Jun 28, 2022
Jun 22, 2022
Yeah, that Jelly Roll. The one we’ve made fun of before when running down stereotypes of hick-hop fans and artists. Mr. Roll, who’s mostly known for his country rapping, has been hiding (from those of us who haven’t actually listened to his music, his fans knew) a true talent: one hell of a soulful voice. He’s also a solid songwriter, co-writing this one with Ernest (of “Flower Shops”) and David Stevens. There isn’t a ton of new ground broken in these lyrics, but they’re moving enough, and real enough to be a definite standout on the country chart. But again, the thing is that Jelly Roll sings the hell out of this song, and it’s impressive.
Jimmie Allen - Down Home
There are several other songs on the charts I like more than this one that I could have included. It’s squarely in the pocket of the current pop-country sound-scape with its production and some of the cadence. However, it’s well sung, not overly bro-or-boyfriend-country, and I like the direction Jimmie is moving. This is just kind of an atta-boy I’m putting out into the world in hopes he’ll keep going toward a more organic sound. Allen has the talent and authenticity to move the needle. Neither a ‘change the channel’ song nor a guilty pleasure, it’s a song that shows promise and it’s catchy enough to tap your foot along to and not feel like you’re being overly pandered to.
Jackson Dean - Don't Come Lookin'
When this song first came out, I gave it a quick listen and liked it enough to put it on my “Mainstream Country That Doesn’t Suck” playlist. Then I forgot about it. I was sampling the country station a few weeks back and heard a swampy country rock song that sounded so different from what else they were playing I had to Google the lyrics and see who sang it. It was this song (duh, I’m old and forgetful). Anyway, this rocks, in a bluesy redneck kind of way. Sure, it’s a song about getting away from it all out in the country, but there are no bonfires, beers, hotties, or the typical fare of pop-country. Jackson leaves the specifics out for you to fill in yourself. You don’t have to be spoon-fed.
Russell Dickerson ft/Jake Scott - She Likes It
Russell has recently made comments about how he doesn’t like us. You know, us… the ones who want modern country to have some kind of ties to its roots. This song is just a big ole poke in the eye to let us know he was serious. He’s gonna take his music in whatever direction he pleases and call it country, and screw you boomers. Most of Russell’s music prior to this song has been potboiler boyfriend country with no particular personality, and he hasn’t sold many records. So this is what you do to sell records. It’s still boyfriend country; he’s just dialed up the pop influences to 10 to make it sound more hip. Because twang and traditional instruments don’t sell, right Tyler Childers and Cody Jinks? This is flat out terrible and I wouldn’t like it even if it was marketed as pop.
Dustin Lynch - Party Mode
The first time I heard this song, the first verse lulled me into thinking it might be a tolerable song. Then the chorus hit. It’s like the writers said “What if we made the verses kind of a throwback 90s/00s sound that pulls people in, and then throw a big pile of fresh dog shit in their face?” It’s so bad, the relatively decent verses can’t even pull the grade up. If you were driving with the windows down to the first 43 seconds of this song without ever having heard it, and stopped at a light when the chorus hit, you’d strain your shoulder reaching to turn it off or roll the window up before anyone nearby could hear you listening to that insipid, embarrassing dreck. Pretty sure Dustin is just aiming for Tik-Tok virality with this nonsense. You know, just like Hank would’ve done.
Chris Janson - Keys to the Country
This song is far more “country” than the other two selections above, but it’s a sub-genre you may remember with disgust: Bro-country. Yeah, it ain’t completely dead. I read the lyrics a few weeks ago before actually listening, and just rolled my eyes (as much as you can while reading something). Been there done that to infinity and beyond. Hearing it today for the first time was a slightly better experience, but affirmed the “bro country” label. Unlike a lot of the cookie cutter dude-bros, Chris has some real talent. Wish he’d show it off a bit more often, but when you’re trying to clamber up from C-list to B-list, I guess you have to make some concessions. Also “I ain’t got the key to the city, but I got the keys to the country” doesn’t hit as a hook the way they think it does… comes off flatter than Highway 61. (Note, there are several songs worse than this on the charts… looking at you Walker Hayes… but I wanted some variety on this post)
Jun 20, 2022
Apr 4, 2022
Mar 17, 2022
10. A built in audience of TikTok fans you duped into thinking you were talented
9. A gym membership
8. Generic, character-free male country voice
7. Willingness to be an opening act forever (females)
6. Willingness to be a headliner with your own bus right out of the gate (males)
5. Ability to politely say nothing with many words, when asked about a serious topic in an interview
4. Strong knowledge of hair care techniques, including advanced shampoo and condition, heat protection, volumizer, mousse, and shine serum
3. Have large or new family and only talk about them ever and nothing else
2. Musical inspirations must include at least 3 of the following: 21 Pilots, John Mayer, Lil Wayne, Drake, Ariana Grande, Sugar Ray, Kanye, Keith Urban, Imagine Dragons, Taylor Swift (pop era).
1. Be boring as dry dog shit
Feb 21, 2022
Dec 20, 2021
Dec 14, 2021
Jul 15, 2021
Apr 15, 2021
Mar 12, 2021
When patients come in complaining of sleep issues or constant tiredness, somnologists have many options. Sleep studies, diet and exercise changes, medication, breathing machines, and many other methods help doctors remedy those in their care.
Lately, many sleep doctors are turning to an unusual therapy to cure insomnia: country music. Well, modern mainstream country radio, to be more precise. Studies have found the popular genre to be effective in nearly 72% of cases overall.
Dr. Lenox Knox of Chicago was the first sleep specialist to discover the unlikely health aid. “I had a patient in my waiting room who told us he hadn’t slept in 4 straight days who was sound asleep.” said Knox. “We were playing a satellite country station over the speakers… I believe the artist was Dan and Jay or something like that.” “Long story short,” he continued. “We did a mini study on the patient, removed all other variables, and it was unquestionably the pop-country music that cured him.”
While official clinical trials are yet to take place, several of Knox’s associates report similar success.
“We had a woman who was unresponsive to medication who basically passed out on the examination table when we played her the latest song from an artist called Niko Moon.” said Dr. Terry Temple of Shreveport. “We’re discovering that it’s not country music in general that is causing this effect on her and other patients, but specifically the style that is currently popular on mainstream radio stations.”
“With mid-tempo “vibe” oriented soundscapes dominating the format right now, our patients are honestly just bored to sleep,” said Knox. “To put it un-clinically, their minds just shut off due to the drudgery and sameness.”
When questioned about why the style of music was so effective in helping the sleep-challenged resume a healthful pattern of rest, Temple theorized that “it’s the lack of sharp ‘real’ drum sounds, the sonic malaise of similar tempos, and the unchallenging subject matter, but that’s just a guess; I don’t mean to blindly group Kane Bryan, Dick Russelton, and all those other artists together.”