Arliss Nancy, Killer Mike and others jumping onto the list. There are also two big albums waiting in the wings: Jamey Johnson's Hank Cochran Tribute and Chris Knight's new release. Anyway, here's the top 10. Feel free to make any suggestions for great 2012 albums in the comments.

1. Lee Bains III & The Glory Fires - There is a Bomb in Gilead

2. Marty Stuart - Nashville, Vol. 1 Tear The Woodpile Down

3. Turnpike Troubadours - Goodbye Normal Street

4. Arliss Nancy - Simple Machines

5. Darrell Scott - Long Ride Home

6. Jason Eady - AM Country Heaven

7. Shooter Jennings - Family Man

8. Killer Mike - R.A.P. Music

9. Blackberry Smoke - The Whippoorwill

10. The Trishas - High, Wide and Handsome

Jul 27, 2012

Jun 29, 2012

Favorite Albums of 2012: First Half Report

















3. Darrell Scott - Long Ride Home
4. Turnpike Troubadours - Goodbye Normal Street
5. Alan Jackson - Thirty Miles West
7. Shooter Jennings - Family Man

8. Grace Potter and the Nocturnals - The Lion The Beast The Beat
9. Kellie Pickler - 100 Proof
11. Alabama Shakes - Boys & Girls
12. Jack White - Blunderbuss
13. Lucero - Women and Work

14. Kathleen Edwards - Voyageur
16. fun. - Some Nights
17. Willie Nelson - Heroes
18. Bonnie Raitt - Slipstream

19. Ray Wylie Hubbard - The Grifter's Hymnal
21. Paul Thorn - What the Hell is Going On?
22. The Shins - Port of Morrow

23. Wrinkle Neck Mules - Apprentice to Ghosts
25. The White Buffalo - Once Upon a Time in the West

May 14, 2012

Kelcy Reviews: Turnpike Troubadours - Goodbye Normal Street


This is one joyful goodbye

by Kelcy Salisbury

I've been a Turnpike Troubadours fan since Jason Boland introduced me to their music back about the time their debut album, Bossier City came out. The album was raw in places, sometimes loose, a little sloppy, but there was an honesty and a joy in the playing and a gripping, photographic quality to the lyrics that made me sit up and pay attention. I remember thinking to myself that this was a young band with incredible promise that could really blow up if they could only make it through the trials and pitfalls of being a young band on the road. 

Time went by and the Troubadours released one of the great sophomore albums of the past decade (at least), with Diamonds and Gasoline. It was a Mike McClure produced gem of an album. Everything was an improvement, the playing was stronger, the songwriting began to stand out from the crowd with its evocative pictures of everything from vivid dreams of MLK (1968, I challenge you to find a more uniquely themed song anywhere in country music in the past 5 years), and the haunting title song. 

So it was with great anticipation that I looked forward to May 8th when I learned that was the release date for Goodbye Normal Street, the Troubadours third album. Back in late September last year I finally saw the Troubadours life at a small festival in Morrilton,AR with Matt Stell & Jason Boland & The Stragglers. I heard about 5 of the new songs that night and learned at least three things about the band: they are a prodigiously talented bunch of players with every instrument on the stage, even better live than recorded. Second, Evan Felker lacks the motor skills to open a non twist off beer bottle without an opener. Finally, Felker bears a pretty strong resemblance to a non sexually ambiguous Daniel Tosh (although he did not show any videos of puking while on stage). Anyway, the experience certainly whet my appetite for the new album and it absolutely does not disappoint. 

The lead single, Gin, Smoke, Lies kicks off the album with fiery fiddle and a poundingly addictive drum track. The subject matter may be dark and sad, but as with the majority of the album, its presented with such infectiously upbeat musicianship and a lyrical delivery that veers toward tongue in cheek at times, the whole album sounds to me like a wonderful slice of Celtic influenced country that leans on a certain cynical, dark humor to set it apart from anything else I've heard in a while. 

This feeling comes across strongest in Before The Devil Knows We're Dead, a story song that draws directly on Irish traditions for both the catchy chorus and the fiery fiddle playing (Felker credits The Pogues as a major influence on this song.)

Southeastern Son & Blue Star tell stories of a young man joining the National Guard and a slightly older family member adjusting to life after a career in the military. 

Call A Spade A Spade features Jamie Wilson sharing vocal duties with Felker on a song that feels like a sequel to Down On Washington from Diamonds and Gasoline. 

Morgan Street is the classic tale of a group of misfits and past-their-prime party animals that could have easily come off as a retread of a number of other songs in the Texas/Red Dirt catalog, but the heartfelt treatment it gets from the entire band saves it from being the only possible weak link in the album. Truth be told I like the song a lot, even if one line always reminds me of Small Town Saturday night (give it a listen, you'll hear it too I'm sure). Perhaps the "Liquor on his breath, trouble on his mind" is an intentional homage to Hal Ketchum's mid 90s hit, perhaps not, but either way it's still an endearing number. 

It doesn't hurt that Morgan Street segues into two of the finest tracks on the album, Gone Gone Gone, a classic theme and story that sounds amazingly fresh thanks to incredibly strong and unique lyrics and Good God Lorrie, a song that I particularly love because of its spot-on references to the people and places of my native Arkansas. 

Things continue to stay on the right track with Empty As A Drum, probably the best take on the same basic story as Vern Gosdin's (RIP) Alone. Any time you can make a song that evokes positive comparisons to one of Gosdin's greatest songs, that's a huge compliment in my book. 

From there we move right into Wrecked, another dark song with the tiniest sliver of a certain dark humor in it. The clever lyrics may make this my favorite tune on the album, but anytime an album is this strong I could easily say the same of 7 or so other songs. 

Goodbye Normal Street closes with another song packed full of wry dark humor, Quit While I'm Ahead. It's obvious the frustrations and trials of the road on a young musician heavily influenced the song, and yet once again the Turnpike Troubadours bring just enough levity to the performance to give the song, like the entire album a vibe that can't help but put a smile on your face. 

It was a difficult feat to equal the quality of Diamonds and Gasoline, but with Goodbye Normal Street the Troubadours have not only made their strongest album to date but may have actually made an album that will transcend their current circles and push them past the barriers faced by independent musicians and into mainstream consciousness. The Turnpike Troubadours may soon be saying goodbye to their current state of normal and hello to a huge splash into the mainstream. I hope to see it happen, but even if it never does they will always be able to know that they have made about as perfect an album as anyone is likely to hear in this or any other year. 

Finally, if you want to catch the best country music show on the road keep an eye out for one of the frequent Turnpike Troubadours/Jason Boland & The Stragglers concerts. I've personally never seen a better one-two punch than these two since Willie & Waylon live, and I am completely serious about that. 

5 stars for sure.

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Turnpike Troubadours - Goodbye Normal Street is available at Amazon, Lone Star Music, iTunes and all the other usual outlets.

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