Showing posts with label Ashley Monroe. Show all posts
Showing posts with label Ashley Monroe. Show all posts

Oct 22, 2015

Carl Outlaw, Real Country Fan, Reviews Maddie & Tae "Shut Up & Fish"

Trailer likes these girls for some reason and so do a bunch of other wusses who want to give any singer with real instruments a pass and say their alot closer to real country then other stuff on POPCUNTRY radio. Who cares? Do you want a cookie for not rapping in you're damn song?

I never liked Maddy & Tay, never will. They suck. I don't care if they sang a song making fun of "bros," it was all for the money. They do not deserve any thought. At the end of the day there still shitty pop country. The only chicks singing real country now is NOBODY. Take your Kacey Musgrove and your Ashly Monrow and shove em up your ass with Taylor Swift as far as I'm concerned. They ain't never drove a big rig or worked a tug or plowed a row, so don't talk to me about them bein' country. Loretta Lin was the last real woman country singer cause she raised a mess of kids in a shack and whooped her husband's ass all the time.



Now, lets get into this song. LOL right. As if I'm listening to this. It's called "Shut Up and Fish" so you know its some corny bullshit from the title alone. Brad Paislay called, girls, he wants his career of making dumbass joke songs in to big hits back. Ya'll so-called bloggers and critics just get bent all out of shape over some girls singing with a tiny little drawl and being cute and whatnot. It's a smoke screen and a smoke show. Their hot, nobodies denying that. But that and $1.29 will buy you a Steel Reserve to wash the thought of this crappy song out of you're mind!



It just goes to show you my great taste in country music. I have never heard of Luke Bryan before this month. I don't know what that has to do with this song; theres just a nagging in the back of my brain to say that every day if I have the chance. 


Anyway, somebody call me when Maddey and Taye grab a washboard and a jug and get real. And I don't mean start a jug band, I mean wash my clothes and bring me a drink, LOL. Keep it country!

Oct 2, 2015

Really Dumb Country Music Reviews 2

Real country song/album reviews from a popular music downloading service.


Ashley Monroe - The Blade


George Strait - Love is Everything 


Jason Isbell - Something More Than Free


Pistol Annies - Hell on Heels


Thomas Rhett - Tangled Up 



Sam Hunt - Montevallo



Turnpike Troubadours - s/t


Chris Stapleton - Traveller

Jun 3, 2015

John Rich's Songwriting Tips #74


 This isn't really a songwriting tip. It's a short editorial based on some questions I've received lately. "John, how do we get more females on country radio?" they ask me. When I get through pondering for a few hours how to get my damnself on country radio, I let myself slip back to this question.

It's a big deal lately, apparently. Salad gate or whatever they're calling it… Some radio dude said to stop playing the chicks. I mean, on one hand, the numbers don't lie. On the other hand, my favorite numbers are 38, 24, and 38. So, that's a conundrum, son.

I sat down in my fully stocked, wi-fi enabled, leather recliner with some Goose on the rocks and taxed the old melon for a bit. If Johnny boy wants to see more feminine flesh on stage at the 15 country music awards shows each year, how can Johnny boy advise the tomatoes to get there? And then it hit me! Backing vocals!

Now I'm no sexist, but Ashley Monroe's a hot piece of country produce, and how exactly did we get to witness an ample flash of thigh from her on a recent awards show? She sang with Blake Shelton on a #1 f***ing hit! That's how.

So ladies, chicas, hoochies, honeys, women, lend me your rear, I mean ear…. every opportunity that arises for you to provide a sweet, sexy, subservient, cooing behind a male superstar's manly, aggressive, powerful lead vocals is an opportunity you should fall to your knees for.

Even if it's like "ooh daddy" between lines about picking you up onto the tailgate to lay some pipe, or singing "yeah, I like it like that" after a chorus about a romantic deflowering in a cutover, do that! Insist that your name be on the song… you know… "Pop The Clutch" by Jason Aldean ft. Kacey Musgraves or "Waxing the Chrome" by FGL w/Raelynn… it's just enough to change the paradigm, whatever the f*** that means. Hell, I love women on country radio. Or beside it, on my bench seat, but hell, that's semantics.

Let's do this, girlies! Baby girl, you've come a long way and it's time DJ's had to at least mention you in passing! End the discrimination against curvy hotties. Sing backup on a hit and flaunt that body! Now, never let it be said that the rural route Romeo never did anything for the babes.


*Not actually written or approved by John Rich

Feb 19, 2014

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Dec 31, 2013

FTM's Favorite Songs of 2013




1. Matt Woods - Deadman's Blues
From earlier review:
...almost painful to hear, in the best of ways. It's like we're the accidental witnesses to a late night confessional and I can't help feeling a little guilty finding so much beauty in such a raw disclosure. And those vocals… it's a masculine delivery with a tear deeply embedded; then he rips your heart out when he lets it all go in the final seconds.

2. Jason Isbell - Elephant

3. Arliss Nancy - Vonnegut

4. John Moreland - 3:59

5. Shooter Jennings - The Gunslinger

6. Brandy Clark - What'll Keep Me Out of Heaven

7. Sturgill Simpson - You Can Have the Crown

8. Ashley Monroe - Morning After

9. Austin Lucas - Splinters

10. Todd Farrell Jr. and the Dirty Birds - Pawn Shops

Beyond the Top 10 (no specific order):

The National - I Should Live in Salt

Run the Jewels - Sea Legs

Queens of the Stone Age - If I Had a Tail

Kasey Anderson and the Honkies - Some Depression

Drew Kennedy - The Poet at 33

Kacey Musgraves - Follow Your Arrow

Wade Bowen - Songs About Trucks

Son Volt - Angel of the Blues

Two Cow Garage - Mantle in '56

J. Roddy Walston and the Business - Heavy Bells


Ha Ha Tonka  - Lessons

Chris Stapleton - What Are You Listening To?

Gary Allan - It Ain't the Whiskey

Valerie June - Tennessee Time

Buffalo Gospel - Mule

Bow Thayer and Perfect Trainwreck - Inside Joke

The Mavericks - Come Unto Me

Chris King - Antler Inn Ballroom

JJ Grey and Mofro - 99 Shades of Crazy

Water Liars - Wyoming

Will Hoge - Home is Where the Heart Breaks

Lindi Ortega - This is Not Surreal

Phosphorescent - Song for Zula

Chance the Rapper - Cocoa Butter Kisses

Dec 30, 2013

FTM's Favorite Albums of 2013: 1-20




1. John Moreland - In the Throes
John Moreland writes razor edged lines that grab your attention and tear your heart out. Next time you listen to the same song, you'll notice that the following line was just as good - you just happened to miss it marveling at the previous one. In fact, there's hardly a throwaway line on the whole of In the Throes, and nary a song worth skipping. The mood of the record certainly wasn't right to be my album of the year (it's been a rough one), but the best is the best, regardless of tempo or context. In the Throes is pretty low-key and gray in emotional content, but it's just too good to be denied. Moreland has distilled all his strengths (with the exception of his rocking side, which is also very strong) into this stunning work of great craft and heart which stands deservingly as FTM's #1 album of 2013. Standouts: All of them, but if I must pick, 3:59 and Blacklist.



2. Jason Isbell - Southeastern
Southeastern is a modern classic. This is an inescapable truth arrived at by a tidal wave of critical approval and fan appreciation. Jason Isbell is Americana's Entertainer of the Year and Southeastern is the Album of the Year; I don't care what any official organizations say. Isbell has done more positive for the genre than anyone else, including the folk-renaissance dudes who actually got radio play. "Elephant" is incredible and if it didn't mist your eyes at some point this year, I don't know …maybe your heart is way too tiny, Mr. Grinch. "Traveling Alone" is remarkable and romantic. "Relatively Easy" is insightful on a personal and wide scope. Southeastern is a masterpiece and what's scary is that Isbell is probably just getting started.


3. Sturgill Simpson - High Top Mountain
Sturgill Simpson may not be the savior of country music, but he sure looks and sounds the part. This laid-back Kentuckian has the voice of an outlaw country god to go alongside his witty and insightful writing style. His songs are sorrowful, heartfelt, clever and self-deprecating, sometimes within the same tune. He probably gets a bit tired of the Waylon comparisons, but if there's a modern incarnation of that legend, Simpson has the talent and grit to at least make a valiant go at filling those shoes. High Top Mountain is an essential edition to any fan of real country music's collection. Standouts: You Can Have the Crown, Old King Coal.



4. Arliss Nancy - Wild American Runners
There is female frontal nudity on the cover of Arliss Nancy's stellar Wild American Runners. That it took someone pointing that out for me to even notice it speaks to the substance over style aesthetic of this hard-rocking, hard-living band. Sliding into the punk meets country standard-bearer position of early Lucero, the already musically strong Arliss Nancy has taken their songwriting to a new level with their 3rd release. "Vonnegut" and "Nathaniel" are among the best songs released in any genre this year. The former's "Everything was beautiful and nothing hurt" is one of the most affecting codas I've ever heard.



5. Drew Kennedy - Wide Listener
Full disclosure: I consider Drew Kennedy a friend. He's a good dude who I've had the opportunity to hang out with before, during and after a few shows here in Mississippi. That said, I've never let that affect my reviews or feelings about his music.  As much as I've listened to him (Last.fm says I've played his songs 1,654 times), I still always find his songs to take some time to "get." Maybe it's Drew's poetic style or his unique vocals, but every time I hear his music, it's a new experience. To me, that's the mark of a great artist, and Wide Listener is his strongest and most layered work to date. The fact that he brought in a few co-writers this time around doesn't change the artistic vision or stylistic voice of Kennedy's work. Standouts: Hello Goodbye, Jackson Square.



6. Run the Jewels - s/t (still free!)
Killer Mike and EL-P's last albums were among my favorites of 2012. Putting two of my favorite rappers together on a full album sounds like a no-brainer, but chemistry isn't guaranteed, even between two creative artists with similar takes on hip-hop. Thankfully, Run the Jewels may even be better than the sum of its parts… and its respective parts are already cream of the crop.  This is a party album with a ton of boasts and brags, but it never plays to the "bling and booty" crowd. It's a smart take on culture and good times that's full of memorable lines, but also cohesive songwriting. The production is dirty, raucous and bass-driven, but never aggressively off-putting (like that of a certain rapper on top of everybody's else's lists). I've listened to this album more than any other in 2013 and it looks like 2014 will be another year of RTJ as they've already announced a follow-up.
Standouts: Sea Legs, Banana Clipper



7. Brandy Clark - 12 Stories
Brandy Clark may not be the savior of country music but… wait, this sounds familiar. In country's "year of the woman" (critically not commercially, unfortunately), Clark stood at the forefront, at least for me. Kacey Musgraves might be the most recognizable face of the movement, but Clark is the most vital part of it. Her songwriting is superb, from the knowing ache of "What'll Keep Me Out of Heaven" to the smart-assed wit of "Stripes," she knows her way around a hook and through the ins and outs of the human condition. She's not the stone country throw-back that a Sturgill Simpson is; Clark is what country music should sound like in 2013 if it had evolved without so many greedy influences mutating the DNA. 12 Stories is a progressive work of heart and humor that honors its predecessors while gracefully arching towards the horizon.



8. Austin Lucas - Stay Reckless
Austin Lucas was a drain on my emotions this year. His post-divorce album, Stay Reckless, is mostly a shaded journey through loneliness and acceptance. There are great rockers like "Alone in Memphis" but again… alone. Lucas never sounded better, his voice aching with expression most singers could only dream of. "Splinters," an exploration of the uncertain reasons for the end of a relationship, is a deflating but gorgeous way to end the album on the saddest note possible.
Thanks a lot, Austin.



9. Fifth on the Floor - Ashes and Angels
Fifth on the Floor is the quintessential southern rock band working today. Theirs is a powerful, distinct and gritty take on a sub-genre that has become increasingly tiresome in the hands of less skilled bands. Ashes & Angels mostly steers clear of cliche with strong lyrics, modern attitude, and a mission to bring the rock. Lead singer Justin Wells is a mountain of a man with a voice to match and his cohorts are all excellent players. From the raucous "Whiskey" to the soulful "Angels in the Snow" to the excellent My Morning Jacket cover, "One Big Holiday," Ashes & Angels is an excellent entry from the premier band still carrying the southern rock flag.




10. Ashley Monroe - Like a Rose
Nine songs wasn't enough unless Ashley Monroe's plan was to leave us wanting more. On that count, Like a Rose is a job well done. Monroe's earthen angel vocals and gracefully edgy writing made this an album to return to over and again. Confessional and universal at once, Like a Rose gave us modern sentiment wrapped in a timeless package. Monroe covers regret, crime, drinking, lost love and a marriage in need of a little spice. What more could you need in a country album? More songs maybe…  Standouts: Morning After, Two Weeks Late




11. The National - Trouble Will Find Me




12. Kacey Musgraves - Same Trailer, Different Park




13. Shooter Jennings - The Other Life



14. Queens of the Stone Age - …Like Clockwork



15. Ha Ha Tonka - Lessons




16. Son Volt - Honky Tonk




17. Guy Clark - My Favorite Picture of You




18. Possessed by Paul James - There Will Be Nights When I'm Lonely




19. Vince Gill and Paul Franklin - Bakersfield




20. Todd Farrell Jr. and the Dirty Birds - All Our Heroes Live in Vans

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