Showing posts with label Jon Pardi. Show all posts
Showing posts with label Jon Pardi. Show all posts

Nov 4, 2020

The Current Poop of Mainstream Country Radio: November 2020

A poop emoji is negative. A strike-thru is positive. 


The current Poop Rating of the Mediabase Top 20 is (-4) overall which is a 5 point improvement from August (the previous time we did this chart). The worst song by a long shot is Dan + Shay’s “I Should Probably Go to Bed.” The best song is Jon Pardi’s “Ain’t Always the Cowboy,” edging out Stapleton’s latest by a hair. There are some decent tunes here and the chart should improve a little more over the fall and winter. On a negative note, there’s only 1 solo woman, so we’re back to square one on that front. Do better, Nashville.


Chart info from Mediabase/Country Aircheck.



Feb 18, 2020

John Rich's Songwriting Tip #84

A lot of people ask me about maintaining integrity in songwriting. They say, “John, how do you stay relevant in the country songwriting field without compromising your beliefs in the sacredness of the genre, or your love of the craft?” 

I get it. Despite the popularity of a few somewhat traditional sounding artists like Jon Pardi and Luke Combs, it seems that country music is drifting toward the pop landscape more and more. The lyrics are becoming more repetitive, the stories are becoming non-existent, and there are less “real” instruments in the music. I understand your concerns and have some advice for you.

Get over it, boomer. Can’t compromise your integrity if you never had any! This is a business, not an art gallery. I can sell more Bocephus on velvet paintings down by the interstate than I can Monet prints, and I’m all about that almighty dolla dolla bill y’all, so shove your authenticity and get busy hanging up the Hank Jrs. 

I went through a few years of thinking I could still get songwriting cuts and hits with the old tried-and-true formula, but it wasn’t because of some virtuous bullshit - I was just lazy. But nowadays I’m getting back on the horse, punching them buttons and dropping them beats. Just got through kissing Kane Brown’s ass on Twitter, too, so hopefully that’ll get me in good graces with the execs and the producers with stupid one-word names. It’s time for the pimp daddy with the bull-horn Caddy to ride again. And if snap beats are cranking out the speakers and you don’t like it, just shut yo washed ass up. 

Country music is like Silly Putty. Bend it and twist it however you want. Stick it down on a picture of Drake and Voila! You’ve made a weak, distorted version of Drake appear on the ‘country music.’ Who cares about tradition? Get that green son.


*not actually written by John Rich

Dec 13, 2019

The Current Poop of Mainstream Country Radio: December '19


The current Poop Rating of the Mediabase Top 20 is (-19) overall which is a 8(!!) point decrease from October (the previous time we did this chart). The best song on the chart is Jon Pardi’s “Heartache Medication.”  The worst is Dan + Shay and Justin Bieber’s “10,000 Hours.”


Chart info from Mediabase/Country Aircheck.



Oct 16, 2019

The Current Poop of Mainstream Country: Oct. '19

A poop emoji is negative; a strike-thru is positive.



The current Poop Rating of the Mediabase Top 20 is (-8) overall which is a 2 point improvement from July (the previous time we did this chart). The best song on the chart is Jon Pardi’s “Heartache Medication.”  The worst is Blake Shelton & Trace Adkins’ “Hell Right.” 


Chart info from Mediabase/Country Aircheck.

Oct 2, 2019

Really Dumb Country Reviews: October '19


These are real reviews from a popular digital music service.
----------

Zac Brown Band - The Owl






The Highwomen - s/t




Jon Pardi - Heartache Medication



Upchurch - Parachute


Sturgill Simpson - Sound & Fury
(yeah, I know it's not actually country)




Miranda Lambert - Wildcard


Sep 20, 2019

3 Up, 3 Down


3 Up

Jon Pardi - Heartache Medication
It’s hard to believe a song that starts out with a fiddle is actually a hit in this day and age. Pardi’s country, this song is country, what more do you need to know? It’s not exactly groundbreaking in the lyrical department, but it’s well written and at least copies all the good stuff. I’m really looking forward to his new album. Aside from “Heartache on the Dance Floor,” I’ve liked all Jon’s songs so far.
B+

Runaway June - Buy My Own Drinks
What’s this? Women with a top 10 song? I’m sure some IHeartRadio analyst somewhere is counting this as 3 songs by women for their stats, since Runaway June has 3 members. The song: it’s propulsive, confident, and catchy. It’s also timely. I hope radio will give this group a fair shake on future singles as well; their underrated Blue Roses album has quite a few that deserve airplay. 
B+

Lady Antebellum - What If I Never Get Over You
Shut up. I know it’s not very country, and Lady Antebellum is usually reality-show scripted kiss background music at best, but this is pretty good …so leave me alone. It calls back to their early swoony ballads, and for me that’s not a bad thing. Lady A got off the rails a few years ago with unmemorable …uh, songs… I don’t even recall any of them enough to give a fair description, but this seems to be a pointed turn back to what they do best. And it’s a sad song! And there are real instruments! The bar is low these days, what can I say? The harmonies are beautiful though.
B


3 Down

Chris Lane - I Don’t Know About You
It starts out bad and gets indescribably worse almost immediately. Heavy beats, R&B copycat vocal style, modern slang-y lyrics …but this is (air quotes) country y’all. While I listened to this to write a few words about it, I kept checking over my should to make sure nobody thought I was listening for my enjoyment. The chorus has lyrics nearly identical to several other pop-country songs, as I illustrated in a meme last month. Come to think of it, “country” songs are basically just memes now. Take a format and make slight changes to it and pass it around. As Public Enemy once poignantly asked “Who stole the soul?”
F

Jimmie Allen - Make Me Want To
Jimmie has some talent, and at least a smidgen of promise. However, this song fulfills no promise whatsoever. It employs snap-beats and paint-by-numbers lyrics for typical 2019 mainstream country radio fodder. It’s background music. The chorus has lyrics nearly identical to several other pop-country songs (including the one above), as I illustrated in a meme last month. Come to think of it, “country” songs are basically just memes now. Take a format and make slight changes to it and pass it around. As Public Enemy once poignantly asked “Who stole the soul?” This one’s catchier than Chris Lane’s nearly identical song and Jimmie has a better voice, so I’ll give it a
D

Luke Bryan - Knockin’ Boots
The good: Simple instrumentation, no clutter. The bad: Everything else. Who thought it was a good idea to bring back a bit of 90s slang that only stuck around for 3-4 years and a couple of hit songs from Candyman and H-Town, anyway? That’s wack yo. Circling back around to the simplicity of this song - the lyrics are also simple, but the definition of ‘simple’ that means stupid. I can’t stand repetitive nonsense… boots need knockin’, knockin’ boots… I feel stupid typing that, imagine singing it, imagine enjoying someone singing it. 
F

Jul 13, 2018

Mainstream Country Station Accidentally Plays Good Song

Note: This story was blatantly ripped off from Babylon Bee and adapted for country radio.

SOUTHAVEN, MS—Representatives for local mainstream country radio station WFNN 99.1 "Mighty Fine Ninety-Nine" issued an official apology Thursday morning after accidentally playing a good song on their station. An employee error reportedly caused the not awful song to be played in full.

“There’s no excuse, and we apologize,” a station representative said. “We meant to play another vapid pop song with a fiddle hidden in there so deep you'd need a stethoscope to hear it, and somehow a song with deep themes, country instrumentation, and solid musical execution just was slipped into the queue by a now former employee.”

Horrified listeners reportedly phoned in poorly though-out and nearly incomprehensible complaints throughout the morning.

“I relies on Mighty Fine 99 to play Luke Bryan at least twice hourly so I can make it through my hard morning of posting Alex Jones videos and racist memes on Facebook,” one local woman told reporters. “And they p**sed me off... because of that twangy noise song, they only played Luke eleventeen times today. I'm switching over to Bro-Country 102 if this s**t continues.”

"I accidentally heard a steel guitar and felt an emotion, despite being on high doses of feeling reducer pills," said Jonny Latham of Olive Branch. "That Stapleton dude sang a few three syllable words and made me feels intelligently inadequate." 

The network’s leadership assured its disgruntled listener base it wouldn’t happen again.

“I’ve personally gone in and purged every Miranda Lambert, Jon Pardi, and Chris Stapleton song from our system and instructed our content managers to only play mind-numbing, formulaic hits based on our data metrics going forward,” 99.1's program director said. “And as a special thank you to listeners for sticking with us, I’m happy to announce we’ll be playing only "Downtown's Dead" and "Heaven" for six straight hours Sunday afternoon." 


Apr 24, 2018

Borrowed Jokes: Conway, Pardi, Joe Diffie, Keith Urban

Music memes from around the webz; credited when possible.




"Pardi B"
From Brothers Osborne's Twitter account.

From @simcardcottam

From Country Music Memes 

From We Hate Pop Country

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